Without Paying Free Watch A Hidden Life

❃❃ ♧⊛⬇✻§▼⊛٭ω♡❋

❃❃ DOWNLOAD

❃❃ ✵♤٭♧★§✭✯▲✰⁕

 

Coauthor: Alberto Lainez
Bio No hay mas que una vida. Cuando se acaba, se acaba. Se feliz mientras estes aqui.

Audience score: 2873 vote

writers: Terrence Malick
Story: The Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II
Terrence Malick
2 Hours, 54minutes
I saw the film. It was great. The way Malick shot Austria (at that time) is amazing. A hidden life hope. A hidden life showtimes los angeles. A hidden life ost. A hidden life movie netflix. A Hidden life rocks. Knight of Cups blu-ray discarded in the sea Yeah. fair call Tree of Life Criterion held above the sand NO STOP! DONT.

The new Stepmom. A hidden life true story. A hidden life movie reviews. Kermode and Mayo, please do more spoilers! I would love to know some of Marks thoughts on many Cinematic attempts from yesterday and yesteryear. His opinion is often smothered in an attempt to preserve experience (which is understood) and I like more.

I love Ken Loach. A hidden life yms. August Diehl in A Hidden Life. (Reiner Bajo/Twentieth Century Fox) Political persecution stretched to epic length T errence Malick’s A Hidden Life is the wrong film for this moment in social history. The steadfast Christian goodness that Malick observes in the prelapsarian life of Franz Jägerstätter (August Diehl), a German pacifist caught between world wars, is mocked by today’s ruthless public figures who assert false righteousness, claiming to “pray” for individuals they assail, and professing religious belief even as they offend the tenets of that doctrine and support fashionable forms of sacrilege. It would be ideal to announce that Malick’s movie transports us to a different era before these treacheries occurred — or that the period story of Franz’s travails showed his/our suffering in a clarifying light and gave hope. Franz, his wife Fani (Valerie Pachner), and their towhead daughters are simple, devout people, close to the earth until the Third Reich jolts their peace and the film becomes All Quiet on the Western Front 2. 0. Franz is jailed, then executed for refusing to fight another war. But how can A Hidden Life instruct us when it shares the culture’s current confusions? (Is this ode to pacifism left over from Malick’s Vietnam-era ideas? ) Malick demonstrates the same interplay of banal citizenship and banal spirituality that blurs straight thinking and stymies good faith today. No wonder secular critics love it. Whether or not A Hidden Life was conceived in response to the current madness, the conditions under which a serious American artist must now operate (conforming to the dictates of the crudest, insensible production codes put in place by Titanic, Lord of the Rings, the Marvel franchise, HBO, and Netflix) make it nearly impossible to overcome the culture’s moral and intellectual breakdown. A Hidden Life is lofty and bloated, like The Irishman, its sin-celebrating counterpart. Malick’s three-hour narrative is too long and repetitive to communicate as a work of popular culture should, and as some of his previous films — especially The Thin Red Line and The New World — used to, even without topical relevance. Scenes of bucolic farm life, townfolk vulgarity, then politics-invading-Eden suggest a twisting, solipsistic vortex; Malick spins his same limpid nature photography and voiceover contemplation that always express agape, wonder, supplication, and invocation. Yet these mannerisms — rituals — fumble the film’s issues: Franz reproves “improvised fanaticism” among those who follow the Nazi drumbeat, but isn’t his own pacifism fanatical? Mel Gibson dramatized this dilemma better in Hacksaw Ridge. Malick’s pattern of interpolating the story with abstract, devout ruminations has the effect of turning prayers into rhetoric. Franz prosaically asking “Is this the end of the world, the death of the light? ” feels less trenchant than Wim Wenders’s sci-fi, metaphysical contemplation in Until the End of the World. Whatever personal intellectual process is expressed by editing color home-movie footage of Adolf Hitler into Malick’s buoyant steadicam études doesn’t come through; recorded history juxtaposed to imaginative history seems like a stunt rather than a shock of contrasting realities. Despite his cult status, Malick is not constantly discovering new means of cinematic storytelling. His methods are sometimes laughably familiar — especially in this “second wind” phase of his career and the rush of rough-draft material edited in the mode of poetic observation/introspection. It’s unfortunate that Malick resolved his creative block during Hollywood’s leadership crisis, an era without dramaturges or artist-producers who could help shape and refine his exquisite explorations — those truly inspired images and vibrant sound details such as a cut from mountain peaks to cathedral arches that is worthy of Leni Riefenstahl. But when Malick’s exalted panoramas are mixed with lines such as “Better to suffer injustice than to do it, ” or “Don’t they know evil when they see it?, ” all that implied sophistication seems trite. Among the struggling believers Franz encounters are artists who testify “We create sympathy, ” “Someday I’ll paint a true Christ. ” Much as they represent Malick’s own agenda, Sweden’s nature-poet Jan Troell already achieved everything Malick attempts here, especially in Hamsun (1987), about Knut Hamsun, author of The Growth of the Soil, whose ambiguous artistic and political beliefs were more troubling and fascinating than Franz’s martyrdom. The attempt to film a person’s inner life comes from George Eliot’s Middlemarch, quoted in Malick’s epigraph. Owing to his unstructured filmmaking, A Hidden Life expands almost intolerably, as if it were a literal adaptation of Eliot’s ideas about “the varying experiments of Time... human hearts already beating to a national idea; until domestic reality met them... passionate, ideal nature demanded an epic life. ” These days, godless Hollywood stretches even the mangiest movie to “an epic life. ” Malick’s lofty try for a new Middlemarch doesn’t work for an era estranged from the spiritual and artistic ambitions that Middlemarch represents and defiled by heretical politicians. Scorsese’s The Irishman also defiles those ambitions, and A Hidden Life is so detached from our spiritual and political needs that it feels similarly useless.

Does anyone know which song from the soundtrack plays when he says Some day we'll fall down and weep, and we'll understand it all, all things i really wanna know D. A hidden life runtime. A hidden life csfd. A hidden life trailer. A Hidden life story. A hidden life. Terence Malick's latest film. I'm sold already. Love that last tête-à-tête. Its his nature to be serious and correct, just as its hers to be mischievous and contrary, and at this point they just have to laugh at themselves and each other, because a standard proposal is just not going to work between them. But now they know each other so well that they get around it. I agree the movie rushed, so you dont really get to see Bathshebas development from the mistake of marrying Frank to Gabriels departure, but it tries to capture a bit of the deep love Hardy wrote about them: “They spoke very little of their mutual feeling; pretty phrases and warm expressions being probably unnecessary between such tried friends.” and “This good fellowship - camaraderie - usually occurring through the similarity of pursuits is unfortunately seldom super-added to love between the sexes, because men and women associate, not in their labors but in their pleasures merely. Where, however, happy circumstances permit its development, the compounded feeling proves itself to be the only love which is strong as death. besides which the passion usually called by the name is as evanescent as steam.”.

A hidden life imdb. A hidden life showtimes near me. A hidden life trailer 2. A hidden life kermode. A hidden life showtimes dallas. All these fantastically awful reviews just make me more and more convinced I absolutely have to see this film, ideally in the cinema.

A Hidden life music. A hidden life new york times review. A hidden life wikipedia. A hidden life review. Such a beautiful movie. A hidden life film. Can´t wait to see Stroheim in this. 🙏God bless you sisters 🙏. Emma Watson: queen of book adaptation movies😍. A hidden life we lived above the clouds. A hidden life book. Gosh, this is amazing.

 

Love the intensity. This is going to be a good one. A hidden life cannes. There’s something unusually powerful about A Hidden Life, Terrence Malick’s spacious new chronicle of the conscientious objector Franz Jägerstätter, whose refusal to swear an oath of loyalty to Hitler and the Third Reich—a requirement of every Austrian soldier called to serve during World War II—resulted in his execution in 1943. That’s not exactly a spoiler. Jägerstätter was declared a martyr and beatified by the Catholic Church in 2007. And the film itself, which eventually proves suspenseful in the way that only the dread of a foregone conclusion can feel suspenseful, never obscures the nature of this conflict. It never obscures that Jägerstätter’s tussle with Nazi ideology is a fight that can only end in death—whether of the man’s principles or of the man himself. However, A Hidden Life opens not with despair, nor even war, but with plentitude: a rapturous sense of agrarian life and work, the tremendous freedom of the Austrian countryside, the trembling affections of young people in love. It is 1939 and Franz ( August Diehl) and his wife, Fani ( Valerie Pachner), have made a live for themselves in the valley of St. Radegund, a small village in Upper Austria—Franz’s birthplace. They’ve got three young daughters in tow, plus Fani’s unmarried sister and Franz’s widowed mother. The film opens with an air of nostalgia: a sense that the life onscreen is a life, a freedom, to which these people would never return. Malick being Malick, these emotive opening scenes are of course beautiful. Scythes sweeping in sync; hills rolling far off into the horizon. His favored cinematographer of late, Emmanuel Lubezki, didn’t work on this project; filling in is Jörg Widmer, who has worked as a camera operator on Malick’s films since 2005’s A New World and, accordingly, has a handle on the director’s fluid and often circumspect style. “I thought that we could build our nest high up in the trees, ” says Franz in the first of the film’s sprawling voiceovers—a Malick trademark that heightens and personalizes, rather than merely adorning and prettifying, his roving images. “Fly away like the birds to the mountains. ” The rapture of it all survives Franz’s first bit of military duty in 1940, after the nation has entered war and men like Franz are called upon to train. It survives the surrender of France, too, which lulls the villagers into the reckless hope that the war will soon be over. “It seemed no trouble could reach our valley, ” Fani tells us in hushed tones. “We lived above the clouds. ” And then, among the actual clouds, signs of what’s to come: far-off war planes flying overhead. Broadcasts of Hitler’s voice that echo through the valley at night. A Hidden Life is strange, an uncanny mix of everything that has made Malick’s style recognizable (and maybe, depending on you, infuriating) since The Tree of Life —all those non-scenes and their overtly physical displays of feeling, those voice-overs that are at times explicitly epistolary but otherwise feel like confessions to God—with these uncanny intrusions of World War II footage and images of Hitler, of marches, of encroaching crisis. A Hidden Life has a grand (this being Malick), totalizing subject at its core: nothing less than the rise of pure evil, evil that travels with such political force that even the church, Franz is chagrined to learn, cowers at the risk of condemning it. The seat of Franz’s objection—the reason he refuses to swear loyalty to Hitler, incurring the wrath and isolation of his fellow villagers, down to even the mayor—is that Hitler, he believes, is the anti-Christ. Of course, in political terms, disloyalty to Hitler is disloyalty to the nation. It is impossible. To which home does Franz swear his fidelity: Austria, or God? When the implications of Franz’s political betrayal begin to have real force, A Hidden Life shifts. It becomes a story of incarceration (and something of an endurance test, accordingly), tracking Franz’s long imprisonment and psychological decay—none of which deter him from what he believes—as, back home, his family suffers the consequences of his abstention. The film never obscures what it’s about. This is, after all, the story of a martyr. But because it’s recounted by a director whose cosmic visions are deliberately meted out through the most minute details, things most other films overlook—the ephemera of everyday experience, the gestures, glances, and sudden flights of feeling that define us without our even recognizing them in the moment—it all feels that much more particular. The secret to late period Malick, for me, has been realizing that you already know their rituals, their stories. You know what to expect for Franz’s family back home, while he’s gone; you recognize the signs and symptoms of their social isolation early on. And you know to expect that Franz will suffer violence in those dirty cells, that his resistance will gradually be worn down to a nub, that he will have doubts. All of which helps, because what Malick's films then provide are all the conflicting, ingenious colors therein, the subtleties lurking within each stroke of the brush. It’s the way Malick makes you see it that matters—and maybe, in this case, sticking closer to a script than usual (if that’s true; it’s hard for even a Malick fan to imagine) helped. Since at least 2017, Malick has claimed that this film, which was originally titled Radegund, would be a return to a slightly more straightforward style of filmmaking. “Lately—I keep insisting, only very lately—have I been working without a script and I’ve lately repented the idea, ” he said when A Hidden Life was still in post-production. “The last picture we shot, and we’re now cutting, went back to a script that was very well ordered. ” Hence A Hidden Life ’s clear, rhythmic structure, which anchors its ideas about the spirit and political will in even broader characterizations than usual. The good guys are good, the bad guys are bad—if only everyone could agree on which is which. This is a political film in a sense; the time of its release is of course suggestive, and so is the fact that its distributor, Fox Searchlight, is the studio responsible for the year’s other major Hitler movie, Jojo Rabbit. Really, though, it's about something much more base, anterior to politics. It's about faith, pure and simple—though, in the end, A Hidden Life is anything but. More Great Stories From Vanity Fair — Why Baby Yoda has conquered the world — Scarlett Johansson on movies, marriage, and controversies — 2020 Oscar nominations: 20 movies that are serious contenders — 29 of the brightest stars who died — The decade’s best shows, episodes, and where to stream our favorites — V. F. ’s chief critic looks back at the films that helped define the year in cinema — From the Archive: Julia Roberts—Hollywood’s Cinderella and the belle of the box office Looking for more? Sign up for our daily Hollywood newsletter and never miss a story. See Inside: Art Basel Miami Beach Kanye West and Swizz Beatz.

At 4:30. youre breathtaking. A Hidden life. A hidden life reviews. A hidden life movie wiki. A hidden life full movie 2019. The only movie where every single frame looks like a painting. Emmanuel Lubezki's masterpiece. Terrence mallick is a genius. I never stopped caring for Mallick. Guy is a bloody genius. The old folks in Hollywood really need to get some slack and move over a bit. What they keep producing lately is utter garbage. Very expensive garbage. All show, no substance. I ounce inspired myself from the poem in king of cup to write a letter to someone I fell for, and it actually worked. Seriously, how cheesy is that. But isn't that the pinnacle of what art can do. A hidden life james newton howard. Incredible! A must see. Family, convictions, standing for one's faith, character and convictions. The scenery was spectacular.

Franz dies. A hidden life trailer movie. Me: She's not Meg, She's Hermione. A Hidden life insurance. Congratulations,man, this is beautiful.

Wow its feel as though it was only yesterday when i was reading the book

A hidden life streaming. I love just about every part of this movie. Acting amazing cinematography, breathtaking. It is a gripping examination of sacrifice and faith. My favorite line "there are just admirers and not followers." resonated with me so much so. The themes of family and love, even in the midst of the struggles of life.
My one complaint that may change is the length. Though I can watch long movies I found the middle section of the movie to be over repetitive with similar scenes. Some say that this isn't a problem because it is meant to convey the impatience and the trail. I will keep that in mind in my next viewing and see if that comment is valid and makes sense. Other than that this movie was perfect. From the score to the setting, it becomes the most beautiful movie I've seen all year.

A hidden life austin. I'm not crying you're crying.

 

 

 

!Full Length! Watch Full Length Les Misérables: The Staged Concert

✱ ✧✧✧✧✧✧✧

✱ Alternative Server Link

✱ DOWNLOAD

✱ ✫✫✫✫✫✫✫

 

Audience Score: 45 Vote. country: USA. release date: 2019. average rating: 9,4 / 10 star. Thank you, youve confirmed what I thought it would be like. No way will I pay that much for a concert version. 12:13 - The world's only 176 key piano :D. Adblock ftw. Esse música desperta os sentimentos de emoção de muitas pessoas. Alun ARMSTRONG always the best. Watch full length les misérables the staged concerts. When is the dvd of the last show of the original production at west end coming. Samantha Barks was INCREDIBLE<3. Watch full length les misérables: the staged concert schedule.

Watch full length les misérables: the staged concert tickets

Watch full length les miserables: the staged concert 2017. Watch full length les misérables: the staged concerts. Young Cosette was trying so hard not to laugh when Madame Thénardier was screaming at her 😂😂😂. Watch Full Length Les MisÃrables: The Staged concert à paris. I absolutely lose it when Eponine dies in Marius' arms at the last word. Why make it a concert again? Just act out and film the whole musical. Sam is the epitome of a perfect singer both here and in the film what a voice. First comment.

Watch Full Length Les MisÃrables: The Staged concert tickets

Watch full length les misérables: the staged concert show. I saw this production on 2nd, 3rd & 4th of September ( 2 with John Owen Jones as JVJ & 1 with Alfie Boe. The Principals, Everyone in the cast & the Orchestra gave 100. IT WAS MESMERISING 🎉😍 Go see it if you can 🥳. The Simone Biles Story: Courage to Soar The Simone Biles Story: Courage to Soar Based on her book, this World Premiere film follows Simone Biles through the sacrifices and hard work that led her to win 19 Olympic and World Championship medals. Punk in Africa Punk in Africa Three chords, three countries, one revolution…PUNK IN AFRICA is the story of the multiracial punk movement within the recent political and social upheavals experienced in three Southern African countries: South… The Irishman The Irishman In the 1950s, truck driver Frank Sheeran gets involved with Russell Bufalino and his Pennsylvania crime family. As Sheeran climbs the ranks to become a top hit man, he also… Warsaw 44 Warsaw 44 A beautiful story about youth, love, friendship and the pursuit of adventure during the bloody and brutal reality of the Warsaw Uprising. RAF at 100 with Ewan and Colin McGregor RAF at 100 with Ewan and Colin McGregor To celebrate the centenary of the Royal Air Force, Ewan and Colin McGregor take to the skies in some of the world’s most iconic planes. These are the planes that….

Express. Home of the Daily and Sunday Express. LES MISERABLES The Staged Concert sold out its short run and then sold out cinemas nationwide on December 2. Now it's back for more screenings across the UK this weekend. PUBLISHED: PUBLISHED: 09:01, Fri, Dec 6, 2019 Fans are eagerly awaiting the relaunch of Les Miserables in its brand new production and theatre later this month. But they also flocked to see the sensational staged concert starring best buddies and vocal powerhouses Michael Ball and Alfie Boe. It finished its sold-out run last week but fans can catch it in all its widescreen glory across the weekend. Dates and booking info coming up next. Cameron Mackintosh’s spectacular staged concert version of Boublil & Schönberg’s legendary musical, Les Misérables – The Staged Concert will be screened exclusively in over 400 cinemas across the UK and Ireland on Saturday 7 th and Sunday 8 th December. The show was recorded live from the Gielgud Theatre in London on this Monday past. Specially invited guests and ticket lottery winners packed out the venue to bring raise the barricades and the roof one last time. The night ended on a very emotional curtain call, which was also beamed across the country. SCROLL DOWN FOR HOW TO BOOK TICKETS READ MORE: MICHAEL BALL AND ALFIE BOE ANNOUNCE NEW UK TOUR Les Miserables Staged Concert cinema dates this weekend (Image: PH) Les Miserables Staged Concert cinema dates this weekend (Image: PH) Cameron Mackintosh said: "The extraordinary sell-out success and response to our spectacular new theatrical concert staging of Les Misérables has been phenomenal. "We were thrilled to add one final extra performance on 2 December which was be streamed LIVE to cinema audiences around the UK, Ireland and the US. "Starring our entirely brilliant London cast headed by Michael Ball, Alfie Boe, Carrie Hope Fletcher and Matt Lucas, our 16-week limited season at the Gielgud sold out in a few days. "Now you can storm the barricades to ensure you catch this thrilling live performance direct from the West End in a cinema near you one last time this weekend. " Les Miserables Staged Concert cinema dates this weekend (Image: PH) "For the masses of disappointed fans who couldn't get to see this amazing concert in London this live event will be a unique shared experience of thrilling drama, glorious music and sensational singing performed by an amazing all-star cast and orchestra of over 65 - the like of which you will have never seen before. "If you have ever Dreamed a Dream - this is it! ” Michael Ball, of course, has a special place in the legendary show's history. The British star played leading man Marius in the original 1985 London production. DONT MISS... WATCH AN EXCLUSIVE ALFIE BOE MEDLEY HERE (VIDEO) Ten years later he returned for the Tenth Anniversary concert at the Royal Albert Hall. This time around he has swapped sides across the barricades and is playing embittered police inspector Javert. He is joined by his long-time friend and singing partner Alfie Boe, who plays the heroic Jean Valjean. When they're not revolting with the Parisian mob, Ball and Boe have been busy the last few years topped the charts with their first two albums. The third and latest, Back Together, is out now. and will, of course, be followed by a tour next year. Les Misérables – The Staged Concert is live in cinemas on December 2: book tickets here.

Worse than meh. I was here to hear Samantha Barks but fell in love with the four Valjeans at the end. Incredible ❤️. Watch full length les mis c3 a9rables 3a the staged concert reaction. Watch full length les mis c3 a9rables 3a the staged concert status. Watch full length les misérables: the staged concert band. Everyones seen les mis countless times really? No.

Watch full length les miserables: the staged concert schedule. You know what i was like, i'll start a Black Market so this is what Nardole meant when he said that. I have to say,this cast ARE Les Mis' imo. Can't count how many times I've viewed this 10th anniversary concert and it STILL has me in tears. yeah,yeah sad,I know. I've watched the 25th anniversary dvd once. Enough said.

Breathtaking. Please tell me ，where theatea can I see it Queen's theatea.

Watch full length les mis c3 a9rables 3a the staged concert karaoke

Watch full length les misérables: the staged concert 2016

I love Les is a pretty good it. Watch full length les misérables: the staged concert tour. Watch full length les misérables: the staged concert full. Thank you. OMG. Colm Wilkenson you are a true God's gift to the history of mankind. 21:47 that woman with the scissors is a mood. Perfection ⭐️🏆⭐️.

I'm here dancing and lipsincing and smiling to at the end of the day while totally knowing the meaning. oh boy it's just so upbeat I can't handle it. Watch full length les mis c3 a9rables 3a the staged concert pdf.

Watch full length les mis c3 a9rables 3a the staged concert html

Matt Lucas' Best Roles Top 5 1st Monsieur Thenardier 2nd Tweedle Dee and Tweedle Dum 3rd Mr Collick 4th Nardole 5th Sparx. CAST: Michael Ball, Alfie Boe, Carrie Hope Fletcher, Matt Lucas, John Owen Jones DIRECTOR: TBC RUN TIME: 3 hours 15 minutes RELEASE DATE: 02/12/2019 CAMERON MACKINTOSH presents BOUBLIL & SCHÖNBERG’S legendary musical LES MISÉRABLES – THE STAGED CONCERT. Based on the novel by VICTOR HUGO Music by CLAUDE-MICHEL SCHÖNBERG Lyrics by HERBERT KRETZMER Original French Text by ALAIN BOUBLIL and JEAN-MARC NATEL. Seen by over 120 million people worldwide, LES MISÉRABLES is undisputedly one of the world’s most popular musicals. Coinciding with its 35th triumphant year in London’s West End, Cameron Mackintosh produced a spectacular sell-out staged concert version at the Gielgud Theatre featuring an all-star cast including Michael Ball, Alfie Boe, Carrie Hope Fletcher, Matt Lucas and John Owen Jones. Now cinema audiences can experience a live broadcast of the musical phenomenon which broke box office records and sold out its entire 16 week season. Featuring a cast and orchestra of over 65 and including the songs I Dreamed A Dream, Bring Him Home, One Day More and On My Own this sensational staged concert is not to be missed - an absolute must-see for any fans of musical theatre or live event cinema. Les Misérables: The Staged Concert contains a sequence of flashing lights which might affect customers who are susceptible to photo-sensitive epilepsy.

Watch Full Length Les MisÃrables: The Staged concert video. Watch full length les miserables: the staged concerts.

 

https://seesaawiki.jp/dakaiga/d/Qy6BecMPp6LMpEET2

seesaawiki.jp/seitoshi/d/kickass%20Movie%20Stream%20Les%20Mis%26%23233%3brables%20The%20Staged%20Concert

https://usopentenistickets.blogia.com/2020/031702--pirate-bay-les-mis-rables-the-staged-concert-movie-watch.php

seesaawiki.jp/gurinodo/d/gomovies%20Les%20Mis%26%23233%3brables%20The%20Staged%20Concert%20Download%20Torrent

Les Misérables: The Staged Concert Download Full gomovies Streaming Online

https://sinoficio.blogia.com/2020/031604-les-mis-rables-the-staged-concert-free-stream-for-free-mkv-no-login-720p-gomovi.php

Columnist - musical scenes
Info This is a FAN ACCOUNT. We don't own any of this contents, we only repost them. *ALL RIGHTS RESERVED TO THEIR RESPECTIVE OWNERS.*

 

 

 

‹Without Sign Up› Chhapaak Download Movie

ωωωωωωωωωω

https://stream-flick.com/16597.html?utm_source=sinoficio.blogia

⊛⊛⊛⊛⊛⊛⊛⊛⊛⊛

 

 

Writer - Pune Mirror
Resume India's largest compact newspaper

 

rating=22433 Vote

India

tomatometers=5,6 / 10

Directors=Meghna Gulzar

Release Date=2020

Chhapaak full movie in hindi. Amazing. Chhapaak title track. Chhapaak showtimes. Chhapaak releasing date. Chhapaak movie trailer. Chhapaak movie showtimes. Please watch Dev D. It's a masterpiece. Chhapaak box office collection.

 

Chhapaak songs download. I appreciate deepika padukon for this movie but i strongly condemned to visit JNU.

 

लढना हे पर किससे. स्त्री जाती को पुरुष जाती से. बस करो अब फेमिनिजम को फैलाना. we support acid victim. Chhapaak plot. Chhapaak vs tanhaji collection. Chhapaak collections. What I was looking for 'movierulz Online Hindi Film Live Steaming DOwnload 'Chhapaak' OnlIne Free Wherefore. Watch Chhapaak Online HBO 2018 Online - Facebook Chhapaak english watch OnLinE.

I agree with Rick's perspective. Chhapaak song. Chapaak movie. Chhapaak movie مترجم.

Chhapaak full movie online free 123movies

She is disturbed but thanks Deepu we love you fighter. Chhapaak collection. Chhapaak trailer official. Chhapaak box office. Chhapaak amc. Chhapaak social experiment. Chhapaak title song.

Chhapaak full movie free download

Movie me aapne bhi kam kiya hai na anjana mam special appearance me. Chhapaak (2020) full Movie Download Chhapaak (2020) full Movie Download, Bollywood Chhapaak free download in hd for pc and mobile dvdrip mp4 and high quality mkv movie in 720p bluray Movie info: Language: Hindi File Format: mkv File Size: 880mb Quality: 720p WEBRip Click Here To Download Chhapaak (2020) Film Short Story: The preliminaries and triumphs of Malti, a corrosive assault survivor. From the examination of the assault to the court procedures, the medicinal treatment to the passionate recuperating. Chhapaak is the account of the unquashable human soul. Chhapaak (transl.? Splash) is an up and coming Indian Hindi-language dramatization movie coordinated by Meghna Gulzar and delivered by her just as Deepika Padukone in a joint effort with Fox Star Studios. Chhapaak (2020) Full Movie Review:.

True story Love this. Chhapaak movie review. Chhapaak movie watch online. Chhapaak (2020. Chhapaak flop. Chhapaak movie release date. Chhapaak box. Chhapaak collection so far. Chhapaak movie near me. I can only say that Fox Star is doing a great job doing these kind of initiatives. Bravo. 👏👏👏❤ This movie is not only for entertainment purposes, there's a great message in it... I can only hope & pray that everyone will understand it's message. 😢 That's it... 🙏🙏🙏🙏. Chhapaak controversy. Chhapaak [Deepika Padukone] Full HD Movie Download Leaked By Torrent Deepika Padukone New Movie Chhapaak Has been Leaked on tamilrockers And Torrent official site. You Know. movie downloading from internet is illegal. You can’t Download it from internet. But They Tamilrockers group leaked every indian movies on official site. Earlier TamilRockers used to only leaked Tamil and Telugu movies but now they have started leaking all the films. Check Out Film On Your Nearest Theater. You Should Watch This Movie On Your Nearest Theater Don’ t Download on internet. Deepika Padukone will be seen in the lead role in this film. The story of the film is based on a true incident. Film Story Based Malti (Deepika Padukone) was attacked with acid on a street in New Delhi, in 2005. Chhapaak Full HD Movie Download Chhapaak 720p Movie Download Chhapaak 480p Movie Download “Chhapaak Movie has been leaked on Torrent, Tamilrockers & Filmyzilla sites. According to LnTrend Team You should watch this movie on Theaters. Don’t download it on internet. ” As internet speed is increasing, piracy is increasing. This is causing great harm to the film makers And This is causing great harm to both the filmmakers and the film industry. The government can’t stop it Because there are so many websites in the Internet, which website will the government close?. Piracy is also increasing because of us, if we do not download piracy things from the internet, then this piracy will also reduce gradually. Disclaimer:- This website does not promote any pirated movie and Pirated Content. The piracy website can also leak this movie because all the famous films of this month have been leaked so far. These websites are banned repeatedly by the government, but this website does not take the name of closure. Thousands of such websites are available online. We also should not do piracy because this can also harm us and we may have to go to jail.

Chhapaak movie songs.

EXCELLENT laxmi ji. You are the Best Motivational speaker. I have ever seen💐

Chhapaak imdb. Aise ladko ke saath Aisa hi hona chaaheiye but aaj kal ki ladkiya himmat hi nhi dikhaati aur ISS ke Baad sociate krna hi sahi maanti hai but jo aapne Kiya its mind blowing every girl should have courage like you 💎🐰💎🐰💎🐰. Chhapaak fail. Chhapaak reviews. Chhapaak film. Nothing is problem in this she is not beautiful but she is very beautiful. I am from future and ur channel has already got a 1million sub. Chhapaak official trailer. Chhapaak box collection. Chhapaak 2020. Chapaak trailer. Chapak deepika. Chhapaak full hindi movie. Usne mera face change kiya mera dream nahi. 👌👌👌 👇Who is agree.

Chhapaak wiki.

Chhapaak box day 9. Chhapaak makeup. Dear stranger who ever reads this may your parents live for 100 years. Aap bhut himmatwale ho di or sundar v. You just murdered the originality of the song! Itne TA*TI lyrics. Chhapaak online movie. Chhapaak English Full Episodes watch full vid Online... Chhapaak movie. Chhapaak release date. Gulzaar sahab k bolne ka andaz. Wow. And voice... Damdar 😊😊😊😀😀😀. What a wonderful review, will definitely watch the movie. Gulzar is legend. 👍. Chhapaak movie watch online free.

https://www.goodreads.com/group/show/1078872-movie-chhapaak-720p-hd-without-registering-india

https://eneryzaid.blogia.com/2020/031604-hd-720p-download-full-chhapaak.php

andrea4ever.blogia.com/2020/031702--9733-putlocker-9733-movie-stream-chhapaak.php

pishishingu.amebaownd.com/posts/7930088

https://www.goodreads.com/group/show/1078695-123movies-chhapaak-movie-stream

 

 

DVDRIP Watch Full Little Joe

WATCH ~DOWNLOAD

 

 

Emily Beecham, Kerry Fox
Jessica Hausner
Mystery
1h, 45 Min
Director=Jessica Hausner
Schönes Video linear und Abo haste dir verdient.

For anyone who's seen this: the shoes. The twist is the baby is real and everyone else is fake. That looks so much fun. Love this song for so many reasons🥃🥃🥃. Finally thanks a bunch. Pura Vida con Lil. Visually appealing but irritating. I don't know if that's what the producers of this were hoping for, and if so they managed to get on my nerves a lot. Everything from the music, to the main characters inability to register what's happening in front of her face. It's basically a film about a plant gaslighting a woman for two hours. I don't know what the film makers were going for and that makes this a bland and slow film.

The one and only little joe the legend. L. Oñate 8 y41811. Fox: We need something original. People are complaining about all the sequels. Taika: Hold my Bier.

Think they showed to much... I also get the feeling thats his dad 😐 thanks trailer.

• 
• Author: Patrick Dailey
• Biography Husband - Off Road racer - Pug Dad Padres, Gulls, Ducks, Manchester United Star Wars, Marvel, Disney fanatic

 

 

//

1280p Full Movie Black Christmas

⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈⎈

https://stream-flick.com/16640.html

☼☼☼☼☼☼☼☼☼☼☼☼

 

Writer Elliott Mair

Resume: NOMAD/ˈnəʊmad/ noun. 1 - a person who does not stay long in the same place; a wanderer. 2 - Scottish: ‘not mad’ | they/them | 🏳️‍🌈

 

year - 2019

New Zealand, USA

Mystery

3,9 of 10

Sophia Takal

runtime - 92m

I never thought I will see Emilia Clarke say Nabijem te na kurac in Christmas movie but here we are... Apple Music pls 😂. This film was too short, but I saw everything I needed to see. Great superrrrrr I LOVE THIS movie guys YOU NEED TO WATCH IT. When I saw this reposted I thought they were gonna put out a re-edited trailer that yknow doesnt spoil who the killer is and the entire meone needs to fire whoever does Blumhouses trailers because they spoiled Ma, The Hunt and Us a shit ton.

 

I had no positive expectations as the trailer already pretty much told you the story.
I found it bland, unimaginative if you want Xmas horror watch the 1974 version.

————————————————————————————————————————————————————————————

Im back and this movie taught me to look before you leap into a room full of razor wire. Better than Halloween 1978. There I said it. Es ist in Filmen völlig normal durch einen Schneemann ausversehen hinzufallen und anschliessend getötet zu werden. I'll watch for blumhouse. I feel like this movie is extremely underrated. It holds it's own as a gory slasher with classical elements. Compare it to the remake of Prom Night and it's a masterpiece.

Creepy movie! Why bought a house in the cemetery ! Is it used to be funeral home for death bodies!🤕😰😩. Short Summary of Black Christmas 2019 Movie: A group of female students are stalked by a stranger during their Christmas break. That is until the young sorority pledges discover that the killer is part of an underground college conspiracy. Runtime: 111 min (extended) Director: Sophia Takal Language: English Also Known As: Black Christmas Genres: Horror | Mystery | Thriller Release Date: 13 December 2019 (USA) Writers: Sophia Takal, April Wolfe Stars: Imogen Poots, Aleyse Shannon, Lily Donoghue more Hollywood stars…..

 

Wont be watching this one either. We live in an age where even remakes get remakes. That is the case with Black Christmas. I liked the original enough for an aged slasher from the 70s. Even the remake, which I re-watched a few years back was mildly entertaining. So I thought, another update while wildly unnecessary, would still be a good watch. Boy, was I wrong. This film is so boring and all around terrible that is very much so the worst movie I've seen in 2019.

The film is about a group of sorority sisters who want to bond over the holidays and also spend time to uncover the men in a local frat who have committed crimes against them. However, it turns out members of the sorority start getting murdered right after receiving texts from someone impersonating the controversial founder of the college that they attend. This film stars Imogen Poots, Cary Elwes, and a bunch of terrible actors no one cares about.

Not only is this film mind numbingly boring for an hour, its overbearing theme of modern feminist and touching on modern women v men issues completely takes away from anything the film wants to build up. It was so off putting, the dialogue ludicrously bad. I feel like this script was written by a high school student who likes to go to parties, and goes on Twitter to glaze over whatever people are outraged acting is no good, although Poots tried her very best. The scares are so predictable, there's no interest in who the killer is because I was so far removed from interested.

You can make a good film that is strong on feminsm without being so on the nose about it! These characters are all so shallow and blend into one, the plot gets so horrendously bad as it goes along holy cow. People at the cinema were audibly annoyed with the ridiculous writing. This is certainly the worst film I've seen all year and makes it predecessors look like absolute classics. Do yourself a favor, and don't make the mistake of seeing this crap.

2/10.

That thumbnail is crying out to be a meme. Rest in peace, Margot Kidder <3.

 

This song is 🔥🔥 🔥🔥 🔥🔥 🔥🔥 🔥🔥 🔥🔥 🔥🔥 🔥🔥 🔥🔥 🔥.

 

https://nueva-carteyaes.blogia.com/2020/031702-al-ha-khagim-ve-al-ha-ma-vet-free-download-kickass-no-sign-up-2019-release-1080i.php

https://unciudanotresarroyense.blogia.com/2020/031603-free-stream-negra-navidad-hd-1080p-dual-audio-online-now-openload.php

https://ameblo.jp/marikoroka/entry-12582644399.html

 

 

 

Black Christmas

4.7 stars - Bennett Drew

The Call of the Wild Free Full 720p(hd) Full Length 720p Online DVDRIP

//

✰✰ ✪✵❉⁕✶✯ω❉♥✭✧↓♤❂✵♤⇓★

✰✰ STREAM

✰✰ ✼ω٭♥❋✼✺✻✱⇪✭⁕⬆§✰♣§❉

 

 

Adventure
creator: Michael Green
Director: Chris Sanders
Runtime: 1hours 40min
Resume: The Call of the Wild is a movie starring Karen Gillan, Harrison Ford, and Cara Gee. A sled dog struggles for survival in the wilds of the Yukon
A vadon hv szava free full movies. A vadon hv szava free full download. I want to see like different pets like a cat can sneak and kill birds a dog can sniff tracks ect.

México Tour yeah bienvenidos vengan a su casa you rocks! 🤩🤟🏻. His eyes though so dreamy blue my god my eyes a sht colored XD. Not Kelsey I see what you did there Buzzfeed... Part IV After the final scarecrow ordeal in early November, I slept for almost 26 straight hours. I took most of that following week off work to get back into a groove of physical and mental stability, spend time with Sasha, and reflect. I’d put Sasha, Dash, and ol’Dan in direct danger, and felt more worthless than I ever had. I wanted to move. I wanted to sell this place, quit my job, and never look back. Under the circumstances that accompany living here, I felt I couldn’t trust myself. My instincts were to try and kill danger, not learn its nuances and live in harmony with it. I wanted Sasha to make the final call. I needed it to be her decision. I told her how I felt, and I told her how much I truly do trust her instincts. I promised that if she wanted to say, I would commit to it entirely, and that we’d act decisively together, but that I’d let her be the quarterback of all this… “spirit” related decision-making. After I’d passed out that day, Dan called Joe over, and before I came to, Joe spent a long while talking with Sasha about the nature of this place and the spirit. That conversation gave Sasha a new confidence, and seemed to catalyze a deeper connection between her and this little 40-acre chunk of possessed, beautiful land. During the days that followed, Sasha listened to me, I listened to her, and she made it clear she wanted to stay, unless or until it’d make me miserable. I told her I’m in if she is, which I meant, and still do. I love this land, on the surface at least. In that week off I spent wallowing in self-reflection (and self-pity), I somehow managed to look under my own hood for the first real time to reflect on how I’d been wired. It took me a while to “get right” after falling back into civilian life, and a big part of that for me was revisiting trauma, digesting it, and shitting it out behind me on the road of life. The imminent prospect of having a reunion with some of that shit was making me a nervous wreck, so, naturally, I figured maybe chain smoking and reflecting on my own head was the right thing to do. On my 18th birthday—a clueless dipshit with zero life experience—I ditched high school calculus, hopped on a bus downtown, and sold my soul to an organization unmatched throughout human history in its ability to tear down and comprehensively redesign young men, from the ground up, into gorilla-brained warfighters. For the next six years, that was life, two-thirds of which was fluorescent-lit, sleep deprived monotony punctuated by training stints in fenced-off expanses of the American west. The other third, Afghanistan. Even though everything I did was decided for me, Afghanistan was the first time in my life I ever felt free. It’s where I first learned how I was unique, the first time I’d ever been valued by people above me, people I admired, first time I experienced being a real source of comfort to others. Also, the “experience of combat” between men fascinated me. It’s a defining and inveterate type of human interaction and utility. As old as feasting, dancing, monogamous romance, music, hunting, shit it’s older than farming. And I don’t mean war, all that macro-level strategy and geopolitical bullshit. I’m talkin about combat. There’s a simplicity to it. The fundamentals of combat still transcend time and culture, which creates a connection to something old, something that feels deeply, tragically human; I’m here in this cold, dusty valley to tear that man’s body apart with steel and fire… while he’ll be trying to do the same to me. The abject, terrifying clarity of it is intoxicating. However, most of my time there was still… frustrating. A Marine infantry battalion full of fast, strong, competitive, stupid ass 18-22 year-olds programmed to eat fuckin glass and do anything to protect each other is a terrifying thing capable of terrifying shit, that’s not the kind of tool you use for everything. Between bootcamp and ITB, you’re turned into a rifleman, an 0311, a grunt. You’re designed with the expressly-articulated purpose of storming beaches, sieging fortifications, spearheading invasions, or bleeding to death while trying. In my opinion, sending Marine grunts to LARP around as street cops in an area with lots of civilians, and a hostile insurgency dressed as civilians, is fantastically fucking stupid. Alas, that’s a lot of what we did. Checkpoints, searching cars, frisking old people, getting harassed by snipers, driving around, slaloming duct-taped bundles of 35-year-old explosives buried under the road. Fuck that noise. After over a year of that, my battalion joined a seven-country coalition force for the invasion of Marjah. That was my highpoint. That was a battle. We went from playing beat cop, to bangin it out against hardened Taliban warriors who’d cut their teeth against the Soviets when I was still shitting myself. These were bad dudes who’d come down from the Kush and tribal Pakistan openly, proudly self-branded as a religious inquisition. Guys who, if we killed, could no longer beat women and kids for wearing colors or singing in their own homes, or kill young men for learning the guitar or just talking back. It meant something. When that operation wrapped up, well, felt to me like we went back to squabbling with… normal assholes like myself; young dudes who were just fucking pissed. I was done. The spark was dead. I didn’t wanna be a fuckin cop. I had an opportunity to get out, and I jumped. But that meant I had to separate and integrate back into 21st century America, which, to my surprise, I ended up managing. Mostly because of meeting Sasha, but also some other friends who showed me one needn’t be surrounded by screaming, panic and death to “find themselves. ” Since then, I’ve grown gentler and more caring, and I’ve come to appreciate the immense value of experiences and relationships outside the fuckin Marine Corps. I don’t feel my purpose on earth is to fight. That being said, I’m not wired to think around a physical threat, I’m wired to spit in its eye, headbutt it, and heel-stomp its knuckles when it’s down. Thus, when it comes to gracefully navigating the bizarre, horrifying and violent manifestations of some ancient mother fuckin earth spirit that seems to have developed a uniquely individualized distaste for my well-being and sanity… it goes against everything in me. The prospect of this winter was a nightmare. The very people who I was programmed to confront with violence, then actually did confront with violence, were coming back to pay me a visit. I was fuckin terrified. But I promised Sash I’d try, and to tell her I needed to leave if I knew I couldn’t take it. So, life went on. We fell back into a healthy stride through November. I spent a lot of time grouse and pheasant hunting with Dash. Sash and I cooked every night. Once we knew we were off the hook after the third scarecrow, we hastily invited all of Sasha’s family to visit for Thanksgiving and finally see the place. Her parents, brother, sisters, and one of her sister’s two kids and husband all came out. A couple stayed at our tiny house, while the rest crashed at Dan and Lucy’s while they spent Thanksgiving with their kids in Boise. It was actually a great time, we hiked and cooked and drank. It showed us that if we got a grip on the timing of all this spirit bullshit, we could actually lead a relatively normal life. With “the ghost” season approaching, I also spent as much time with Dan as I could to prepare myself. I needed to be able to handle this one as calmly as possible, given how I’d escalated things over the summer. Dan and Joe said the earliest the ghosts have arrived is December 13, so between Thanksgiving and that date it was my objective to get as Zen about it all as I possibly could. I went over to Dan’s one evening for some beers and chat shortly after Sasha’s family left, and we sat out in his barn looking out over his pastures. “It’s hard Harry. I ain’t gonna lie to ya. It’s hard on Luce too, lord knows. Sash won’t be able to see em, but she’ll sure as shit know they’re there. That’s an easy way to mess with the head, ya know? Although, I will say…” Dan took a long pull off his beer and stared ahead blankly for a while before responding “I will say, Luce and Sasha are damn lucky they can’t see or hear em. ” – “Why? ” I asked, already kind of grasping the answer. “Well… the bastard ghosts are tryin to scare ya and unsettle ya the whole time they’re here, Harry. At least most of mine do. They’ll wait outside the door and jump at ya when you walk outside. They’ll pop into a window screaming when they can feel you’re looking outside. They’ll wait until you’re fast asleep and start screaming outside the bedroom. They’ll run around your roof at night. They’ll pound on the walls. It wears on ya. ” I felt a nauseous panic even hearing about this shit, but I needed to learn as much as I could. “Can I touch them? Can they touch me? Can they touch Sasha, or Dash, or my stuff, can they let the air outta my tires or some shit? ” Dan smiled, but a grim look slowly overtook his features as he responded: “If they’re outside your home, they can’t touch ya, and you can’t touch them. Every once in a while, if one gets real worked up n’angry, they can knock somethin over, like a chair or somethin. That’s not common though, seems to take a lot out of em. You can hear em touchin your house though. Poundin on the walls, runnin on your roof, smackin the glass. They don’t do any damage, but you and I can hear it, and sometimes Lucy can too. Same thing with their screaming, once in a while, if one’s real angry, and they scream right into Lucy’s ear, she can hear it. ” Dan looked up and stared out at, well, nothing, and went on “the same guy likes to pick on Lucy too, year after year. I call him the Welp. He follows Luce everywhere when she goes outside. He’s one of the worst. Real scary for Luce too. It’s horrible. Makes me wanna kill the little bastard all over again. I've raged, taunted, even tried to befriend him, nothin changes. ” That’s the kinda shit that scared me, and would test my ability to keep it cool. I really hoped they’d leave Sasha be. I’d sleep outside in the -15 degree winters for a month if it meant keeping them away from her. Can I just leave? “Dan, can I just fuckin leave when they show up? ” Dan looked over at me and responded promptly. “No you can’t. I’ve tried, couple times. They’ll be there when you get back, and’ll make you suffer the 2-3 weeks of their presence, one way or another. My 3rd year here I was really losin it. Joe told me it wouldn’t work, but I lit out, paid my summer ranch hands to feed the cattle, packed Luce and my oldest boy in the camper, spent the winter with my brother in Montana. I got back that spring, and there they were. Lemme tell ya, you do not wanna have to deal with the ghosts and the lights at the same time. No, you’ve gotta suffer through, son. ” He looked at me with sympathy. “Harry, just be glad you’ve only got 4. Havin 12 of em is, well… it’s quite a goat rope. ” Dan looked over at me and looked inquisitive “how confident are you there’re only four, Har? ” I’d given the answer to his question lots of thought over the last few months. “I’m pretty confident... maybe 5-6, but unlikely. Before Marjah, I only fired my rifle maybe 4-5 times, and mostly just suppressing fire up into an empty hillside after having a pot shot or rocket whip in outta nowhere. Marjah was crazy, we were in firefights all the damn time, obviously there’s the possibility a stray bullet clipped someone, but those odds are slim. So yah, I’m confident it’s 4. ” Dan took another drink, set his beer down, turned his chair to face me more directly, leaned back, and nodded: “Tell me about em. ” I gave him an annoyed look. I’d never been squirmy talking about it, but given the prospect of an imminent reunion with the bastards, that’d changed lately. “Well…” I opened a new beer. “The first time I shot a man dead, I shot two men dead. Back to back. They were right next to each other. ” Dan nodded, “go on, son. Tell me about it. ” I gave him another annoyed look. “… It was during the first couple heavy days in the battle for Marjah. My fire team was hunkered into a berm at the end of a street waiting for orders. I was with my buddy Mike. All the sudden we see two guys, looked like they were in their mid-30s, running down a line of houses from our left. One had an AK and another was on a radio and had a big like… hockey bag fulla spent RPG tubes. ” I took a sip, then another. “We couldn’t believe it. I literally nudged my Mike and was like ‘are those fuckin Tali?! ’ I mean we knew they were but just couldn’t believe it. They got to the road in front of us, about 110 yards out, and crouched behind a car blocking the view from where they’d run, but exposed to us. We were so shocked we just sat there like idiots until the one closest looked up me, and I shot em both… they died right there. ” I sat there and remembered how, when I shot the first guy, he dumped forward onto his face, didn’t try to catch himself or anything, and the second guy looked down at him like ‘heck you doin dude? ’ and then I shot him in the chest. He dropped the radio as he planted his palms to catch himself from fallin backwards. He looked so confused before I shot again… Dan snapped me out of the recollection: “what’re you gonna name em? ” "…What? ” I asked. “It helps to give em names. Helps to keep track of em, describe em to Sasha, helps to talk about them. Naming them makes it easier, takes the edge off a bit. ” I guess that made sense. I shrugged “Pete and Hank? ” Dan slapped his knee “great names! Alright, number 3. ” I took another sip. “Number three was a couple days later. Old grizzled fella. 50-55 years old, at least. We were securing a canal crossing, L-shaped ambush type security formation, stayin behind cover. Two trucks fulla dudes with AKs rolled up and stopped behind a sedan we'd used to block the road. Someone kicked it off, and all the sudden our whole platoon was unloading into the cars. I was aiming at the rear passenger-side door of the second truck when someone tried to get out, I shot him. He died with his seat belt on. ” I thought back on that moment. The car door of that truck was stuck or something, so the guy reached out the window to open it from the outside and I shot his forearm. I remembered how shocked I was by how much blood came from that wound, how it cut bright red channels through the dust caked on the car door. He yanked his arm back in, then leaned out with his left hand, exposing his head, and I shot him in the jaw and then the eyebrow… Dan snapped me back to the present again: “What’ll you call him? ” “… He looked like a mountain man, I’ll call him Bridger. ” Dan nodded approvingly, “now number four. ” “It was after the heavy fighting in Marjah ended, still in Helmand but out in the country side. Poppy country. Dope country. ” Dan laughed. “We were on patrol and got ambushed by what sounded like 50 but ended up just bein 4 dudes... NCO in my platoon got hit and we all dropped. I crawled over to the side of the poppies along a ditch, and saw a dude running, real low, right toward me with an AK, scared the piss outta me, but I got the draw on him and that was that. ” In reality, that guy scared me so bad I emptied my whole mag into him, or… at him, barely aiming, missed half the shots I was shaking so bad, pretty sure I shot him in the foot, neck, and 10 other spots in between... I looked back at Dan. “I’ll call him Buck. ” Dan nodded slowly, “so what about the potential other two? ” I scratched my chin. “During the heavy fighting in Marjah, February, car fulla fighters tried to break through our sector and ran into our whole damn company. I wasn’t in a good position when we made contact, so by the time I moved past a little wall and started shootin into the guys in the back seat, I’m pretty sure they were dead. I mean at least 10-12 of our guys were already lighting up that rig, so chances are slim anyone was still alive, just don’t know for sure…” Dan and I sat quietly with our beers for a while. Cold was starting to bite my hands. I needed to head back for dinner soon but I had a couple more questions. “Dan, will we be able to see each other’s ghosts? ” Dan looked up at me: “No… at least, I can’t see Joe’s or his son's, and he can’t see mine, but we can each feel the other’s. ” Dan looked away, and sensing my impending question, spoke again without looking back “I’ll let Joe tell you about his if he chooses. ” I nodded. Sasha had been thinking a lot about Dan’s account of the one man he’d killed being respectful to him and Lucy during the ghost season; she thinks there may be way to make peace with them if we could learn more about who they were before they died, and have things around they liked, or figure out how to keep em occupied. “One more question… you said they maintain some of their ‘earthly personalities…’ What’s that mean? You told me that one guy who you comforted as he died remembers you and is pretty mellow, but like… are they pissed they’re here? Where are they coming from? Do they even know? Do they remember who they are? Their families? ” Dan put his hands up to cease my barrage. “Easy, easy pal, those all got different answers” he chuckled. “First of all, I got no idea where they’re coming from, or what happens after you get killed. Joe and I are pretty sure they don’t remember where they were before they get here. I don’t think they know why they get brought here, but they know one thing… you’re the reason they’re dead, and now they’re seeing you live your life, seeing you love, work, eat, and lemme tell ya… they sure get pissed, hot, and bothered about that. ” “On your other question… they remember parts of who they were, I think. There’s no way to communicate with them directly. I tried getting a Vietnamese interpreter to write some things in English and Vietnamese which I could try to read and show to them 12-15 years back, but it’s like they can’t hear, or read anything. It’s like direct communication is… prevented? Although, you can show them things. One of the guys I killed must’ve been a birder, a bird geek, ya know? Always checkin out birds. 2-3 years back, I pointed out an eagle to him, he watched it for a long while, and nodded to me, and since he’s been… a bit more civil. Another must’ve been a gardener, because when he ain’t harassin me, he’ll follow Lucy around our winter greenhouse just observing the gardening methods, spend hours checkin out seed packets, that kinda shit. Then there’s Wolf, the fella I have the, you know, connection with. My friend, I guess. He must’ve been a good man before I cut his life short… As I said, he hangs back, smiles, walks the land on his own, doesn’t harass me or Lucy. ” I couldn’t even begin to fathom how different I was as a person from the guys I’d killed, or how I'd connect with them on any level. There’s a chance some of those tribal fighters never even owned a world map, let alone knew where the hell Idaho was. Maybe some of the younger ones who had some schooling opportunities had gotten on the internet, but it was really rare for rural Afghani and Pakistani men to get schooling outside a local Islamic madrasa/school. It’s like we’re from different planets. I had a few more chats like that with Dan as Thanksgiving rolled into December, all of which he'd end with "just don't let those candles go out before sunrise, if you do, fight, you can't get away in time. " I could tell he was getting apprehensive too, and getting shook up after 40 years of experience, that made me nervous as hell. Lucy had given Sasha some pointers as well. I can’t imagine it’s much easier for Sash and Luce. At least I can see the fuckers, for them, it’s just like the place is haunted as hell. Lucy seemed to handle it well though, saying while they're here, she mostly just tries to keep Dan calm. She said a few times a season they really scare her, screaming in her ear or knockin things over when she’s outside alone, but she said you kinda get used to it. Lucy said no matter how many winters pass, she still finds Dan up in the middle of the night while they’re here, sitting in the kitchen with his rifle, watching the candles, making sure they stay lit… Sasha seemed almost excited with anticipation as December 13 got closer. I was a nervous wreck the closer it got, and trying to keep that from Sasha made it even worse. She found some big ass 24hr-burning candles online too, and we ordered every last one of em. Figured if we lit 6-7 of those on the kitchen island every night where they stood no risk of getting put out by a breeze, we could feel confident we’d have 4 going all night and I could get some sleep. But I knew damn well I’d not be sleeping much while they were here. Shit, my anxiety got so bad after Thanksgiving, I’d barely been sleeping anyway. I woke up on the morning of December 13 emotionally exhausted. I was almost praying they’d arrive, I needed it to start. The waiting was maddening. But, they didn’t show up that day. Or the next, or the next. Since the 13th, I’d spent every daylight hour on my land with binoculars, scanning the tree lines. I woke up on the morning of December 21, and—as I had for a week—sat up, turned around, and immediately looked out the window into the pastures. Nothing. It was snowing pretty hard. My wake-up panic eased, then I realized Sasha wasn’t in bed, which cranked it right back up. I never slept through her getting out of bed, especially over the last week when I’d wake up on the verge of pissing myself if the dog farted or the furnace kicked on. “Sash? ” I said loudly, seeing if she was in the bathroom. I got up and almost ran into the living room toward the kitchen. “Sash? ” “I’m in the kitchen babe! ” she said. I could hear her smiling in her voice, it made me calm down immediately. I walked in and saw her sitting at the kitchen table with coffee and a book. Dash was at her feet and trotted over to greet me. “Shit, sorry I didn’t notice you get up, I, ugh…” I shook my head and leaned down to kiss her, and as I stood back up, she gave me a smile but something subtle in it betrayed... I couldn’t tell what, but I knew this woman well. “What? ” I asked her. The second the word left my mouth, she let the emotion slip through her smile again. “Babe what is it? ” I asked again, seriousness in my tone. She closed her book, and took a deep breath. What the fuck, is she about to tell me she’s pregnant? She stood up, took my hands, and looked at me in the eye. She had so much strength in that gaze, she had so much faith. I was floored. Then she spoke. “Harry… It woke me up an hour ago, at sunrise, but I wanted you to sleep. I can feel it. It might be the ghosts, or not, but I’ll tell you right now, the spirit is here… I know it. ” Her demeanor of strength didn’t change at all, while my entire stomach shot into my throat and adrenaline surged into my hands and legs. I couldn’t think of what to say, but wasn’t sure I could talk if I did. I thought I was prepared for this, thought I’d seen and felt all the ambient dread the spirit could cause, but I’d been wrong. She was right. I felt it. The spirit. Standing there in that kitchen feeling like I was about to vomit, looking at my wife’s beautiful, strong face, I felt the spirit in the air pressure, saw it in the light, tasted it at the back of my throat. In that moment, I don’t know that I’d ever felt more childlike horror in my life. Felt like I was in a nightmare, stuck in a dark room as something I felt wanted me came slowly, giggling down a hallway. I could feel them. I could feel five. I knew I’d killed five people, five men. I knew without seeing them. More than them, I could feel the spirit. My peripheral vision started to go dark. My ears were rumbling and I could feel my heartbeat in my face. I took a deep breath and closed my eyes. Chill man. Breath. You are not gonna pass out without even seeing the bastards. “Harrison. ” I snapped out of it, and looked back into Sasha’s eyes, still holding her hands. “Harrison, you’ve got this. We’ve got this. Ok? ” I nodded and took another breath. “There are five. I killed five men, they’re here. I can feel them. I know the four, not sure who the fifth is. ” A brief, thin fear flushed into Sasha’s face at my response, but she forced it away and replaced it with strength, took a deep breath herself, and said “well then, there are five. We’ve got this, ok? ” My reflexive antidote to panic showed up like a deranged sidekick; the white-hot desire to fight, pleading in shrieks for me to get angry. It grounded me, but I reasoned it away. Nope, tried that, didn’t go so hot ya fuckin idiot. I went to the sink and chugged some water. I looked down at Dash, looking up at me, our eye contact activating the motion in his plumed tail. Then I looked back to Sasha. Sweet christ how did I get so lucky to find these two. I felt like weeping in gratitude, terror, shame, and joy all at once. Breath dude. “Sash… I needa go find them. I needa go find them by myself. I won’t do anything, or go more than a few feet from the fence, I swear to you, I just need to see them alone, this first time. ” She looked at me with challenge in her eyes, a ‘you better be fuckin sure about this’ look, then nodded. “Only if you bring Dash, and I’m coming out there in 10 minutes, ok? ” I nodded “yah, of course. ” I felt like explaining my need to confront them for the first time alone, but it was something I think we could both feel, without the need for more words. I got dressed, grabbed my binoculars, and followed Dash out into the yard. I’d stop and look out into the property every 10 steps. I got to the gate and still didn’t see anything. Dash and I walked a short way into the pasture, to where I could get a view down into one of the corners of the property, and ice shot into my veins as I could feel the blood leaving my face. I didn’t need the binoculars. Even though they were about 250 yards away, I could clearly see five men standing a few feet apart from one another in a row, defined by the snow like shadows. My heart was pounding. The man in the middle stood out, even at this distance. He was the tallest. His perahan tunban, poncho-sized scarf, pakol hat, all jet black. I raised my binoculars. He was staring directly into my eyes. Bridger. The man I’d killed in the ambush, scrambling to get out of the dusty truck. This isn’t fuckin real, I thought. I looked up into the white sky, then back to the house, rubbed my eyes, and looked back into the binoculars. He hadn’t moved. I looked at the others. None were looking at me, just gazing around, up at the trees, mountains, they looked confused. I immediately recognized the two men I’d killed first (Hank and Pete), and the guy I’d shot on the edge of the poppy field (Buck), and then the other… Fuck me. I guess I’d killed one of those guys after all, in the back of the truck as they tried to break through our line. He was young, maybe 20-21. He had fierce, wild eyes, even as he stood calmly, gazing up toward the mountain. I looked back to Bridger, the old warrior. Right as I saw he was still staring right at me, sporting a look of focus and an almost parental judgment, he took one step directly toward me, and stopped. It made my mouth run dry, my hands go numb. The other four looked at him, almost with confusion, then all of them—at the same time—looked up at me, straight into my binoculars, and I could see it, recognition in their eyes. Subtle disbelief chased by anger. But the youngest, the “surprise, ” he looked different. He lowered his head slightly but held my gaze with an expression of calm, collected, murderous hatred. As I took my next breath, those five men’s fury, their fear, their grief, pain, confusion, it all seemed to turn into a noxious gas that rushed into my lungs, where it twisted and weaved into a throbbing, screaming hot cist that ruptured in my gut and washed through my nervous system as I exhaled. It made me shudder and start to cough, the last of which was a gag. That was the spirit, not the ghosts. I knew it, not sure how, but I did, and I took a deep breath trying to focus. There’s nothing actually inside of you, relax, that was just part of this wicked fuckery. I realized Dash was pawing my leg, I patted his head, “it’s alright buddy, it’s alright. ” I thought about Joe. Follow the methods, and Sasha will be safe. I got a grip and looked back down at the ghosts, who hadn’t moved or taken their gaze from me. As we stared across the pasture at each other, I got a shockingly nostalgic sensation from my childhood—one I’d get as I’d walk along the chainlink fence around the junkyard between my house and the bus stop, staring down in fascinated terror at the furious, snarling guard dog that would rage alongside me in a frenzied storm of frothy drool and kicked-up dust every time I’d pass by, knowing the fence was the only thing keeping the beast from ripping and tearing into my 11 year old body. I felt the same old physical sensation too; the coiled, wet-knots of tension in my muscles as I subconsciously prepared to explode into a sprint. I felt angry. It was initially directed at these men, but was refocused, almost forcefully like a meat hook in the muzzle of my anger being hauled toward the spirit; like it wanted my rage and contempt. It hit me then, a realization. This thing wanted me to give it a reason. It wanted me to rage. I’d thought on that earlier, after the scarecrow, but I felt it for the first time. I wasn’t going to give it that. I couldn’t give it that. Staring down at them, standing on my land posing a threat to my family, I felt… guilt. It wasn’t really guilt for killing them, but more because they got killed fighting at home, or at least relatively close to home, by dudes from across the god damn planet. I'd known years before, but never like in that moment; there’s no amount of those strenuously cobbled-together musings about “serving your country” or the “inveterate nature of men in war” that can rebut these five men’s unalienable right to absolutely fucking hate me. I turned and went back into the yard. As I went to shut the gate, Dash looked back behind him, tilting his head as he does when he smells a grouse, and looked back at me with urgency. “I know buddy, let’s go inside. ” I sat with Sasha and told her about what I’d seen and who the 5th man was. We'd both taken all the days off through New Years, and the prospect of this being day 1 of an uninterrupted 12-day stint here made me feel like ripping my hair out, totally trapped. The rest of the day Sasha tried to be as jolly as possible. We weren’t religious but Sash loved “Christmasing” out a house so we hung lights and wreathes, drank hot toddies, and played holiday music. Every chance I got I’d peek out a window into the pasture to see if they were starting to move closer. We’d picked out a little spruce out at the bottom of the driveway to cut down to decorate, which Sash asked if I wanted to go get with her. I didn’t need to respond for her to pick up what my vibe was putting down. “Harry, we can’t let them dictate our lives. If we follow the methods, we’ll be safe. I think we should make it known that we’re going to go about our lives unafraid. I don’t want to push you if you don’t want to, I can’t see em, but that’s how I feel we should handle this. ” I just wanted to sit inside and drink more whisky for the next 2-3 weeks, but she was trying to be strong for me, I could tell, and I didn’t want to leave that unappreciated. “Let’s do it. ” We grabbed the handsaw and walked down the driveway cutting fresh tracks into the snow, with Dash bounding ahead, his red-golden coat standing out against the snow like a warm flame. I could feel Sasha watching my gaze as I looked out into the meadow. “Can you see them? ” Four of them had moved a bit closer to the pond out in the pasture, and were staring at us. Bridger and three others, couldn’t tell which. “Four of em, not sure where the 5th is. ” Sash squeezed my hand affectionately. “I wish I could see them too babe, I’m sorry I can’t…” I kissed her cheek. “I’m glad you can’t. ” We got to the little spruce tree at the bottom of the driveway. “This the one? ” I asked. Sash responded with a bit of added gusto “it’s perfect, don’t you love it Dash!? ” I smiled. She was trying so hard it gave me a wasp sting of guilt and affection. I took a knee and started to saw at the little trunk. About halfway through, I gripped the tree with my free hand pulled to open the cut a bit for the blade, and shook snow off the limbs that snuck in the back of my jacket, startling me as the ice hit my neck and went down my shirt. “Ah shit! ” I laughed, and heard Sasha laugh back at me “nice move there babe! ” I turned around to throw a handful of snow at her, and what I saw scared me so bad an electric burst of terror-wrapped adrenaline tore through my body so fast I let out a half-scream half-grunt. My shock yanked Sasha’s smile away and replaced it with a look of dread, and she immediately shot her hands up to her face “Babe what!? ” One of the ghosts, the young one, the “surprise, ” was standing right next to Sasha, facing her, hands clenched in fists at his sides, leaning forward into the side of her face. I started to stand up, and Sasha took one step toward me, while turning her head to follow my gaze, when he screamed. Mouth as wide as a human's ever should be, putting what looked like every part of his body into it, he blasted out a raspy shriek that was low and high in pitch. I winced as the noise smashed into my eardrums like a truck hitting a deer without even tapping the breaks. With ripples of heat distortion pouring from his mouth like a furnace, the scream had such force it knocked off Sasha’s wool hat, blowing her hair and the snow falling around her head sideways. She jumped in terror and lost her footing, stumbling to land hard on her side. I surged up and dove toward her. Dash went berserk, teeth-barred, snarling and snapping his fangs at the noise, unsure where to direct the savage attack you could see he was ready to dedicate every muscle to. It was over in 3 seconds. “Are you ok?! Sash are you ok!? ” She had tears welling in her eyes and was staring in shock into, for her, the snowflakes and air where the scream had erupted from. She blinked her shock away then nodded, looking at me with a forced smile. “I’m fine, I’m fine, I just fell over, won’t even be a bruise ok? ” I helped her up and turned her up the driveway, as we both yelled for Dash to follow us. I glanced at the other four ghosts, who hadn't moved. “Could you see it before it screamed at me? ” Sash asked. “Yah, for a split second, he came out of nowhere. ” I looked back to call for Dash again who hadn’t let up on his feral snarling. The ghost of the young man was smiling at me with provocation and malice in his eyes. Although, to my surprise, he did actually seem a bit uneasy about the dog, like he was trying to hold his ground, flinching very subtly when Dash would lunge with a bark, switching his gaze from me to the dog, like looking away from Dash for too long might give him an opening. “Which one was it Harry? Is he still there? ” Sash asked. “Yah, still there…” His apparent fear of the dog made my rage boil up behind my eyes more than his cocky little smile did, like it was a weakness I needed to exploit, a broken nose I needed to keep landing punches into. As though sensing my ire, Sasha grabbed me by the chin and forced my eyes to hers. “Harry – it’s ok. Babe, it’s ok, the guy just scared me, screw him, right? Let’s go start dinner. ” She still had tears in her eyes, one ran down her frost-reddened cheek, and while she was forcing a smile, there was sincerity in it as well. The volume of Dash’s barking was amplified by the oppressive silence of a snowy afternoon in the mountains. I took a deep breath. “You’re right. " I looked back at the ghost. “But fuck him, let’s get our tree, yah? ” When I looked back at her she gave me smile and an approving nod, “let’s get our tree. ” I turned back down the driveway, but I froze before taking a step as my heart lept into my throat and it felt like my stomach flipped upside down. The other four ghosts were all on our side of the pond now, 50-60 yards away, standing, staring at me, spread out in new positions normal men couldn't have possibly reached in such a short time, nor without leaving any tracks in the snow as they'd managed. “What!? ” Sasha asked as she grabbed my hand. I took a breath and looked back to her and forced a smile. “Nothin babe. ” I stomped over to the saw, and as if sensing our plan to finish what we’d started, Dash calmed, looked at me, wagged his tail, then bounded up to Sasha and planted himself, head low, between her and the ghost. I picked up the saw and looked at the young man, his smile was fading, being replaced by anger, which made me smile. "More of a cat guy eh? " I asked him as I bent down and sawed the last inch or so of the tree. I gripped the sappy, cold trunk, hoisted the little tree over my shoulder, and turned to the young man. His face, all condescension gone, was twisted into a rictus of hate. Looking at these ghosts wasn’t quite the same as looking at a living person, but the difference was small. They weren’t translucent, I could see pores and scars in his skin, but it’s still kinda like looking at something when you’re having a migraine. Their legs, arms, torso, and head are all there, but you can only clearly see whatever you’re looking at directly. Their periphery is just elusive, hard to describe. We stared at each other for a few long moments. He looked to be about my age when we last met... I remembered him then; seeing a guy in my rifle company drag his body by the ankle to a row of the other fighters he'd been killed with, the friction of the road pulling his shirt up over his head, exposing the bullet holes and coagulated blood covering his stomach and sternum. Then the image of him screaming into Sasha's face flooded in. I pointed at him with my saw and nodded, “slick move hombre, for real, top notch spook maneuver. I’ll call you Creeps. ” Disgust joined the hate in his glower. As I turned back toward Sash, my heart skipped a beat again as adrenaline shot into my face. The other four ghosts were all clustered now, only 20 yards away in the meadow, with Bridger in the front. He looked at me with a fiery judgment. My ears popped and my hands started shaking. As we locked eyes my mind dredged up long forgotten details; apprehensively searching his body for a suicide vest, smelling smokey pine in his clothes, leaning across him to unbuckle his seatbelt, the soft tinking of the dying engine, unceremoniously pulling him out of that smoking, blood riddled truck down onto the road; seeing shattered glass under him and almost reflexively reaching down to move his head so he wouldn’t cut himself, the brief lance of shock at my even having that trace of humanity left in me, which I remembered almost feeling proud of myself for… “Harry what is it? ” I snapped out of my strange recall and looked at Sasha, who looked concerned. I shook my head “nothin darlin. ” I turned back to Bridger, closed my eyes and bowed my head toward him. When I looked back up, his expression hadn’t changed. That was very long night, but far easier than those that followed. Part VI - Finale.

Watch flooster his friend is a hunter and he chases down the animal as far as it goes to die. Those wolves are huskies 🐺. A vadon h c3 adv c3 b3 szava free full services. A vadon h c3 adv c3 b3 szava free full care. A vadon h c3 adv c3 b3 szava free full parts. A vadon hv szava free full movie hd. A vadon hívó szava free falling. A vadon hívó szava Free full. The dog cgi is so bad, but they gave it emotions. lion king cgi was amazing, but had no emotions. i'll always pick emotions before realism...

A vadon hv szava free full version

 

A vadon hívó szava Free full article on foot. The Call of the Wild Full Movie - Free 123Putlocker enspanol Watch The Call of the Wild Full Movie Free - Anthony Gonzalez - Download Online FREE Original URL: Production: Walt Disney Pictures Genre: Family, Animation, Adventure Stars: Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Renée Victor, Ana Ofelia Murguía, Alanna Ubach Overview: When her boyfriend dumps Emily, a spontaneous woman in her 30s, she persuades her ultra-cautious mom to accompany her on a vacation to Ecuador. When these two very different women are trapped on this wild journey, their bond as mother and daughter is tested and strengthened while they attempt to navigate the jungle and escape. Watch The Call of the Wild Full Movie Free - Anthony Gonzalez Walt Disney Pictures, The Call of the Wild Full Movie Free, The Call of the Wild Full Movie, The Call of the Wild Full Movie Online, The Call of the Wild Full Movie Online Free, The Call of the Wild Full Movie Download, The Call of the Wild Full Movie Watch Online, The Call of the Wild Full Movie Free Download The Call of the Wild Pelicula Completa en Español Latino, The Call of the Wild Pelicula Completa en Español Latino Online, The Call of the Wild pelicula completa en español Latino Online Gratis, Ver The Call of the Wild Pelicula Completa en Español Latino, Ver The Call of the Wild Pelicula Completa en Español Latino HD, Ver la Pelicula de The Call of the Wild Completa en Español, The Call of the Wild Free Full Movie Watch Online Free Download, The Call of the Wild Full Movie Watch Online, The Call of the Wild Full Movie Download In HD Mp4, The Call of the Wild Full Movie - Free Online FREE, Watch The Call of the Wild Full Movie Online Free, Watch The Call of the Wild Free Movie Online, Download The Call of the Wild Full Movie, Watch The Call of the Wild Online Full HD, Watch The Call of the Wild Movie Free Online The Call of the Wild Full Online Watch English, The Call of the Wild Free Full Movie Download online for free in hd 720p quality Download, Anthony Gonzalez, Family, Animation, Adventure based movie The Call of the Wild Free at home or stream, play online in full hd quality in uncut version. #movies, The Call of the Wild Full Movie Streaming Online in HD-720p Video Quality | Watch The Call of the Wild Free Full Movie Online Free | Watch The Call of the Wild Full Movie HD 1080p | The Call of the Wild Full Movie Free Online Free Download, The Call of the Wild in HD 1080p, Watch The Call of the Wild in HD, Watch The Call of the Wild Online, The Call of the Wild Full Movie, Watch The Call of the Wild Full Movie Free Online Streaming, Hindi Movie The Call of the Wild Full Movie, The Call of the Wild Full Hindi Movie, The Call of the Wild Full Movie Hindi, The Call of the Wild Full Movie Hindi Download, The Call of the Wild Full Movie Hindi HD, The Call of the Wild Full Movie Free, The Call of the Wild Pelicula Completa - Free, Watch The Call of the Wild Full Movie, The Call of the Wild Full Movie Online, The Call of the Wild Full Movie Online Free, The Call of the Wild Full Movie Download, The Call of the Wild Full Movie Watch Online, The Call of the Wild Full Movie Free Download, The Call of the Wild Full Movie, The Call of the Wild Pelicula Completa, The Call of the Wild B? phim d? y d?, The Call of the Wild????????, The Call of the Wild Free Full Movie, The Call of the Wild Filme Completo, The Call of the Wild Full Movie Free, The Call of the Wild Full Movie Online, The Call of the Wild Full Movie Online Free, The Call of the Wild Full Movie Download, The Call of the Wild Full Movie Watch Online, The Call of the Wild Full Movie Free Download, The Call of the Wild Full Movie putlockers, The Call of the Wild Full Movie 123Putlocker, The Call of the Wild Pelicula Completa Español Latino The Call of the Wild Full Movie Free The Call of the Wild Full Movie Download The Call of the Wild Full Movie Download in Hindi The Call of the Wild Full Movie Free The Call of the Wild Full Movie Free Online The Call of the Wild Full Movie gad Elmaleh The Call of the Wild Full Movie in Hindi The Call of the Wild Full Movie Online The Call of the Wild Full Movie Putlockers The Call of the Wild Full Movie Watch Online Watch The Call of the Wild Full Movie Online Watch The Call of the Wild Full Movie Online Free The Call of the Wild Free Full Movie The Call of the Wild Free Full Movie Download The Call of the Wild Free Full Movie Online The Call of the Wild Free Full Movie Online Free The Call of the Wild Free Pelicula Completa The Call of the Wild Free Pelicula Completa en Español Latino The Call of the Wild Pelicula Completa en Español Disney The Call of the Wild Pelicula Completa en Español Latino The Call of the Wild Pelicula Completa en Español Latino Free The Call of the Wild Pelicula Completa en Español Latino Online Argentina The Call of the Wild Bulgaria (Bulgarian title)????????????? Brazil (alternative title) The Call of the Wild Brazil Viva - A Vida é Uma Festa Chile The Call of the Wild Spain The Call of the Wild Greece The Call of the Wild:?? Ge? µa t????? t? Croatia The Call of the Wild Hungary The Call of the Wild Russia????????? USA (working title) Untitled Dia de los Muertos Project The Call of the Wild En españoooooooool!

A vadon h c3 adv c3 b3 szava free full model. Wow I cant believe its in the game well done and now the game wont be bad after all. 1st comment. Man if I'm fighting a bear with my dog in attacking first. A vadon hv szava free full size. Is anyone else besides me annoyed or upset that the dog is 90% CGI. Like how hard is it to get a real dog. Togo was the true hero, not Balto. 😭😭😭😭😭 TOGO shares the real and very true story of what happened, including giving the spotlight to the dog who did majority of the work. All 20 sled dog teams contributed to saving the children of Nome Alaska. All those dogs and their people are heroes. 19 sled dog teams ran approximately 31 miles each. (according to the movie which says this at the end. Only one team ran approximately 264 miles, the longest and most dangerous journey. Togo and his team. Balto ran the last leg of the serum run, 55 miles to Nome Alaska. Because hes the one who actually delivered, the social media press gave him all the credit and all the fame. But it was Togo, a 12 year old siberian husky, and his team who ran the most daring strenuous distance of 264+ miles to deliver the serum.

A vadon hv szava free full length. A vadon hv szava free full body. A vadon hv szava free full moon. Turkeys, Pheasant, Squirrel, Racoon and other small game. I'd love more small game to hunt. There's only so many ungolates and deer species one can hunt before they want a change. A vadon h c3 adv c3 b3 szava free full center.

I just got back2back diamond beceite ibex. out of 9 diamonds, 4 are beceite. He is and will be Luke and Joker, forever in our hearts. The Call of the Wild Full Movie - Free 123movies enspanol Watch The Call of the Wild Full Movie Free - Anthony Gonzalez - Download Online FREE Original URL: Production: Walt Disney Pictures Genre: Family, Animation, Adventure Stars: Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Renée Victor, Ana Ofelia Murguía, Alanna Ubach Overview: When her boyfriend dumps Emily, a spontaneous woman in her 30s, she persuades her ultra-cautious mom to accompany her on a vacation to Ecuador. When these two very different women are trapped on this wild journey, their bond as mother and daughter is tested and strengthened while they attempt to navigate the jungle and escape. Watch The Call of the Wild Full Movie Free - Anthony Gonzalez Walt Disney Pictures, The Call of the Wild Full Movie Free, The Call of the Wild Full Movie, The Call of the Wild Full Movie Online, The Call of the Wild Full Movie Online Free, The Call of the Wild Full Movie Download, The Call of the Wild Full Movie Watch Online, The Call of the Wild Full Movie Free Download The Call of the Wild Pelicula Completa en Español Latino, The Call of the Wild Pelicula Completa en Español Latino Online, The Call of the Wild pelicula completa en español Latino Online Gratis, Ver The Call of the Wild Pelicula Completa en Español Latino, Ver The Call of the Wild Pelicula Completa en Español Latino HD, Ver la Pelicula de The Call of the Wild Completa en Español, The Call of the Wild Free Full Movie Watch Online Free Download, The Call of the Wild Full Movie Watch Online, The Call of the Wild Full Movie Download In HD Mp4, The Call of the Wild Full Movie - Free Online FREE, Watch The Call of the Wild Full Movie Online Free, Watch The Call of the Wild Free Movie Online, Download The Call of the Wild Full Movie, Watch The Call of the Wild Online Full HD, Watch The Call of the Wild Movie Free Online The Call of the Wild Full Online Watch English, The Call of the Wild Free Full Movie Download online for free in hd 720p quality Download, Anthony Gonzalez, Family, Animation, Adventure based movie The Call of the Wild Free at home or stream, play online in full hd quality in uncut version. #movies, The Call of the Wild Full Movie Streaming Online in HD-720p Video Quality | Watch The Call of the Wild Free Full Movie Online Free | Watch The Call of the Wild Full Movie HD 1080p | The Call of the Wild Full Movie Free Online Free Download, The Call of the Wild in HD 1080p, Watch The Call of the Wild in HD, Watch The Call of the Wild Online, The Call of the Wild Full Movie, Watch The Call of the Wild Full Movie Free Online Streaming, Hindi Movie The Call of the Wild Full Movie, The Call of the Wild Full Hindi Movie, The Call of the Wild Full Movie Hindi, The Call of the Wild Full Movie Hindi Download, The Call of the Wild Full Movie Hindi HD, The Call of the Wild Full Movie Free, The Call of the Wild Pelicula Completa - Free, Watch The Call of the Wild Full Movie, The Call of the Wild Full Movie Online, The Call of the Wild Full Movie Online Free, The Call of the Wild Full Movie Download, The Call of the Wild Full Movie Watch Online, The Call of the Wild Full Movie Free Download, The Call of the Wild Full Movie, The Call of the Wild Pelicula Completa, The Call of the Wild B? phim d? y d?, The Call of the Wild????????, The Call of the Wild Free Full Movie, The Call of the Wild Filme Completo, The Call of the Wild Full Movie Free, The Call of the Wild Full Movie Online, The Call of the Wild Full Movie Online Free, The Call of the Wild Full Movie Download, The Call of the Wild Full Movie Watch Online, The Call of the Wild Full Movie Free Download, The Call of the Wild Full Movie putlockers, The Call of the Wild Full Movie 123movies, The Call of the Wild Pelicula Completa Español Latino The Call of the Wild Full Movie Free The Call of the Wild Full Movie Download The Call of the Wild Full Movie Download in Hindi The Call of the Wild Full Movie Free The Call of the Wild Full Movie Free Online The Call of the Wild Full Movie gad Elmaleh The Call of the Wild Full Movie in Hindi The Call of the Wild Full Movie Online The Call of the Wild Full Movie Putlockers The Call of the Wild Full Movie Watch Online Watch The Call of the Wild Full Movie Online Watch The Call of the Wild Full Movie Online Free The Call of the Wild Free Full Movie The Call of the Wild Free Full Movie Download The Call of the Wild Free Full Movie Online The Call of the Wild Free Full Movie Online Free The Call of the Wild Free Pelicula Completa The Call of the Wild Free Pelicula Completa en Español Latino The Call of the Wild Pelicula Completa en Español Disney The Call of the Wild Pelicula Completa en Español Latino The Call of the Wild Pelicula Completa en Español Latino Free The Call of the Wild Pelicula Completa en Español Latino Online Argentina The Call of the Wild Bulgaria (Bulgarian title)????????????? Brazil (alternative title) The Call of the Wild Brazil Viva - A Vida é Uma Festa Chile The Call of the Wild Spain The Call of the Wild Greece The Call of the Wild:?? Ge? µa t????? t? Croatia The Call of the Wild Hungary The Call of the Wild Russia????????? USA (working title) Untitled Dia de los Muertos Project The Call of the Wild En españoooooooool!

A vadon h c3 adv c3 b3 szava free full 2016. A vadon h c3 adv c3 b3 szava free full review. A vadon h c3 adv c3 b3 szava free full pro. A vadon h c3 adv c3 b3 szava free full oil. A vadon hívó szava free full version. A vadon hívó szava free full text. A vadon h c3 adv c3 b3 szava free full plus. Sieht aus wie Harrison Ford im CGI-Land... A vadon hv szava free full fight. A vadon hv szava free full episodes. A vadon h c3 adv c3 b3 szava free full form.

A vadon h c3 adv c3 b3 szava free full 2017

A vadon hv szava free full movie. A vadon hívó szava free full version. A vadon hv szava free full album. A vadon hívó szava free fall. A vadon h c3 adv c3 b3 szava free full for sale. A vadon h c3 adv c3 b3 szava free full driver. No me gustaba la caza nocturna pero me han dado ganas de jugar de noche🌙🌑. Have to say cotw starts to look more and more interesting... But when i'm so committed to classic 5 years in and put so much work into it, ranking and all... I'm still on the fence. If the need zones goes, i might just fall off. You are as amazing as ever. Please continue to surprise us. We shall be behind u in todays tasteless music. U are our light. PLEASE COME TO INDIA. A vadon h c3 adv c3 b3 szava free full instructions. A vadon hívó szava Free full article. A vadon hívó szava free full text.

A vadon h c3 adv c3 b3 szava free full test. A vadon hívó szava Free full article on maxi. A vadon hv szava free full screen. A vadon hv szava free full video. A vadon hívó szava Free full article. A vadon hívó szava Free full version. A vadon hv szava free full hd. A vadon hívó szava Free full review. A vadon h c3 adv c3 b3 szava free full price. This is the best fake trailer. A vadon hv szava free full form. A vadon hv szava free full game.

 

 

Without Registering Watch Stream Mystify: Michael Hutchence

Mystify: Michael Hutchence Rated 9.7 / 10 based on 830 reviews.

✲✲ ⁕⁕⁕⁕⁕⁕⁕⁕⁕⁕⁕

✲✲ https://stream-flick.com/16593.html?utm_source=sinoficio.blogia

✲✲ ✭✭✭✭✭✭✭✭✭✭✭

 

 

Directors - Richard Lowenstein

User rating - 7,5 of 10

Music

Country - Australia

884 vote

I worked one of his concerts 87/88 at our was so high I dont see how he could function. Mystify: Michael Hutchence Theatrical release poster Directed by Richard Lowenstein Produced by Maya Gnyp John Battsek Sue Murray Mark Fennessy Richard Lowenstein Lynn-Maree Milburn Andrew de Groot Written by Richard Lowenstein Starring Michael Hutchence ( See below) Music by Warren Ellis Cinematography Andrew de Groot Edited by Tayler Martin Production company Ghost Pictures Passion Pictures BBC Music [1] Distributed by Madman Ent. (Australia) Dogwoof (International) [2] Release date 25 April 2019 ( Tribeca) 4 July 2019 (Australia) Running time 102 minutes [3] Country Australia United Kingdom [4] Language English Box office $1. 1 million [5] [6] Mystify: Michael Hutchence is a 2019 documentary film about the life of musician, actor and singer-songwriter Michael Hutchence, lead vocalist of the Australian rock band INXS. It is written and directed by Richard Lowenstein and relies primarily on rare archive footage, outtakes, private home video and audio commentary provided by friends, ex-partners, band members, record producers and family. An Australian-British venture, the film was co-produced by Ghost Pictures, Passion Pictures with Madman Entertainment and Dogwoof serving as distributors. It is in association with Baird Films and Film Victoria. Mystify: Michael Hutchence had its world premiere at the Tribeca Film Festival on 25 April 2019, and was theatrically released in Australia on 4 July 2019. [4] [7] The film was released in the United Kingdom on 18 October receiving generally positive reviews from critics. Synopsis [ edit] Mystify covers the life of INXS lead singer Michael Hutchence which features private home video and archive footage. During the relationship between Minogue and Hutchence, previously unseen privately shot footage shows them in Hong Kong harbour, on board the orient express, and at Hutchence’s home in the south of France. In the early 1990’s an incident occurred while bicycling on holiday in Copenhagen with then girlfriend Helena Christensen, where Hutchence gets shoved to the ground by a taxi driver, hitting his head on the curb and losing consciousness. According to Christensen, Hutchence was rushed to hospital and woke up determined to leave. The injury resulted in Hutchence having permanent loss of sense of smell and taste. Clips show Yates and Michael Hutchence in a 1985 interview on Channel 4 's rock magazine programme The Tube and many years later on The Big Breakfast interview in October 1994. Recollections with voice-overs in the film include Michele Bennett, Kylie Minogue, siblings Rhett and Tina Hutchence, father Kelland Hutchence, stepmother Susie, producer Nick Launay, Bono and INXS band members, composer and keyboardist Andrew Farriss, guitarist Tim Farriss, bassist Garry Gary Beers and drummer Jon Farriss. The film ends with INXS performing at London’s Wembley Stadium and the song "Mystify" plays over the credits. Production [ edit] Development [ edit] Plans for a biographical drama film about Michael Hutchence were being developed with a script written by Australian film-maker Richard Lowenstein. Lowenstein had previously collaborated with Hutchence in Dogs in Space and INXS music videos. The film was to feature an actor as Hutchence, however the idea of casting someone proved very difficult and with the announcement of the miniseries INXS: Never Tear Us Apart, it made the director switch to an archival documentary. [8] The documentary film gathered early development funding and support by the Australian Broadcasting Corporation (ABC), Screen Australia and Film Victoria. [9] A pitch trailer was produced and shown at the 2016 Australian International Documentary Conference in Melbourne where BBC Music took interest. [9] In July 2016, it was announced that a documentary film about the singer-songwriter Michael Hutchence had the official support of INXS band members and manager Chris Murphy, with Richard Lowenstein signed on to direct. [10] [11] [12] [13] The director conducted the first interview (for the biopic research) in 2010 with U2 lead singer Bono who were on tour in Melbourne. Band members from INXS were then interviewed and filmed in 2011, gradually building up an archive of footage. [14] [15] During the interview process, Lowenstein had decided to record just the audio, having individual interviewees in a dark recording studio. A total of around sixty people were interviewed. [16] [15] Tapes of archival footage of varying quality were found in the directors attic lost for twenty years. [15] In October 2017, long negotiations began for the rights to use INXS music in the film, but ended with no deal due to a dispute with Murphy of Petrol Records over the documentary’s ownership in return. This lead the director to produce an edit of the film with no music from the INXS catalogue. [15] Eventually, Lowenstein made contact with Hutchence’s daughter Tiger Lily (the daughter of Hutchence and Paula Yates) in London, through Susie Hutchence’s advice. Lowenstein flew to London in October 2018 to meet. After viewing a rough cut of the film, Tiger Lily made contact with the band’s management and record company. A day later, a deal was struck to use nine INXS tracks. [15] The post-production and supervision of the film were completed by United Finishing Artists with the sound mixing done at Soundfirm, Melbourne. [17] Music [ edit] Composer Warren Ellis was in charge of the film's music and score. [18] The documentary features various digitally-restored tracks which were remixed by Giles Martin in Dolby Atmos supplied by INXS. Music also included are by Hutchence, Max Q with Ollie Olsen, Kylie Minogue, Nick Cave, instrumentals by Ólafur Arnalds and Nils Frahm. [19] The film includes tracks, such as: " Never Tear Us Apart " and " Sometimes ". [20] Lowenstein stated that there has been no official soundtrack album released, [15] however, a complementary album was released on 5 July 2019 titled Mystify: A Musical Journey with Michael Hutchence. Release [ edit] The world premiere of Mystify: Michael Hutchence took place in Manhattan at the Tribeca Film Festival on 25 April 2019, including a live Q&A session with the film’s director after the screening. [21] Over the next few months it played in festivals around Canada, Australia, Czech Republic, Germany and New Zealand, building anticipation: at the Hot Docs in Toronto, Sydney, Munich and New Zealand Film Festivals. [22] [23] [24] [25] Advance screenings with Lowenstein in attendance for special Q&A sessions followed in June, at the Astor Theatre in Melbourne, Ritz Cinema in Sydney and the European premiere held at the Karlovy Vary International Film Festival. [26] [27] [28] An official trailer was released on 4 June 2019 and featured the songs " Mystify " and " Never Tear Us Apart " by INXS. [29] [30] It was released in cinemas across Australia on 4 July and in New Zealand on 12 September through Madman Entertainment. [31] Initially the film was screened out of competition during the BFI London Film Festival on 4 October 2019 at the Curzon Mayfair Cinema [32] [33] and then released in the United Kingdom on 18 October through Dogwoof. The Netherlands saw a release on 24 October by Piece of Magic entertainment. [34] [35] In the United States Fathom Events and Shout! Factory will theatrically release the film for one-night-only on 7 January 2020. [36] Broadcast [ edit] In Australia, the documentary was aired by ABC Television during 24 November 2019. [37] Channel BBC Two aired the film in the UK on 28 December. [38] Home media [ edit] It was released on DVD, digital and Blu-ray disc in Australia by Madman Entertainment on 25 November 2019. [39] It contains twelve special features including early days - where they discuss the band’s formation, acting, discussing Prague where three INXS music videos were filmed and Professor of Psychiatry, Steve Ellen’s analyses into Hutchence’s death. [40] Dogwoof released the film in the U. K. and Ireland on 9 December. The extra features include an interview with director Richard Lowenstein and producer Chris Thomas, deleted scenes and theatrical trailer. [41] [42] It entered the UK Official DVD Chart at No. 98, the week ending 21 December. [43] Reception [ edit] Box office [ edit] Mystify: Michael Hutchence grossed A$ 1. 1 million (US$705, 044) [44] in Australia and $453, 851 in other territories, for a total worldwide gross of $1, 158, 895. [45] [46] [5] Australia [ edit] In Australia it made A$368, 642 (US$257, 216) from 114 screens including previews and festival screenings, in its opening weekend, finishing tenth at the box office grossing A$485, 825 ($338, 979) in the week ending 7 July. [47] [48] [5] It made another A$179, 000 ($125, 772) from 79 screens in its second weekend with a 51% decrease from the first week; finishing thirteenth and grossing A$761, 000 ($534, 167) through 11 days. [49] [5] On its third weekend the film made A$83, 000 ($58, 678) from 55 screens finishing seventeenth grossing a total of A$893, 000 (US$628, 874). [50] [5] After the fourth week of release, the film shown on 61 screens had a total of A$988, 000 crossing the A$1 million mark before the following weekend. [51] [52] [53] On its ninth week at the end of August it was played on 10 screens grossing a total of A$1, 141, 000. [54] [55] Other territories [ edit] On its first weekend in New Zealand it made US$8, 713 across 21 screens. It made another $1, 329 from 7 screens on its second weekend. By its fifth week it had grossed a total of $14, 699. [56] [57] In the United Kingdom it made £62, 776 ($81, 453) from 8 cinemas with an average of £7, 847 ($10, 182) per screen in its opening weekend, finishing twelfth at the box office. [58] [59] It made another £10, 146 ($13, 021) in its second weekend, with the film added to 3 screens over the previous week for a total of 11; grossing £79, 199 ($101, 641) through 12 days. [60] In its third weekend it made £4, 578 ($5, 929) shown on 9 cinemas, [61] and in its fourth weekend the film fell 72% to £1, 434 ($1, 834) screened at 4 cinemas. [62] On its fifth weekend it made £1, 353, a drop of 6% and on its sixth it made £621 on 3 cinemas. [63] [64] On its seventh weekend it made £3, 139, a 405% increase of over the previous week to have a U. box office total of £110, 345 ($142, 767). [65] Critical response [ edit] Upon its premiere at the 2019 Tribeca Film Festival, the film received positive reviews from critics. On review aggregator Rotten Tomatoes, the film holds an approval rating of 100% based on 35 reviews, with an average rating of 7. 26/10. The site's critical consensus reads, "Engrossing for casual listeners as well as hardcore fans, Mystify: Michael Hutchence sheds a poignant light on a life and career cut short by tragedy. " [66] Metacritic assigned the film a weighted average score of 73 out of 100, based on 8 critics, indicating "generally favorable reviews". [67] Variety film critic Katherine Turman described it as "While Mystify in many ways amplifies the tragedy of Hutchence's death, it also goes a long way toward explaining and humanizing it. " [68] In a positive review for Vogue, Laird Borrelli-Persson wrote " Mystify is proof that Hutchence was, and is, much loved. Also missed, in excess. " [69] Graham Fuller of Screen International called the film a "Stand-out documentary" and wrote, "The densely woven and worshipfully presented archival footage of the INXS frontman, on stage and off, is a reminder that in terms of wild talent and Dionysian sexiness, he belongs in the same company as Mick Jagger, Jim Morrison, and Robert Plant. " He concludes: "What lifts it above the majority of documentaries about celebrities and artists is its extraordinary intimacy. " [4] Harry Windsor, writing for the Hollywood Reporter, said: "It should prove essential viewing for the subject's fans: a tender portrait of the man's highs and lows that sheds new light on the broken years that directly preceded his suicide at 37. " [70] Leigh Paatsch writing for the Herald Sun gave the film 4/5 stars, saying: "Quite wisely, the new documentary Mystify: Michael Hutchence doesn't concern itself with smoothing out all the erroneous wrinkles that have crumpled the late INXS frontman's life story over time. " [71] Karl Quinn of The Age called the film Lowenstein's "slow-burning labour of love. " [72] The Australian 's David Stratton summed up the film as "a terrific documentary, and as complete a portrait of this talented singer as you could wish. " calling it "a detailed and revealing portrait"; he rated the film four out of five stars. [73] Vicky Roach from The Daily Telegraph gave the film 3 out of 5, saying: "While it’s more visually interesting, there are times when this storytelling device results in a kind of emotional disconnect. And although they corroborate Lowenstein’s version of events, the band’s role in Hutchence’s story feels strangely under-amplified — emotionally and musically. " She summed up the film as "A measured, personal, densely woven account of the man behind the myth. " [74] DM Bradley, writing for the Adelaide Review, said: "Richard Lowenstein’s beautifully sad documentary study of the all-too-short life of his late friend Michael Hutchence is a most moving memorial, and rather more about the man than the music. " [75] Graeme Tuckett from gave the film 3. 5 out of 5 stars, saying: "Mystify is unapologetically one for the fans. But, seeing it as someone who thought he didn't particularly care about Hutchence's story, I was moved. " [76] Eddie Harrison of The List awarded the film 4 out of 5 stars, remarking that "Mystify can only be a cautionary tale, yet there's plenty of evidence that Hutchence was an electrifying performer in his prime. " [77] Time Out ’s, Philip De Semlyen described it "As the tragedy unfolds, there's a strange solace in seeing this captivating enigma somehow emerging intact", giving it 4 out of 5 marks. [78] The Sunday Times Edward Porter gave it three out of five stars, wrote "There are insights into the gloomy later years, but it's memorable chiefly for its envy-inducing picture of the upside of being a rock star. " [79] Accolades [ edit] ASSG Best Sound for a Documentary: Robert Mackenzie - Re-Recording Mixer & Sound Designer, Simon Rosenberg - Dialogue Editor, Mick Boraso - Sound Designer, Lynn-Maree Milburn - Additional Sound Designer. [85] Voter nominated [ edit] The film was nominated for Best Music Film at the NME Awards on 12 February 2020. [86] See also [ edit] List of Australian films of 2019 List of documentary films INXS References [ edit] ^ "Media Centre Mystify Michael Hutchence announced by BBC Music and BBC Two". BBC. 26 April 2019. Retrieved 5 August 2019. ^ "Mystify: Michael Hutchence (2019)". Screen Australia. July 2019. Retrieved 5 August 2019. ^ "Mystify: Michael Hutchence". Australian Classification Board. Department of Communications and the Arts. Retrieved 5 August 2019. ^ a b c Fuller, Graham (27 April 2019). " ' Mystify: Michael Hutchence': Tribeca Review". Screen International. Media Business Insight. Retrieved 2 July 2019. ^ a b c d e "Mystify: Michael Hutchence". Box Office Mojo. IMDb. Retrieved 27 October 2019. ^ "Mystify: Michael Hutchence (2019) - Financial Information". The Numbers. 10 September 2019. Retrieved 5 December 2019. ^ "World Premiere Mystify: Michael Hutchence Feature documentary". Tribeca Film Festival. April 2019. Retrieved 5 August 2019. ^ Adams, Cameron (30 June 2019). " ' Documentary reveals new secret behind Michael Hutchence's death". Herald Sun. The Herald and Weekly Times. Retrieved 29 July 2019. ^ a b Groves, Don (28 February 2019). "Australian Rock Star Michael Hutchence: Why Did He Die? ". Forbes. Forbes Media Integrated Whale Media Investments. Retrieved 29 July 2019. ^ Newman, Melinda (25 July 2016). "UMG and Passion Pictures Set to Produce Documentary on INXS Lead Singer Michael Hutchence: Exclusive". Billboard (magazine). Billboard-Hollywood Media Group. Retrieved 29 July 2019. ^ Reed, Ryan (25 July 2016). "INXS Michael Hutchence Celebrated in Upcoming Film Doc New feature-length project will trace life and career of alt-rock band's singer/co-founder who died in 1997". Rolling Stone. Penske Media Corporation. Retrieved 29 July 2019. ^ Barraclough, Leo (25 July 2016). "INXS Lead Singer Michael Hutchence Documentary Movie in the Works". Variety. Retrieved 29 July 2019. ^ "INXS video director Richard Lowenstein gets green light to direct Michael Hutchence doco".. 25 July 2016. Retrieved 29 July 2019. ^ McMillen, Andrew (28 June 2019). "Keep me alive". The Australian. News Corp Australia. Retrieved 29 July 2019. ^ a b c d e f Quinn, Karl (28 June 2019). "Michael Hutchence Torn apart: The troubled legacy of Michael Hutchence". The Sydney Morning Herald. Nine Entertainment Co. Retrieved 29 July 2019. ^ "New documentary Mystify reveals the real Michael Hutchence: 'The people who knew him best were the girlfriends ' ". A Current Affair. June 2019. Retrieved 29 July 2019. ^ "Portfolio - Mystify".. Retrieved 2 December 2019. ^ Windsor, Harry (20 June 2019). " ' Mystify: Michael Hutchence': Film Review". The Hollywood Reporter. Billboard-Hollywood Reporter Media Group. Retrieved 2 July 2019. ^ " ' Mystify Dogwoof notes". Dogwoof. Retrieved 13 September 2019. ^ "The Makers Of The Forthcoming Hutchence Doco Shared More Rare Footage With The World". Triple M (radio network). Southern Cross Austereo. 1 February 2019. Retrieved 29 July 2019. ^ " ' Mystify: Michael Hutchence' Tribeca Review". Screen Daily. 27 April 2019. Retrieved 26 July 2019. ^ Lopez, Isabelle (4 June 2019). "Trailer for 'Mystify, ' the documentary about INXS star Michael Hutchence". CIND-FM. Sydney Film Festival. Retrieved 5 August 2019. ^ "Mystify: Michael Hutchence, the tragic and intimate film on INXS's frontman". Radio New Zealand. 25 July 2019. Retrieved 26 July 2019. ^ "Mystify: Michael Hutchence – Astor Theatre preview". Stack magazine. Retrieved 5 August 2019. ^ "Mystify: Michael Hutchence Q&A Screening". Broadsheet (website). Broadsheet Media. 24 June 2019. Retrieved 5 August 2019. ^ Stein, Michael (2 July 2019). "Trapped in the 80s Mystify: Michael Hutchence reveals the complicated figure behind the mythical INXS frontman". Karlovy Vary International Film Festival. Retrieved 5 August 2019. ^ Reilly, Nick (4 June 2019). "Watch the first trailer for new Michael Hutchence documentary Mystify - featuring unseen footage". NME. Retrieved 5 August 2019. ^ Skinner, Tom (10 September 2019). "Watch the new trailer for the Michael Hutchence documentary 'Mystify ' ". Retrieved 13 September 2019. ^ Tuckett, Graeme (11 September 2019). "Mystify: Doco looks at the moment that changed Michael Hutchence's life".. Retrieved 13 September 2019. ^ "BFI London Film Festival" (PDF). British Film Institute. 29 August 2019. Retrieved 29 August 2019. ^ "BFI London Film Festival unveils 2019 lineup". Retrieved 29 August 2019. ^ "Mystify: Michael Hutchence - Piece of Magic". Piece of Magic Entertainment. September 2019. Retrieved 13 September 2019. ^ Benitez-Eves, Tine (16 October 2019). "Mystify Documentary About INXS Michael Hutchence Will Have One-Night U. S. Theater Showing". Billboard. Retrieved 16 October 2019. ^ "Screening dates set for Michael Hutchence 'Mystify' doco". The Music Network. Radio Today Pty Ltd. 15 May 2019. Retrieved 5 August 2019. ^ "Mystify Michael Hutchence Confirmed for BBC Two on 28 December at 9. 20pm to 11pm". December 2019. Retrieved 29 December 2019. ^ "Mystify Michael Hutchence Blu-ray".. Retrieved 25 November 2019. ^ "Mystify Michael Hutchence Blu-ray". JB Hi-Fi. Retrieved 25 November 2019. ^ "Mystify: Michael Hutchence DVD".. Retrieved 25 November 2019. ^ "Mystify: Michael Hutchence DVD". Retrieved 8 December 2019. ^ "Official DVD Chart Top 100". Official Charts Company. 21 December 2019. Retrieved 29 December 2019. ^ "Mystify: Michael Hutchence (2019) - Financial Information". Retrieved 11 September 2019. ^ "Australian films BO August scorecard" (PDF). If Magazine. 2 September 2019. Retrieved 3 September 2019. ^ "Spider-Man: Far From Home takes $10m across first weekend box office". Mumbrella. 9 July 2019. Retrieved 22 July 2019. ^ "BO Report: 'Spider-Man' sequel soars while Hutchence documentary rocks". 8 July 2019. Retrieved 22 July 2019. ^ "BO Report: 'Spider-Man' sequel reigns as 'Crawl' and 'Stuber' crash". 15 July 2019. Retrieved 16 July 2019. ^ "BO Report: 'The Lion King' roars while 'Avengers: Endgame' seizes global crown". 22 July 2019. Retrieved 22 July 2019. ^ "Australia Box Office for Mystify Michael Hutchence (2019)". 29 July 2019. Retrieved 5 August 2019. ^ "BO Report: 'The Lion King' reigns as Stephen Amis' Sea Shepherd doc sails in". Retrieved 29 July 2019. ^ "AUSTRALIAN FILMS BO SCORECARD: JULY 2019" (PDF). Retrieved 5 August 2019. ^ "Australia Box Office for Mystify Michael Hutchence (2019)". Retrieved 3 September 2019. ^ "Mystify: Michael Hutchence". Retrieved 27 October 2019. ^ "BFI Weekend Box Office 18/10/2019 - 20/10/2019". Retrieved 23 October 2019. ^ "BFI Weekend Box Office 25/10/2019 - 27/10/2019". Retrieved 30 October 2019. ^ "BFI Weekend Box Office 01/11/2019 - 03/11/2019". Retrieved 7 November 2019. ^ "BFI Weekend Box Office 08/11/2019 - 10/11/2019". Retrieved 14 November 2019. ^ "BFI Weekend Box Office 15/11/2019 - 17/11/2019". Retrieved 20 November 2019. ^ "BFI Weekend Box Office 22/11/2019 - 24/11/2019". Retrieved 28 November 2019. ^ "BFI Weekend Box Office 29/11/2019 - 01/12/2019". Retrieved 5 December 2019. ^ "Mystify: Michael Hutchence (2019)". Rotten Tomatoes. Retrieved 14 January 2020. ^ "Mystify: Michael Hutchence". Metacritic. Retrieved 10 January 2020. ^ Turman, Katherine (26 April 2019). " ' Film Review: 'Mystify: Michael Hutchence". Variety Media. Retrieved 2 July 2019. ^ Borrelli-Persson, Laird (8 May 2019). "A New Documentary on INXS Frontman Michael Hutchence Takes a Writer Down Memory Lane". Vogue. Condé Nast. Retrieved 1 July 2019. ^ Paatsch, Leigh (4 July 2019). "Mystify neither sanctifies nor sledges Michael Hutchence". Retrieved 6 July 2019. ^ Quinn, Karl (26 April 2019). "New Michael Hutchence documentary explores source of his depression". The Age. Retrieved 2 July 2019. ^ Stratton, David (29 June 2019). "Tragic hero gets his due". Retrieved 2 July 2019. ^ Roach, Vicky (29 June 2019). "Hutchence's women shape intimate look at man behind the myth". The Daily Telegraph. Nationwide News Limited. Retrieved 6 July 2019. ^ BRADLEY, DM (4 July 2019). "Film Review: Mystify: Michael Hutchence". Adelaide Review. Opinion Media. Retrieved 10 July 2019. ^ Tuckett, Graeme (11 September 2019). Retrieved 14 September 2019. ^ Harrison, Eddie (14 October 2019). "Mystify: Michael Hutchence review". The List. The List Ltd. Retrieved 14 October 2019. ^ De Semlyen, Philip (11 October 2019). Time Out. Time Out Group. Retrieved 14 October 2019. ^ Porter, Edward (20 October 2019). "Film review: Farmageddon; Official Secrets; Non-Fiction; Mystify; Zombieland". The Sunday Times. News UK. Retrieved 20 November 2019. ^ "AACTA Awards 2019: Best Documentary nominees". 23 October 2019. Retrieved 25 October 2019. ^ "AFTRS Alumni Recognised at the Australian Screen Sound Guild Awards".. 17 December 2019. Retrieved 10 January 2020. ^ "The Documentaries To Watch At The 2019 BFI London Film Festival".. 1 September 2019. Retrieved 31 August 2019. ^ "Film Critics Circle of Australia".. 2020. Retrieved 5 February 2020. ^ "A Cinematic Celebration - Announcing the Feature film lineup for the 2019 Tribeca Film Festival".. 2 May 2019. Retrieved 25 October 2019. ^ "2019 ASSG Awards Winners". ASSG Australian Screen Sound Guild. Retrieved 10 January 2020. ^ Trendell, Andrew (20 January 2020). "NME Awards 2020: Full list of nominations revealed".. Retrieved 21 January 2020. External links [ edit].

 

Mystify. Tras el cantante de institute. Wherewith movie Mystify: Michael Hutchence subtitle WATCH Mystify: Michael ONLINE CHRISTIANTIMES…. I can feel him falling in love with her. When Mystify: Michael Hutchence watch'Mystify: Michael'Hutchence'online'mojoboxoffice... Mystify. tras el cantante de inxs album.

 

Sets the record straight on public perception.
In his final days, Hutchence was portrayed by the media in the worst of ways. This documentary brings to light the real truth of that time and indeed his life.
The media threw everything but the truth at this story back in the day. They had everyone convinced, but they didn't know the truth.
If anything, it just goes to show how influential the media are. Even me, a boy who lived and breathed the Australian rock band for a decade, was at odds with Hutchence in the mid 90's and the media's take seemed plausible.
How wrong they were. Richard Lowenstein has restored the credibility to this fallen idol by populating the years with facts, some of which only came to light during the editing of the documentary.
This is an important documentary, especially if you're were or are still an INXS fan. There are also lessons in just how powerful the media are with public perception of celebrities.
The damage that they are responsible for. I'm glad that after 22 years this goes a long way to setting the record straight.
Watch this documentary and celebrate the life of a guy who was a wonderful talent. Because you've probably forgotten how good he was and also will discover how good a human being he actually was.
Thank you for the memories Michael.

Mystify. tras el cantante de inxs espanol. It has been 22 year since this and I was crying all over again. Still hard to know he is gone. Mystify. Tras el cantante de inscription. Mystify. tras el cantante de inxs video. Mystify. tras el cantante de inxs cover. What a lovely man. Such a shame he's gone! Tiger Lily you had a great dad there who loved you so much! Bless his gentle soul xx.

Mystify. tras el cantante de inxs youtube. Mystify. tras el cantante de inxs en. I'm has that music gone? It's not fair how the most magical music artist are gone now. At least they left us this... Mystify. tras el cantante de inxs greatest hits. Mystify. tras el cantante de inxs rock. Mystify. tras el cantante de inxs songs.

Love it. I really hope this film gets a cinema release in the UK. Websites state that it is to be aired on the BBC but seeing Hutchence performances on the big screen would be far better. Fingers crossed.
Update Sept 2019. The film is showing as part of the BFI London Film Festival on 5 & 6 October in London. I'm going. Details at BFI website. Mystify. Tras el cantante de inscrire. Mystify. tras el cantante de inxs karaoke. Mystify. tras el cantante de inxs tour. Mystify. tras el cantante de inxs albums. Just watched this documentary tonight on bbc2 from Ireland. Absolutely loved it. Fascinating about kylies input. Came straight away to this review as remembered ye guys doing a review about it. I LOVED it however the ending came too soon and just ended. Loved your review. Thank you x.

Missed - Underated whilst alive - Legend and King Lizard.
Mystify. Tras el cantante de ins deutsch.
Mystify. tras el cantante de inxs.
Mystify. Tras el cantante de institut de beauté.

 

I wish people would look at the coroner report and see his death was not a result of a sexual misadventure. The state he was in that night he could barely raise a finger let alone anything else. The coroner has said this publicly. He was a guy who was been battled from all ways in his life at the time as someone says near the end of the movie. After hearing Paula wouldnt be bringing the children to Australia he was in despair, rage and reaching out for someone to go over to the hotel so he wasnt alone. Its says in the movie that he didnt like been alone he was ringing people if only someone had managed to be there at that time it could have been so different.

Mystify. tras el cantante de inxs piano.

Mystify. Tras el cantante de insurance

Mystify. tras el cantante de inxs members. Mystify. tras el cantante de inxs 2017. Mystify. Tras el cantante de inxs. A journey into the heart and soul of Michael Hutchence, lead-singer of INXS, a complex and shy man who spent much of his life in the public eye, rarely revealing his true self to anyone except his very close friends. Mystify. tras el cantante de inxs concert. Mystify. Tras el cantante de. Mystify. Tras el cantante de ins hea. Mystify. tras el cantante de inxs de. Mystify. tras el cantante de inxs letra. Mystify. Tras el cantante de installation. Will this be in the US on October 18. Mystify. tras el cantante de inxs lyrics. I saw Mystify today at the BFI, with Richard doing a Q&A. Amazing well made documentary film, so recommended. It's emotional, and certainly not a celebration so don't expect to come out feeling happy, but I feel I learnt so much about Michael and why he was the great person he was.

Mystify. tras el cantante de inxs de la. Mystify. Tras el cantante de institut.

• 
• Author - Francisco Raya Núñez
• Resume Ingeniero Industrial. Melómano. Cinéfilo. Comiquero. Lector. Deportista. Murcianista. Isleño de vocación. #SOSRealMurcia

 

(amazon) Free Movie Les misérables

Les misérables - by UCEtffrkw, March 18, 2020

9.1/ 10stars

✻ ↡↡↡↡↡

✻ Putlockers

✻ https://onwatchly.com/video-9842.html?utm_source=sinoficio.blogia DOWNLOAD~ STREAM

✻ ✸✸✸✸✸

 

director: Ladj Ly / Country: France / Runtime: 1 hour 44Minutes / Rating: 7,8 / 10 stars / Release date: 2019 / Les misérables is a movie starring Damien Bonnard, Alexis Manenti, and Djebril Zonga. A cop from the provinces moves to Paris to join the Anti-Crime Brigade of Montfermeil, discovering an underworld where the tensions between the.

Thank you this is one of my favorite musicals I have ever watched.

Lourd lourd lourd le film. Pas de propagande ou je sais pas quoi. Franchement à voir

The original flash mob. PLEASE LISTEN TO MY COVER OF I DREAMED A DREAM I don't get many views, And I would really appreciate it if anyone could spare me a few minutes. I'm considering auditioning for The Voice but not certain. Thanks so much, Robyn xx. The greatest voice I have heard.

Here I am crying again and still watching this after ten years. Just so, so inspiring and really touching my soul every time I have to watch this. Really needing to see this again today so I have to watch it again and again and again. Thank you ever so much for uplifting me and encouraging me Susan. i do love you so dearly and God bless you more and more abundantly full of grace, joy, peace, mercy and most of all love. Free movies les miserables michael rennie. Les miserables movie 2012 free online. Free movies les miserables 2012. It is so strange to see baby Anna Kendrick. I dont know how many people have seen the Hong Kong protestors sing this song, but it breaks my heart every time.

Save with a group of 20 or more. Call 416-872-1212 or 1-800-461-3333. More information on groups, schools & experiences By popular demand, Cameron Mackintosh’s acclaimed production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical phenomenon, Les Misérables returns to Toronto. Set against the backdrop of 19th-century France, Les Misérables tells an unforgettable story of heartbreak, passion, and the resilience of the human spirit. Featuring the beloved songs “I Dreamed A Dream, ” “On My Own, ” “Stars, " “Bring Him Home, ” “One Day More, ” and many more, this epic and uplifting story has become one of the most celebrated musicals in theatrical history. With its glorious new staging and dazzlingly reimagined scenery inspired by the paintings of Victor Hugo, this breathtaking new production has left both audiences and critics awestruck, hailed as the “ Les Miz for the 21st Century. ” DOWNLOAD THE STUDY GUIDE.

Goosebumps each and every single time I listen <3. 😂😂😂😂Les misérables... y faut leur coupé Les aides social ou Les renvoyé Chez eux ou en chine. aprés, on poura Les appellé Les misérables film France. gauchislamiste... "Those who live are those who fight." Victor Hugo
Because I have had my fill of violence recently in the realism of For Sama and the fantasy of The Gentlemen, I can more easily recognize the artistic importance of it to represent the malign tendencies of human nature and the absurdity of having to defend life with terror rather than thought. The rugged streets of ethnically-diverse Paris, usually hidden from us white travelers, come alive in this loose update of Les miserables by director Ladj Li's
Violence is cinematic, and in the Oscar-nominated Les miserables, set in Hugo's modern-Paris hood, it serves to explode in our minds the great divide between kids and adults and the evil of police brutality for those kids doomed to spend their days under racist dominance and ignorant supervision. The
Young Issa (Issa Perica) steals a baby lion from a circus; an active crime unit, led by modern-Javert Chris (writer Alexis Mananti) pursues him with brutal results. As white police clash with predominantly Muslim citizens, kids ironically become the antagonists, as if writer/director Li wanted to remind us that in Lord-of-the-Flies tradition, even the innocent are not so innocent if we teach them well. Hugo would have agreed that the adults in charge are jailers with cruelty on their minds.
The cinematographic movement of this Oscar-nominated drama is active with Steadicam balance and drone perspective. We are there.
Of the dozen or so characters, not one is neglected, and not one is irrelevant to the plot. As for the Parisian setting, Ladj makes sure the Eifel Tower appears in a few shots, more I suspect to make fun of our cliched experience with the great city because the hood we see in Les miserables is the world we most likely would never see in our travels. Chalk up another of cinema's gifts to us.
Here's a film of enormous humanity and entertainment couched in a tense world of racist clashes and violent conclusions. Hugo would agree while offering a modicum of hope: The darkest night will end, and the sun will rise...

Free full movie les miserables. Does an amazing performance: g o o d. About the Show 2019 Victor Hugo’s masterpiece Les Misérables comes to television in a six-part adaptation by multi award-winning screenwriter Andrew Davies. Dominic West stars as fugitive Jean Valjean, with David Oyelowo as his pursuer Inspector Javert and Lily Collins as the luckless single mother Fantine. Love, death, and the struggle for social justice in early 19th-century France feature in this beautifully faithful retelling of one of the world’s most beloved stories. The distinguished British cast also includes Adeel Akhtar ( The Night Manager, Murdered By My Father) and Academy Award winner Olivia Colman ( The Favourite, Murder On The Orient Express, The Night Manager, Broadchurch) as Monsieur and Madame Thénardier, Ellie Bamber ( Nocturnal Animals, Pride And Prejudice And Zombies) as Cosette, Josh O’Connor ( The Durrells in Corfu) as Marius, Erin Kellyman ( Raised By Wolves) as Éponine and Henry Lloyd Hughes ( Indian Summers, The Inbetweeners) as Pontmercy. Sign up to get the latest news on your favorite dramas and mysteries, as well as exclusive content, video, sweepstakes and more. This is the template.

9:22 Valjean's Soliloquy. Free Movie Les misérables. Ca sent la rage. On de très bon acteurs. Whos here in 2020 and this is still Quality. 😄. Leaving timestamps so I know what part I left 1:12:10. He's just gorgeous. Free movies les miserables/2012. 1 nomination. See more awards » Edit Cast Series cast summary: Dominic West... Jean Valjean 6 episodes, 2018-2019 David Oyelowo... Javert Adeel Akhtar... Thénardier David Bradley... Gillenormand Emma Fielding... Nicolette 5 episodes, 2018-2019 Enzo Cilenti... Rivette 4 episodes, 2019 Olivia Colman... Madame Thénardier Lily Collins... Fantine 3 episodes, 2018-2019 Ellie Bamber... Cosette 3 episodes, 2019 Josh O'Connor... Marius Joseph Quinn... Enjolras Erin Kellyman... Éponine Archie Madekwe... Courfeyrac Turlough Convery... Grantaire Natalie Simpson... Sister Simplice Angela Wynter... Toussaint Reece Yates... Gavroche Donald Sumpter... Mabeuf Mailow Defoy... Little Cosette 2 episodes, 2019 Henry Lloyd-Hughes... Pontmercy 2 episodes, 2018-2019 Alex Jarrett... Azelma /... Darren Kent... Chenildieu Lorcan Cranitch... Chief Inspector Daniel Tuite... Despiat Ron Cook... Hair and Teeth Dealer Mwanza Goutier... Daniel Leah Harvey... Matelote Josef Altin... Claquesous Anna Calder-Marshall... Madame Rully Ollie Harnett... Younger Boy Jumayn Hunter... Montparnasse Tommy Finnegan... Older Boy Erin Doherty... Fabienne Storyline Television adaptation of Victor Hugo's classic novel, which follows Jean Valjean as he evades capture by the unyielding Inspector Javert. Set against a backdrop of post-Napoleonic France as unrest begins to grip the city of Paris once more. Plot Summary | Add Synopsis Details Release Date: 14 April 2019 (USA) See more » Also Known As: Les Misérables Company Credits Technical Specs See full technical specs » Did You Know? Trivia Lily Collins previously auditioned for the role of Eponine in the movie musical adaption of Les Misérables, losing out to Samantha Barks. In this adaption, Collins plays Fantine. See more » Connections Featured in Jeremy Vine: Episode #2. 9 (2019) Soundtracks Hope On A Rope Written & Performed by Rupert Pope Courtesy of Extreme Music. Used as Trailer Music. See more ».

Free Movie Les misÃrables. I watched the play when I was probably less than 7 and I don't remember anything about the story or plot except that The Wizard scared me because he was loud. Stupid 7-year-old me. 3:36 when you open the fridge and see that someone ate your food Jokes aside, great acting from Anne Hathaway. Please do 'Hamilton the musical in New york' next. Free movie les misérables 2018. Les Misérables Music Claude-Michel Schönberg Lyrics Alain Boublil (French version) Jean-Marc Natel (French version) Herbert Kretzmer (English version) Book Claude-Michel Schönberg (French version) Trevor Nunn (English version) John Caird (English version) James Fenton (additional material for English version) Basis Les Misérables by Victor Hugo Premiere 24 September 1980: Palais des Sports, Paris Productions Multiple productions worldwide Awards Tony Award for Best Musical Tony Award for Best Book Tony Award for Best Score Laurence Olivier Award for Most Popular Show Drama Desk Award for Outstanding Musical Drama Desk Award for Outstanding Music Helpmann Award for Best Musical Les Misérables (; French pronunciation: ​ [le mizeʁabl(ə)]), colloquially known in English-speaking countries as Les Mis (), is a sung-through musical (or operetta) adapted from French poet and novelist Victor Hugo 's 1862 novel of the same name by Claude-Michel Schönberg (music), Alain Boublil and Jean-Marc Natel (original French lyrics), and Herbert Kretzmer (English lyrics). The original French musical premiered in Paris in 1980 with direction by Robert Hossein. Its English-language adaptation by producer Cameron Mackintosh has been running in London since October 1985, making it the longest-running musical in the West End and the second longest-running musical in the world after the original Off-Broadway run of The Fantasticks. Set in early 19th-century France, Les Misérables is the story of Jean Valjean, a French peasant, and his desire for redemption after serving nineteen years in jail for having stolen a loaf of bread for his sister's starving child. Valjean decides to break his parole and start his life anew after a bishop inspires him by a tremendous act of mercy, but he is relentlessly tracked down by a police inspector named Javert. Along the way, Valjean and a slew of characters are swept into a revolutionary period in France, where a group of young idealists attempt to overthrow the government at a street barricade. Background [ edit] Les Misérables was originally released as a French-language concept album, and the first musical-stage adaptation of Les Misérables was presented at the Palais des Sports in 1980. [1] However, the production closed after three months due to the expiry of the booking contract. [ citation needed] In 1983, about six months after producer Cameron Mackintosh had opened Cats on Broadway, he received a copy of the French concept album from director Peter Farago. Farago had been impressed by the work and asked Mackintosh to produce an English-language version of the show. Initially reluctant, Mackintosh eventually agreed. Mackintosh, in conjunction with the Royal Shakespeare Company, assembled a production team to adapt the French musical for a British audience. After two years in development, the English-language version opened in London on 8 October 1985, by the Royal Shakespeare Company at the Barbican Centre, then the London home of the RSC. The success of the West End musical led to a Broadway production. Critical reception and milestones [ edit] Critical reviews for Les Misérables were initially negative. At the opening of the London production, The Sunday Telegraph ' s Francis King described the musical as "a lurid Victorian melodrama produced with Victorian lavishness" and Michael Ratcliffe of The Observer considered the show "a witless and synthetic entertainment", while literary scholars condemned the project for converting classic literature into a musical. [2] [3] Public opinion differed: the box office received record orders. The three-month engagement sold out, and reviews improved. The original London production ran from October 1985 to July 2019, playing over 13, 000 performances and making it the second longest-running musical in the world after The Fantasticks, [4] the second longest-running West End show after The Mousetrap, [5] and the longest-running musical in the West End (followed by The Phantom of the Opera). [6] On 3 October 2010, the show celebrated its 25th anniversary with three productions running in London: the original production at the Queen's Theatre; the 25th Anniversary touring production at the Barbican Centre; and the 25th Anniversary concert at London's O2 Arena. [6] The Broadway production opened 12 March 1987 and ran until 18 May 2003, closing after 6, 680 performances. At the time of its closing, it was the second-longest running musical in broadway history. [7] As of 2019, it remains the sixth longest-running Broadway show. [8] The show was nominated for 12 Tony Awards and won eight, including Best Musical and Best Original Score. Subsequently, numerous tours and international and regional productions have been staged, as well as concert and broadcast productions. Several recordings have also been made. A Broadway revival opened in 2006 at the Broadhurst Theatre and closed in 2008, and a second Broadway revival opened in 2014 at the Imperial Theatre and closed in September 2016. The show was placed first in a BBC Radio 2 listener poll of Britain's "Number One Essential Musicals" in 2005, receiving more than forty percent of the votes. [9] A film version directed by Tom Hooper was released at the end of 2012 to generally positive reviews as well as numerous awards nominations, winning three Academy Awards, three Golden Globe Awards and four British Academy Film Awards (BAFTA). Emblem [ edit] The drawing of Cosette by Émile Bayard that served as the model for the musical's emblem. The musical's emblem is a picture of the waif Cosette sweeping the Thénardiers' inn (which occurs in the musical during "Castle on a Cloud"). It is usually cropped to a head-and-shoulders portrait, superimposed on the French flag. The image is based on an etching by Gustave Brion, which in turn was based on the drawing by Émile Bayard. Bayard's drawing appeared in several of the novel's earliest French-language editions. Synopsis [ edit] Act I [ edit] In 1815 France, prisoners work at hard labour ("Work Song"). After 19 years in prison (five for stealing bread for his sister's starving son and her family, and the rest for trying to escape), Jean Valjean, "prisoner 24601", is released on parole by the prison guard Javert. By law, Valjean must display a yellow ticket of leave, which identifies him as an ex-convict ("On Parole"). As a convict, Valjean is shunned wherever he goes and cannot find regular work with decent wages or lodging, but the Bishop of Digne offers him food and shelter. Desperate and embittered, Valjean steals the Bishop's silver, angering a farmer and other merchants as he flees. He is captured by the police, but rather than turn him in, the Bishop lies and tells the police that the silver was a gift, giving Valjean a pair of silver candlesticks in addition. The Bishop tells Valjean that he must use the silver "to become an honest man" and that he has "bought (Valjean's) soul for God" ("Valjean Arrested, Valjean Forgiven"). Ashamed and humbled by the Bishop's kindness, Valjean resolves to redeem his sins ("Valjean's Soliloquy" / "What Have I Done? "). He tears up his yellow ticket, breaking his parole but giving himself a chance to start a new life free from the stigma of his criminal past. Eight years later, in 1823, Valjean has assumed a new identity as Monsieur Madeleine, a wealthy factory owner and mayor of Montreuil-sur-Mer. Fantine is a single mother working in his factory, trying to support her daughter Cosette, who is being raised by an innkeeper and his wife while Fantine labours in the city. Unbeknownst to Valjean, the factory foreman lusts after Fantine, and when she rejects his advances, he takes it out on the other workers, who resent her for it. One day, a coworker steals a letter about Cosette from Fantine, revealing to the other workers that Fantine has a child. A fight breaks out, and the foreman and other workers use the incident as a pretence to fire Fantine ("At the End of the Day"). Fantine reflects on her broken dreams and about Cosette's father, who abandoned them both (" I Dreamed a Dream "). Desperate for money, she sells her locket and hair, finally becoming a prostitute ("Lovely Ladies"), and attracts local sailors. When she fights back against an abusive customer, Bamatabois, Javert, now a police inspector stationed in Montreuil-sur-Mer, arrives to arrest her. But Valjean, passing by the scene, pities Fantine, and when he realises she once worked for him and that she blames him for her misfortune, he is guilt-stricken. He orders Javert to release her and takes her to a hospital ("Fantine's Arrest"). Soon afterwards, Valjean rescues a man, Fauchelevent, who is pinned by a runaway cart ("The Runaway Cart"). Javert, who has up until now not recognised Valjean, though he has pursued him as a fugitive all these years, witnesses the incident and becomes suspicious, remembering the incredible strength Valjean displayed in the work camp. But it turns out another man has been arrested, and is about to go to trial for breaking parole. The real Valjean realises that this case of mistaken identity could free him forever, but he is not willing to see an innocent man go to prison in his place and so confesses his identity to the court ("Who Am I? —The Trial"). At the hospital, a delirious Fantine dreams of Cosette. Valjean promises to find Cosette and protect her ("Come to Me" / "Fantine's Death"). Relieved, Fantine succumbs to her illness and dies. Javert arrives to take Valjean back into custody, but Valjean asks Javert for time to fetch Cosette. Javert refuses, insisting that a criminal like Valjean can never change or do good. They struggle, but Valjean overpowers Javert and escapes ("The Confrontation"). In Montfermeil, the duplicitous innkeepers, the Thénardiers, use Cosette as a servant and treat her cruelly while extorting money from Fantine by claiming that Cosette is regularly and seriously ill, as well as demanding money to feed and clothe Cosette, all the while indulging their own daughter, Éponine. Cosette dreams of a life with a mother where she is not forced to work and is treated lovingly ("Castle on a Cloud"). The Thénardiers cheat their customers, stealing their possessions and setting high prices for low-quality service, and live a life of criminal depravity ("Master of the House"). Valjean meets Cosette while she's on an errand drawing water and offers the Thénardiers payment to adopt her ("The Bargain"). The Thénardiers feign concern for Cosette, claiming that they love her like a daughter and that she is in fragile health, and bargain with Valjean, who pays them 1, 500 francs in the end. Valjean and Cosette leave for Paris ("The Waltz of Treachery"). Nine years later, in 1832, Paris is in upheaval because of the impending death of General Lamarque, the only man in the government who shows mercy to the poor. Among those mingling in the streets are the student revolutionaries Marius Pontmercy and Enjolras, who contemplate the effect Lamarque's death will have on the poor and desperate in Paris; the Thénardiers, who have since lost their inn and now run a street gang which consists of thugs Brujon, Babet, Claquesous, and Montparnasse; the Thénardier's daughter Éponine, who is now grown and has fallen in love with Marius (who is oblivious to her affections); and the streetwise young urchin Gavroche, who knows everything that happens in the slums ("Look Down"). The Thénardiers prepare to con some charitable visitors, who turn out to be Valjean and Cosette, who has grown into a beautiful young woman. While the gang bamboozles her father, Cosette runs into Marius, and the pair fall in love at first sight. Thénardier suddenly recognises Valjean, but before they can finish the robbery, Javert, now an inspector stationed in Paris, comes to the rescue ("The Robbery"). Valjean and Cosette escape, and only later (when Thénardier tips him off) does Javert suspect who they were. Javert makes a vow to the stars – which represent his belief in a just and ordered universe where suffering is a punishment for sin – that he will find Valjean and recapture him ("Stars"). Meanwhile, Marius persuades Éponine to help him find Cosette ("Éponine's Errand"). At a small café, Enjolras exhorts a group of idealistic students to prepare for revolution. Marius interrupts the serious atmosphere by fantasising about his new-found love, much to the amusement of his compatriots, particularly the wine-loving Grantaire ("The ABC Café—Red and Black"). When Gavroche brings the news of General Lamarque's death, the students realise that they can use the public's dismay to incite their revolution and that their time has come ("Do You Hear the People Sing? "). At Valjean's house, Cosette thinks about her chance meeting with Marius and later confronts Valjean about the secrets he keeps about his and her own past ("Rue Plumet—In My Life"). Éponine leads Marius to Cosette's garden. He and Cosette meet again and confess their mutual love, while a heartbroken Éponine watches them through the garden gate and laments that Marius has fallen in love with another ("A Heart Full of Love"). Thénardier and his gang arrive, intending to rob Valjean's house, but Éponine stops them by screaming a warning ("The Attack on Rue Plumet"). The scream alerts Valjean, who believes that the intruder was Javert. He tells Cosette that it's time once again for them to go on the run, and starts planning for them to flee France altogether. On the eve of the 1832 Paris Uprising, Valjean prepares to go into exile; Cosette and Marius part in despair; Enjolras encourages all of Paris to join the revolution as he and the other students prepare for battle; Éponine acknowledges despairingly that Marius will never love her; Marius is conflicted whether to follow Cosette or join the uprising; Javert reveals his plans to spy on the students; and the Thénardiers scheme to profit off the coming violence. Marius decides to stand with his friends, and all anticipate what the dawn will bring ("One Day More"). [6] Act II [ edit] As the students build a barricade to serve as their rally point, Javert, disguised as a rebel, volunteers to "spy" on the government troops. Marius discovers that Éponine has disguised herself as a boy to join the rebels and, wanting to keep her away from the impending violence, he sends her to deliver a farewell letter to Cosette. ("Building the Barricade—Upon These Stones") Valjean intercepts the letter and learns about Marius and Cosette's romance. Éponine walks the streets of Paris alone, imagining that Marius is there with her, but laments that her love for Marius will never be reciprocated ("On My Own"). The French army arrives at the barricade and demands that the students surrender ("At the Barricade—Upon These Stones"). Though Javert tells the students that the government will not attack that night ("Javert's Arrival"), Gavroche recognises him and quickly exposes him as a spy, and the students detain Javert ("Little People"). Their plan is to spark a general uprising with their act of defiance, hoping that all the people of Paris will side with them and overwhelm the army. Éponine returns to find Marius but is shot by the soldiers crossing the barricade. As Marius holds her, she assures him that she feels no pain and reveals her love for him before dying in his arms ("A Little Fall of Rain"). The students mourn this first loss of life at the barricades and resolve to fight in her name, and they carry her body away while Enjolras attempts to comfort Marius, who is heartbroken over the death of his best friend. Valjean arrives at the barricade, crossing the government lines, disguised as a soldier ("Night of Anguish"), hoping that he might somehow protect Marius in the coming battle for Cosette's sake. The rebels are suspicious of him at first, but when the army attacks, Valjean saves Enjolras by shooting at a sniper and scaring him off, and they accept him as one of them. In return, he asks Enjolras to be the one to execute the imprisoned Javert, which Enjolras grants. But as soon as Valjean and Javert are alone, Valjean frees Javert. Javert warns Valjean that he will not give up his pursuit and rejects what he perceives as a bargain for Valjean's freedom. Valjean says there are no conditions to his release, and holds no ill-will toward Javert for doing his duty ("The First Attack"). The students settle down for the night and reminisce about the past while also expressing anxiety about the battle to come. Enjolras tells the other students to stay awake in case the enemy strikes unexpectedly in the night, but he tells Marius to get some sleep, knowing Marius is still much too devastated over losing Éponine to stay awake. Grantaire gets angry and asks the students if they fear to die as Marius wonders if Cosette will remember him if he dies ("Drink with Me"). As Marius sleeps, Valjean prays to God to protect Marius, even if the cost for Marius' safety is his own life ("Bring Him Home"). As dawn approaches, Enjolras realises that the people of Paris have not risen up with them, but resolves to fight on in spite of the impossible odds ("Dawn of Anguish"). Their resolve is fired even further when the army kills Gavroche, who snuck out to collect ammunition from bodies on the other side of the barricade ("The Second Attack / Death of Gavroche"). The army gives a final warning, but the rebels fight to the last man with Enjolras exhorting "Let others rise to take our place, until the Earth is free! ". Everyone at the barricade is killed except Valjean and a gravely wounded Marius, who escape into the sewers ("The Final Battle"). Javert returns to the barricade, searching for Valjean amongst the bodies, and finds the open sewer grating. Valjean carries Marius through the sewers but collapses in exhaustion. While he is unconscious, Thénardier, who has been looting bodies ("Dog Eats Dog"), comes upon them and takes a ring from the unconscious Marius, but flees when Valjean (whom he again recognises) regains consciousness. When Valjean carries Marius to the sewer's exit, he finds Javert waiting for him. Valjean begs Javert for one hour to bring Marius to a doctor, and Javert reluctantly agrees. Javert finds himself unable to reconcile Valjean's merciful acts with his conception of Valjean as an irredeemable criminal. Refusing to compromise his principles but no longer able to hold them sacred, he finds himself torn between his beliefs about God and his desire to adhere to the law and commits suicide by throwing himself into the Seine ("Soliloquy/Javert's Suicide"). In the wake of the failed revolution, women mourn the deaths of the students ("Turning") and Marius, wounded but alive, despairs at the sacrifice of so many lives and at the death of his friends while he survives ("Empty Chairs at Empty Tables"). As he wonders who saved his own life, Cosette comforts him, and they reaffirm their blossoming romance. Valjean realises that Cosette will not need him as a caretaker once she's married and gives them his blessing ("Every Day"). Valjean confesses to Marius that he is an escaped convict and must go away because his presence endangers Cosette ("Valjean's Confession"), making Marius promise never to tell Cosette. A few months later, Marius and Cosette marry ("Wedding Chorale"). The Thénardiers crash the reception disguised as nobility and attempt to blackmail Marius, telling him that Valjean is a murderer and that Thénardier saw him carrying a corpse in the sewers after the barricades fell. When Thénardier shows him the ring as proof, Marius realises that it was Valjean who saved his life. The newlyweds leave to find Valjean (in some productions, Marius pauses to give Thénardier a punch in the face). The Thénardiers are not discouraged, instead gloating that their craven practicality has saved their lives time and time again ("Beggars at the Feast"). At a convent, Valjean awaits his death, having nothing left to live for. The spirit of Fantine appears to him and tells him that he has been forgiven and will soon be with God. Cosette and Marius arrive to find Valjean near death. Valjean thanks God for letting him live long enough to see Cosette again, and Marius thanks him for saving his life ("Epilogue – Valjean's Death"). Valjean gives Cosette a letter confessing his troubled past and the truth about her mother. As he dies, the spirits of Fantine and Éponine guide him to Heaven reminding him that "to love another person is to see the face of God. " They are joined by the spirits of those who died at the barricades, who sing that in the next world, God lays low all tyranny and frees all oppressed people from their shackles ("Do You Hear The People Sing? (Reprise)"). Musical numbers [ edit] Act I Song Performer(s) 1 "Prologue: Work Song" Chain Gang, Javert, Jean Valjean 2 "Prologue: On Parole" Jean Valjean, Farmer, Labourer, Innkeeper's Wife, Innkeeper, Bishop of Digne 3 "Prologue: Valjean Arrested, Valjean Forgiven" Constables, Bishop of Digne 4 "Prologue: What Have I Done? " Jean Valjean 5 "At the End of the Day" Fantine, Foreman, Factory Girl, Jean Valjean, Workers, Company 6 " I Dreamed a Dream " Fantine 7 "Lovely Ladies" Fantine, Sailors, Whores, Old Woman, Crone, Pimp, Ensemble 8 "Fantine's Arrest" Bamatabois, Fantine, Javert and Jean Valjean 9 "'The Runaway Cart" Fauchevelant, Javert, Jean Valjean, Ensemble 10 "Who Am I? / The Trial" 11 "Fantine's Death: Come to Me" Fantine and Jean Valjean 12 "The Confrontation" Javert and Jean Valjean 13 "Castle on a Cloud" Young Cosette 14 "Master of the House" Thénardier, Madame Thénardier, Ensemble 15 "The Well Scene" Valjean and Young Cosette 16 "The Bargain / The Thénardier Waltz of Treachery" Jean Valjean, Thénardier, Madame Thénardier 17 "Look Down" Gavroche, Old Woman, Prostitute, Pimp, Enjolras, Marius, Company 18 "The Robbery" Thénardier, Madame Thénardier, Marius, Éponine, Jean Valjean 19 "Javert's Intervention" Javert, Thénardier 20 "Stars" Javert 21 "Éponine's Errand" Éponine and Marius 22 "ABC Café / Red and Black" Combeferre, Feuilly, Courfeyrac, Enjolras, Joly, Marius, Grantaire, Legsles, Prouvaire, Gavroche 23 " Do You Hear the People Sing? " Enjolras, Combeferre, Courfeyrac, Feuilly, Ensemble 24 "Rue Plumet – In My Life" Cosette, Jean Valjean, Marius and Éponine 25 "A Heart Full of Love" Marius, Cosette and Éponine 26 "The Attack on the Rue Plumet" Thénardier, Brujon, Babet, Claquesous, Montparnasse, Éponine, Marius, Jean Valjean and Cosette 27 " One Day More " Jean Valjean, Marius, Cosette, Éponine, Enjolras, Javert, Thénardier, Madame Thénardier and Company Act II 28 "Building the Barricade (Upon These Stones)" Enjolras, Javert, Prouvaire, Grantaire, Legsles, Marius, Éponine 29 " On My Own " Éponine 30 "At the Barricade (Upon These Stones)" Enjolras, Marius, Grantaire, Combeferre, Courfeyrac, Feuilly, Students, and Army Officer 31 "Javert's Arrival" Javert and Enjolras 32 "Little People" Gavroche 33 "A Little Fall of Rain" (Éponine's Death) 34 "Night of Anguish" Enjolras and Students 35 "The First Attack" Enjolras, Valjean, Javert, Students 36 "Drink with Me" Feuilly, Prouvaire, Joly, Grantaire, Marius, Company 37 "Bring Him Home" Valjean 38 "Dawn of Anguish" Enjolras 39 "The Second Attack (Death of Gavroche)" Enjolras, Marius, Gavroche, Students 40 "The Final Battle" Army Officer, Enjolras, Company 41 "Dog Eats Dog (The Sewers)" Thénardier 42 "Soliloquy (Javert's Suicide)" 43 "Turning" Women of Paris 44 "Empty Chairs at Empty Tables" Marius 45 "Every Day" Cosette, Marius and Valjean 46 "Valjean's Confession" Marius and Valjean 47 "Wedding Chorale"/ Beggars at the Feast Marius, Cosette, Thénardier, Madame Thénardier, Company 48 "Valjean's Death" Valjean, Fantine, Cosette, Marius and Éponine 49 "Do You Hear The People Sing? (Reprise) / [Finale]" Full Company Instrumentation [ edit] The standard orchestration for the 2009 U. K. tour of Les Misérables consisted of: Bass Cello Horn 1 Horn 2 Keyboard 1 Keyboard 2 Percussion Reed 1 (Alto Flute, Alto Recorder, Flute, Piccolo) Reed 2 (Cor Anglais, Oboe) Reed 3 (B♭ Clarinet, Bass Clarinet, E♭ Clarinet, Tenor Recorder) Trombone/ Tuba Trumpet/ Flugelhorn Viola Violin [10] Characters [ edit] Characters in order of appearance Character [11] Voice [12] Description dramatic tenor A♭2-B4(D5 optional) Prisoner 24601. After being released from imprisonment for serving nineteen years (five for stealing a loaf of bread and fourteen for multiple escape attempts), he breaks parole and, after receiving mercy from Bishop Myriel, turns his life around to live for God, showing the effects of God's grace that bring a corrupt man into virtuous and selfless living. He changes his identity, becoming the wealthy mayor of a small town. He later adopts Cosette, the only daughter of Fantine. At the end, he eventually dies and the spirit of Fantine thanks him for raising her child. baritone F2-F♯4 Respects the law above all else and relentlessly pursues Valjean, hoping to bring the escaped convict to justice. He firmly believes in the justice of the law, and has no room for mercy. In the end he commits suicide, broken by the mercy he experiences from Valjean. The Bishop of Digne bass A2-E4 Shelters Valjean after his release from jail and gives him gifts of silver and absolution. His acts of kindness move Valjean to surrender his ways to God, escaping the label of "criminal" and living in a new identity. The Factory Foreman D3-D4 Foreman of Valjean's (Valjean has assumed the name Madeleine) jet bead factory in Montreuil-sur-Mer which employs Fantine and other workers. The Foreman fires Fantine from the factory when she persists in resisting his overt sexual advances and because it is discovered that she is the mother of an illegitimate child (Cosette) living elsewhere. The Factory Girl soprano F4-E♭5 Mistress to the Factory Foreman. She intercepts a letter that the Thénardiers have sent to Fantine which exposes her as the mother of an illegitimate child, and the Factory Girl shows it to the Foreman, goading him into firing her. lyric mezzo-soprano D3-E♭5 An impoverished factory worker who loses her job and, as a result, turns to prostitution in order to continue paying the Thénardiers to care for her illegitimate daughter, Cosette. As Fantine dies of consumption, she asks Valjean to look after her child. Ultimately she appears as a spirit and escorts the dying Valjean to Heaven. Crone Also called "The Locket Crone", this character is the woman who talks Fantine into selling her precious locket for much less than it is worth. Old Woman contralto E4-D5 Affectionately called "The Hair Hag" in many of the original US companies, the Old Woman is the character who talks Fantine into selling her hair before Fantine becomes a prostitute. Bamatabois An upper-class "fop" who tries to buy Fantine's services. He treats her abusively so she refuses him. When Javert enters the scene, Bamatabois tries to cover the fact that he was soliciting a prostitute by having her arrested for attacking him unprovoked. Fauchelevent In a role reduced from the novel, he appears only in the Cart Crash scene, where he is trapped under the cart and rescued by Valjean. He is an elderly man who has fallen upon hard times. Champmathieu silent A man who is arrested and on trial because he is believed to be Jean Valjean. Valjean, still under the name Madeleine, confesses his true identity at the trial in order to save the man. treble The eight-year-old daughter of Fantine. Cosette is in the care of the Thénardiers who are paid by Fantine to take care of her child. Unknown to Fantine, the Thénardiers force Cosette to work, and they use Fantine's money for their own needs. Madame Thénardier G♯3-D5 Thénardier's unscrupulous wife, who abuses Cosette but dotes on her own daughter, Éponine. She is fully complicit in most of her husband's crimes and schemes. Young Éponine The pampered daughter of the Thénardiers. She grows up with Cosette and is unkind to her. comic baritone G♯2-G4 A second-rate thief, Thénardier runs a small inn where he continually bilks his customers. He and his family later travel to Paris, where he sets up as the leader of a gang of street thugs and con men. An eternal survivor, Thénardier is above nothing and below everything. boy soprano A2-G4 (OR A3-G5) A streetwise urchin who knows everyone and everything that happens in the slums of Paris. He joins up with the revolutionaries, and later dies on the barricade attempting to recover ammunition from fallen soldiers. baritone or tenor A2-G4(Bb4 optional) The leader of the student revolutionaries and a friend of Marius. He is Idealistic, although his plan is doomed to failure. A2-G4 (or B♭2-A♭4) A student revolutionary, is friends with Éponine, but falls in love with Cosette, and she with him. He is later rescued from the barricades by Valjean, who ultimately gives Marius and Cosette his blessing, allowing them to be married. mezzo-soprano F3-E5 Daughter of the Thénardiers, Éponine, now a ragged street waif and a thief like her father, secretly loves Marius. Although it causes her great anguish, she helps him locate Cosette and later delivers a message he sends her from the barricade. She is killed while returning to the barricades to see Marius. In the end she appears as a spirit alongside Fantine and they guide the dying Valjean to Heaven. Brujon A brutish and cowardly, but dissatisfied, member of Thénardier's Gang. Brujon's role in the musical expands to cover Gueulemer. Babet A foreboding member of Thénardier's Gang. Claquesous A member of Thénardier's Gang Quiet and masked, expert at evading the police, Claquesous might in fact be working for the law. Montparnasse A young member of Thénardier's Gang, Montparnasse is a handsome man who appears to be close to Éponine. He is usually portrayed as well-dressed, as he is in the book. Cosette B♭3-C6 Cosette, the daughter of Fantine, has grown up to become a beautiful young woman of culture and privilege under Valjean's adoptive and loving fatherly care and protection. She falls in love with Marius, and he returns her equally strong and pure romantic feelings. She marries him at the end of the musical. Friends of the ABC baritones and tenors A2-G4 Student revolutionaries who lead a revolution and die in the process, the Friends of the ABC become martyrs for the rights of citizens. (See Members listed below) Combeferre Combeferre is the philosopher of the ABC group. Enjolras' second-in-command. He is described as the guide of the Friends of the ABC. Feuilly tenor A2-A4 Feuilly is the only member of the Friends of the ABC who is not a student; he is a workingman. An optimist who stands as a sort of ambassador for the "outside", while the rest of the men stand for France. He loves Poland very much. Courfeyrac Friendly and open, Courfeyrac introduces Marius to the ABC society in the novel. He always has many mistresses, and is described as the centre of the Friends of the ABC, always giving off warmth. Joly A medical student and a hypochondriac; best friends with Lesgles. Grantaire Grantaire is a member of the Friends of the ABC. Though he admires Enjolras, Grantaire often opposes Enjolras' fierce determination and occasionally acts as a voice of reason. In many performances, Grantaire is very close to Gavroche and attempts to act as his protector. Grantaire is a drunkard and is often tipsy throughout the musical, carrying a bottle of wine wherever he goes. He has no interest in the revolution, and is there because his friends are. He asks of them before the final battle whether they believe their deaths will accomplish anything. Jean Prouvaire Prouvaire, a poet, is the youngest student member of the Friends. Jean Prouvaire has the honor of waving the giant red flag during "One Day More" at the end of Act One. Lesgles Best friends with Joly. A very unlucky man, but also a very happy one. Army Officer/Loud Hailer C4-G4 A voice from offstage, he demands the surrender of the student revolutionaries before the army attacks, telling them that the people of Paris have not answered their call for help. Casts [ edit] Original casts [ edit] Character Original Album Concept French cast 1980 Original French cast 1980 Original West End cast 1985 Original Broadway cast 1987 Original U. S. tour cast 1987 1st Broadway revival cast 2006 2nd Broadway revival cast 2014 1st West End revival cast 2019 Maurice Barrier Colm Wilkinson William Solo Alexander Gemignani Ramin Karimloo Jon Robyns Jacques Mercier Jean Vallée Roger Allam Terrence Mann Herndon Lackey Norm Lewis Will Swenson Bradley Jaden Yvan Dautin Alun Armstrong Leo Burmester Tom Robbins Gary Beach Cliff Saunders Gerard Carey Marie-France Roussel Susan Jane Tanner Jennifer Butt Victoria Clark Jenny Galloway Keala Settle Josefina Gabrielle Rose Laurens Patti LuPone Randy Graff Diane Fratantoni Daphne Rubin-Vega Caissie Levy Carrie Hope Fletcher Fabienne Guyon Rebecca Caine Judy Kuhn Tamara Jenkins Ali Ewoldt Samantha Hill Lily Kerhoas Marius Pontmercy Richard Dewitte Gilles Buhlmann Michael Ball David Bryant Hugh Panaro Adam Jacobs Andy Mientus Harry Apps Michel Sardou Christian Ratellin David Burt Michael Maguire John Herrera Aaron Lazar Kyle Scatliffe Ashley Gilmour Éponine Thénardier Marie-France Dufour Marianne Mille Frances Ruffelle Renee Veneziale Celia Keenan-Bolger Nikki M. James Shan Ako Gavroche Thénardier Fabrice Bernard Florence Davis Cyrille Dupont Fabrice Ploquin Ian Tucker Oliver Spencer Liza Hayden Braden Danner RD Robb Lantz Landry Andrew Renshaw Brian D'Addario Jacob Levine Austyn Myers Joshua Colley Gaten Matarazzo Logan Clark Billy Jenkins Taye Matthew Charlie Stripp Concert casts [ edit] 10th anniversary concert cast 1995 25th anniversary concert cast 2010 The all-star staged concert cast 2019 Alfie Boe ( John Owen-Jones at certain performances) Philip Quast Matt Lucas Katy Secombe Ruthie Henshall Lea Salonga Katie Hall Nick Jonas Rob Houchen Samantha Barks Adam Searles Robert Madge Charlie Hagen, Che Grant, Logan Clark, Theo Collis, Kayleb Rene-Gray Anthony Crivello Hadley Fraser Raymond Walsh Jérôme Pardon Killian Donnelly Barnaby Hughes, Niall Sheehy Paul Monaghan Earl Carpenter Gareth Snook Cameron Blakely Productions [ edit] Sit-down productions [ edit] Original French production [ edit] The Palais des Sports, now Dôme de Paris, in Paris where the musical was first performed. Alain Boublil's initial idea to adapt Victor Hugo's novel into a musical came while at a performance of the musical Oliver! in London: As soon as the Artful Dodger came onstage, Gavroche came to mind. It was like a blow to the solar plexus. I started seeing all the characters of Victor Hugo's Les Misérables —Valjean, Javert, Gavroche, Cosette, Marius, and Éponine—in my mind's eye, laughing, crying, and singing onstage. [13] He shared the idea with French composer Claude-Michel Schönberg, and the two developed a rough synopsis and analysis of each character's mental and emotional state, as well as that of an audience. Schönberg then began work on the music, while Boublil the text. According to Boublil, "I could begin work on the words. This I did—after myself deciding on the subject and title of every song—in collaboration with my friend, poet Jean-Marc Natel. " [14] Two years later, a two-hour demo tape of Schönberg accompanying himself on the piano and singing every role was completed. An album of this collaboration was recorded at CTS Studios in Wembley and was released in 1980, selling 260, 000 copies. [ citation needed] The concept album includes Maurice Barrier as Jean Valjean, Jacques Mercier as Javert, Rose Laurens as Fantine, Yvan Dautin as Thénardier, Marie-France Roussel as Mme. Thénardier, Richard Dewitte as Marius, Fabienne Guyon as Cosette, Marie-France Dufour as Éponine, Michel Sardou as Enjolras, Fabrice Bernard as Gavroche, Maryse Cédolin as Young Cosette, Claude-Michel Schönberg as Courfeyrac, Salvatore Adamo as Combeferre, Michel Delpech as Feuilly, Dominique Tirmont as M. Gillenormand, and Mireille as the hair buyer. That year, in September 1980, a stage version directed by veteran French film director Robert Hossein was produced at the Palais des Sports in Paris. The show was a success, with 100 performances seen by over 500, 000 people. [15] [16] [17] Most of the cast from the concept album performed in the production. [15] [18] The cast included Maurice Barrier as Valjean, Jean Vallée as Javert, Rose Laurens as Fantine, Maryse Cédolin and Sylvie Camacho and Priscilla Patron as Young Cosette, Marie-France Roussel as Mme. Thénardier, Yvan Dautin as M. Thénardier, Florence Davis and Fabrice Ploquin and Cyrille Dupont as Gavroche, Marianne Mille as Éponine, Gilles Buhlmann as Marius, Christian Ratellin as Enjolras, Fabienne Guyon as Cosette, René-Louis Baron as Combeferre, Dominique Tirmont as M. Gillenormand, Anne Forrez as Mlle. Gillenormand, and Claude Reva as the storyteller. [15] [18] [19] [20] Original London production [ edit] The English-language version, with lyrics by Herbert Kretzmer and additional material by James Fenton, was substantially expanded and reworked from a literal translation by Siobhan Bracke of the original Paris version, in particular adding a prologue to tell Jean Valjean's background story. Kretzmer's lyrics are not a direct translation of the French, a term that Kretzmer refused to use. A third of the English lyrics were a rough translation, another third were adapted from the French lyrics and the final third consisted of new material. The majority is performed in recitative style; the vocalists use natural speech, not musical metrics. [21] The first production in English, produced by Cameron Mackintosh and adapted and directed by Trevor Nunn and John Caird, played to preview performances beginning on 28 September 1985 and formally opened on 8 October 1985 at the Barbican Centre, London. It was billed in the programme as "The Royal Shakespeare Company presentation of the RSC/Cameron Mackintosh production". The set was designed by John Napier, costumes by Andreane Neofitou and lighting by David Hersey. Musical supervision and orchestrations were by John Cameron, who had been involved with the show since Boublil and Schönberg hired him to orchestrate the original French concept album. Musical staging was by Kate Flatt with musical direction by Martin Koch. The original London cast included Colm Wilkinson as Jean Valjean, Roger Allam as Javert, Ken Caswell as the Bishop of Digne, Patti LuPone as Fantine, Zoë Hart, Justine McIntyre, Jayne O'Mahony and Joanne Woodcock as Young Cosette, Danielle Akers, Gillian Brander and Juliette Caton as Young Éponine, Susan Jane Tanner as Madame Thénardier, Alun Armstrong as Thénardier, Frances Ruffelle as Éponine, Rebecca Caine as Cosette, Michael Ball as Marius, David Burt as Enjolras, with Ian Tucker, Oliver Spencer and Liza Hayden sharing the role of Gavroche. [22] [23] On 4 December 1985, the show transferred to the Palace Theatre, London and moved again on 3 April 2004, to the smaller Queens Theatre, now called the Sondheim Theatre, with some revisions of staging. [24] The show celebrated its ten-thousandth performance on 5 January 2010 [25] and its 30th anniversary in October 2015. [26] The co-production has generated valuable income for the Royal Shakespeare Company. [27] The original show closed at the Queen's Theatre on 13 July 2019 to allow for theatre refurbishments, after which a staged concert was performed at the adjacent Gielgud Theatre for a four-month run before it returned to the Sondheim Theatre. [28] [29] The newly updated London production developed in 2009 for the 25th anniversary touring production opened at the newly renamed Sondheim Theatre on 18 December 2019 in previews with opening night set for 16 January 2020. [30] The new production is co-directed by James Powell and Laurence Connor with set and image design by Matt Kinley, lighting by Paule Constable, sound by Mick Potter and costumes by Andreane Neofitou and Christine Rowlands. The first cast for this new version included Jon Robyns (Valjean), Bradley Jaden (Javert), Carrie Hope Fletcher (Fantine), Shan Ako (Éponine), Lily Kerhoas (Cosette), Harry Apps (Marius), Gerard Carey (Thénardier), Josefina Gabrielle (Madame Thénardier) and Ashley Gilmour (Enjolras). [31] Original Broadway production [ edit] The musical opened as a pre-Broadway tryout at the Kennedy Center 's Opera House in Washington, D. C. on 27 December 1986. It ran for eight weeks through 14 February 1987. [32] The musical then premiered on Broadway on 12 March 1987 at The Broadway Theatre. Colm Wilkinson and Frances Ruffelle reprised their roles from the London production. [33] The $4. 5 million production had a more than $4 million advance sale prior to its New York opening. [34] The show underwent further tightening, namely with improved sewer lighting and the incorporation of the Javert suicide scene effect. [35] A New York Times report consisted of the following: "The transfer from London to the United States has prompted further modifications. 'We are taking this opportunity to rethink and perfect, to rewrite some details which probably no one else will see, but which for us are still long nights of work, ' Mr. Boublil says. 'There are things that nobody had time to do in London, and here we have a wonderful opportunity to fix a few things. No one will notice, perhaps, but for us, it will make us so happy if we can better this show. We would like this to be the final version. ' " [34] Two songs were deleted—the complete version of Gavroche's song "Little People" and the adult Cosette's "I Saw Him Once". A short section at the beginning of "In My Life" replaced "I Saw Him Once". The lyrics in Javert's "Stars" were changed. It now ended with the line, "This I swear by the stars! ", while the London production and cast recording ended with the repeated line, "Keeping watch in the night". The original Broadway cast included Colm Wilkinson as Jean Valjean, David Bryant as Marius, Judy Kuhn as Cosette, Michael Maguire as Enjolras, Frances Ruffelle as Éponine, Braden Danner as Gavroche, Donna Vivino as Young Cosette, Jennifer Butt as Madame Thénardier, Leo Burmester as Thénardier, Randy Graff as Fantine, Terrence Mann as Javert, and Chrissie McDonald as Young Éponine. [33] Other members of the original Broadway cast included Kevin Marcum (Brujon), Paul Harman (Combeferre/Foreman), Anthony Crivello (Grantaire/Bambatosis), John Dewar (Joly), Joseph Kolinski (Feuilly), Alex Santoriello (Montparnasse/Labourer), Jesse Corti (Courfeyrac/Farmer), Susan Goodman (Old Woman/Innkeeper's Wife), John Norman (Prouvaire/Pimp), Norman Large (Bishop/Lesgles), Marcus Lovett (Babet/Constable), Steve Shocket (Claquesous/Fauchevelant/Constable/Pimp), Cindy Benson (Old Woman), Marcie Shaw, Jane Bodle, Joanna Glushak, Ann Crumb (Factory Girl), Kelli James, and Gretchen Kingsley-Weihe. Michael Hinton was the original drummer and credited on the cast album. [33] The musical ran at the Broadway Theatre through 10 October 1990, when it moved to the Imperial Theatre. [33] It was scheduled to close on 15 March 2003, but the closing was postponed by a surge in public interest. [36] According to an article in The Scotsman, "Sales picked up last October, when Sir Cameron made the announcement that the show would be closing on March 15th... its closure postponed to May 18th because of an unexpected increase in business. " [37] After 6, 680 performances in sixteen years, [37] when it closed on 18 May 2003, [33] it was the second- longest-running Broadway musical after Cats. [38] It was surpassed by The Phantom of the Opera in 2006. [39] This Broadway production of Les Misérables and its advertising in New York City is a recurring theme in American Psycho. The reviewer for the Financial Times wrote that Les Misérables is "the book's hilarious main cultural compass-point". [40] 2006 Broadway revival [ edit] Only three years after the original run closed, Les Misérables began a return to Broadway on 9 November 2006 at the Broadhurst Theatre for a limited run that was subsequently made open-ended. Using the set, costumes, performers, and other resources from the recently finished third US national touring production, the production was only slightly altered. Minor changes included colourful projections blended into its existing lighting design, and a proscenium that extended out into the first two boxes on either side of the stage. Some cuts made to the show's prologue during its original Broadway run were restored, lyrics for Gavroche's death scene (known in the revival as "Ten Little Bullets") cut during the development of the original London production were restored, and much of the show was re-orchestrated by Christopher Jahnke, introducing a snare and timpani-heavy sound played by a 14-member band, a reduction of about 8 musicians from the original production's 22 musician orchestration. [ citation needed] The original 2006 Broadway revival cast included Alexander Gemignani as Jean Valjean, Norm Lewis as Javert, Daphne Rubin-Vega as Fantine, Celia Keenan-Bolger as Éponine, Aaron Lazar as Enjolras, Adam Jacobs as Marius, Ali Ewoldt as Cosette, Gary Beach as Thénardier, Jenny Galloway as Madame Thénardier, Brian D’Addario, Jacob Levine, Skye Rainforth and Austyn Myers as Gavroche, and Tess Adams, Kylie Liya Goldstein and Carly Rose Sonenclar as Young Cosette/Young Éponine. The ensemble consisted of Becca Ayers, Daniel Bogart (Combeferre/Bambatosis), Justin Bohon (Joly/Major Domo), Kate Chapman, Nikki Renee Daniels, Karen Elliott (Old Woman/Innkeeper's Wife), Blake Ginther (Feuilly), J. D. Goldblatt (Montparnasse/Pimp/Labourer), Marya Grandy(Crone), Victor Hawks (Brujon), Robert Hunt (Courfeyrac/Foreman), Nehal Joshi (Lesgles/Constable), Jeff Kready (Babet/Constable/Fauchevelant), Doug Kreeger (Jean Prouvaire/Farmer), James Chip Leanord (Bishop/Claquesous), Megan McGinnis, Drew Sarich (Grantaire/Innkeeper), Haviland Stillwell (Factory Girl), and Idara Victor. [41] Lea Salonga, who previously played the role of Éponine in the 10th Anniversary concert, replaced Rubin-Vega as Fantine beginning on 2 March 2007. Zach Rand replaced Jacob Levine as Gavroche on 15 March 2007. Ann Harada replaced Jenny Galloway as Mme. Thénardier on 24 April 2007. Ben Davis joined playing Javert, and Max von Essen playing Enjolras. Ben Crawford and Mandy Bruno joined the cast that day too, playing Brujon and Éponine respectively. On 23 July 2007, Sarich took over the role of Valjean, following Gemignani's departure. On 5 September 2007, it was announced that John Owen-Jones (who was playing Valjean in London) was to join the Broadway cast. In return, Sarich would join the London cast in Owen-Jones' place. Judy Kuhn, who originated the role of Cosette, returned to the show after twenty years as Fantine, succeeding Salonga. The revival closed on 6 January 2008 after 17 previews and 463 performances. [42] 2013 Toronto revival [ edit] A sit down production played at the Princess of Wales Theatre in Toronto, Canada based on the 25th Anniversary touring production. [43] Previews began on 27 September 2013 with the opening night on 9 October. The production closed on 2 February 2014. [44] [45] [46] [47] Co-directed by Lawrence Connor and James Powell, [48] Laurence Olivier Award nominee Ramin Karimloo starred as Jean Valjean; Colm Wilkinson, who originated the role, portrayed the Bishop of Digne in a one-day performance symbolic handing of the torch to Karimloo. [49] [50] He was joined by fellow West End star, Earl Carpenter, who reprised the role of Inspector Javert. [51] Other cast members included Genevieve Leclerc as Fantine, Samantha Hill as Cosette, Melissa O'Neil as Éponine, Perry Sherman as Marius, Cliff Saunders as Monsieur Thénardier, Lisa Horner as Madame Thénardier, and Mark Uhre as Enjolras. [52] The roles of young Cosette and young Éponine were shared by Ella Ballentine, Saara Chaudry and Madison Oldroyd. Gavroche was shared by David Gregory Black and Aiden GlennRead. [53] 2014 Broadway revival [ edit] The show returned to Broadway in March 2014 at the Imperial Theatre with previews beginning 1 March 2014 and had an official opening on 23 March 2014. [54] [55] The creative team included the direction of Laurence Connor and James Powell, set design by Matt Kinley, costumes by Andreane Neofitou and Christine Rowlands, lighting by Paule Constable, sound by Mick Potter and projections by Fifty-Nine Productions. Cameron Mackintosh once again produced the show. On 22 October 2013, it was announced that Ramin Karimloo, Will Swenson, Caissie Levy, and Nikki M. James would be headlining the revival cast as Jean Valjean, Javert, Fantine, and Éponine respectively. [56] Andy Mientus and Samantha Hill also starred as Marius and Cosette respectively. [57] [58] Angeli Negron and McKayla Twiggs share the role of Young Cosette. [59] On 30 August 2015, Karimloo ended his run of the show and was replaced by Alfie Boe. After Boe's final performance on 28 February, the role of Valjean was played by John Owen-Jones beginning 1 March 2016 until the production closed on 4 September 2016, after 1, 026 performances over two-and-a-half years. [60] The revival recouped its entire initial investment and grossed $109 million. [61] The 2014 Broadway revival was nominated for 3 Tony Awards: Best Revival of a Musical, Best Leading Actor in a Musical for Karimloo, and Best Sound Design for Potter. Touring productions [ edit] US national tours [ edit] The show had three national touring companies of the original Broadway production in the US, all of which shared the Broadway producer and manager, creative teams, as well nearly identical sets, costumes, and lighting. While the touring production and the New York production were running simultaneously, the staff, cast members, crew, and musicians of the two productions interchanged often, which contributed to keeping both companies of the show in form. When the New York production closed in 2003, the Third National Tour continued for another three years, and enjoyed the influx of many members from the original and subsequent New York companies. The First National Tour opened at Boston's Shubert Theatre on 12 December 1987, and continued to play major cities until late 1991. The Second National Tour (called "The Fantine Company") opened at Los Angeles' Shubert Theatre on 1 June 1988. The production played for fourteen months then transferred to San Francisco's Curran Theatre where it enjoyed a similar run. The Third National Tour of Les Misérables (called "The Marius Company") was one of the longest running American touring musical productions. Opening on 28 November 1988, at the Tampa Bay Performing Arts Center in Florida, and closing on 23 July 2006, at the Fox Theatre in St. Louis, Missouri, [62] the tour ran for seventeen years and 7, 061 performances. The tour played in 145 cities in 43 states. The same touring company also frequently performed in Canada, made a 1994 diversion to Singapore, and another diversion in 2002 to be the first Western musical production to visit China, opening in Shanghai's Grand Theatre for a three-week engagement. All US productions (including Broadway and its revival) were visually identical in scale and design but the third national tour was notable for its portability without sacrificing the Broadway-caliber experience. Thanks to innovative touring techniques borrowed from the pop/rock concert industry, the 4. 5 million dollar production was adaptable to smaller and larger venues and traveled complete in all of 8 semi tractor trailers. It was set up and ready to go in less than 24 hours and broken down and packed up in about 16 hours. This allowed it to reach many cities and venues in its acclaimed, original Broadway form. A new national tour began on 21 September 2017 at the Providence Performing Arts Centre (PPAC). It starred Nick Cartell as Valjean, Josh Davis as Javert, Melissa Mitchell as Fantine, J. Anthony Crane as Thénardier, Allison Guinn as Madame Thénardier, Joshua Grosso as Marius, Phoenix Best as Éponine, Matt Shingledecker as Enjolras and Jillian Butler as Cosette. The roles of young Cosette and Éponine were shared by Zoe Glick and Sophie Knapp, while the role of Gavroche was shared by Jordan Cole and Julian Lerner. It uses much of the staging and technical work of the 2014 Broadway revival. [63] UK and Ireland tours [ edit] 1992-1993 Tour [ edit] The first tour of the UK and Ireland opened at the Palace Theatre, Manchester 14 April 1992 [64] with Jeff Leyton (Jean Valjean), Philip Quast (Javert, later replaced by Michael McCarthy) [65] Ria Jones (Fantine), Meredith Braun (Éponine), Mike Sterling (Marius, later replaced by Richard Burman), [65] Tony Timberlake (Thénardier), Louise Plowright (Mdme Thénardier), Sarah Ryan (Cosette) and Daniel Coll (Enjolras). [66] [67] The production then moved on to the Point Theatre, Dublin, Ireland, opening 30 June 1993, [68] and then to Playhouse, Edinburgh, Scotland, opening 23 September 1993. [69] 1997-2000 Tour [ edit] In 1997 a second tour began at the Theatre Royal, Plymouth, running from 6 May until 14 June, [70] the cast featured: Stig Rossen (Jean Valjean), Michael McCarthy (Javert), Julia Worsley (Fantine), Gemma Sandy (Éponine), Norman Bowman (Marius), Cameron Blakely (Thénardier), Cathy Breeze (Mdme Thénardier), Rebecca Vere (Cosette) and Mark O'Malley (Enjolras). [71] The tour then continued as detailed in the table below: Venue Date Cast details Birmingham Hippodrome 19 June 1997 to 4 October 1997 [72] The cast remained unchanged from the Plymouth run of the show [73] Opera House, Manchester 9 October 1997 to 20 December 1997 [74] Peter Corry replaced Michael McCarthy as Javert [75] Bristol Hippodrome 29 December 1997 to 28 March 1998 [76] Mayflower Theatre, Southampton 1 April 1998 to 6 June 1998 [77] Alhambra Theatre, Bradford 25 June 1998 to 5 September 1998 [78] John Owen-Jones (Jean Valjean) left the cast two weeks before the end of the show's run at the Alhambra [79] Edinburgh Playhouse 16 September 1998 to 12 December 1998 [80] Jeff Leyton (Jean Valjean), Peter Corry (Javert), Carmen Cusack (Fantine) and Alex Sharpe (Éponine) [81] Liverpool Empire Theatre 16 December 1998 to 20 February 1999 [82] Point Theatre, Dublin 25 February 1999 to 29 May 1999 [83] Colm Wilkinson (Jean Valjean), Michael McCarthy (Javert), Carmen Cusack (Fantine), Alex Sharpe (Éponine), Matt Rawle (Marius), John Kavanagh (Thénardier), Anita Reeves (Mdme Thénardier), Poppy Tierney (Cosette) and David Bardsley (Enjolras) [84] Sheffield Arena 21 May 1999 to 19 June 1999 [85] Alexandra Theatre, Birmingham 2 July 1999 to 9 October 1999 [86] Telewask Arena, Newcastle 15 October 1999 to 13 November 1999 [87] Jeff Leyton (Jean Valjean), Martin Fisher (Javert), Ria Jones (Fantine), Alex Sharpe (Éponine), Adrian Lewis-Morgan (Marius), Jimmy Johnson (Thénardier), Cathy Breeze (Madame Thénardier), Amanda Leigh-Smith (Cosette) and Loren Greeting (Enjolras) [88] 17 November 1999 to 29 January 2000 [89] Palace Theatre, Manchester 2 February 2000 to 25 March 2000 [90] 2018-2020 Tour [ edit] A new UK and Ireland tour (similar to the 25th Anniversary production) began at Curve, Leicester from 3 to 24 November 2018, before touring to the Bord Gáis Energy Theatre, Dublin (5 December to 12 January 2019), Edinburgh Festival Theatre (22 January to 16 February 2019), Palace Theatre, Manchester (19 February to 30 March 2019), Birmingham Hippodrome (2 April to 11 May 2019), Milton Keynes Theatre (14 May to 8 June 2019), Theatre Royal, Plymouth (11 June to 6 July 2019), The Alhambra Theatre, Bradford (9 July to 10 August 2019), Newcastle Theatre Royal (15 August to 5 October 2019), Liverpool Empire (9 to 26 October 2019), Mayflower Theatre, Southampton (29 October to 23 November 2019) and Wales Millennium Centre (26 November 2019 to 4 January 2020). The tour then leaves the UK to play a special engagement in Zürich, Switzerland (21 January to 23 February 2020) before visiting Norwich Theatre Royal (4 March to 4 April 2020), Bristol Hippodrome (7 April to 9 May 2020), The Lowry, Salford (12 to 30 May 2020), Glasgow Theatre Royal (3 to 27 June 2020), Birmingham Hippodrome (30 June to 18 July 2020), Leeds Grand Theatre (23 July to 15 August 2020), Bord Gáis Energy Theatre, Dublin (25 August to 13 September 2020), Marlowe Theatre, Canterbury (25 September to 24 October 2020) and finally Hull New Theatre (28 October to 21 November 2020). The cast featured Killian Donnelly (Jean Valjean), Nic Greenshields (Javert), Katie Hall (Fantine), Tegan Bannister (Éponine), Bronwen Hanson (Cosette), Harry Apps (Marius), Martin Ball (Thénardier), Sophie-Louise Dann (Madame Thénardier) and Will Richardson (Enjolras). [91] The cast for the tour's second year featured Dean Chisnall (Jean Valjean), Nic Greenshields (Javert), Katie Hall (Fantine), Frances Mayli McCann (Éponine), Charlie Burn (Cosette), Felix Mosse (Marius), Ian Hughes (Thénardier), Helen Walsh (Madame Thénardier) and Barnaby Hughes (Enjolras). [92] [93] 25th Anniversary Tour [ edit] A tour to commemorate the 25th anniversary of the show began performances on 12 December 2009, at the Wales Millennium Centre in Cardiff. Differences from the original production included a new set, new costumes, new direction and alterations to the original orchestrations. The tour also did not use a revolving stage and the scenery was inspired by the paintings of Victor Hugo. Locations have included Manchester, Norwich, Birmingham, and Edinburgh. The tour also played a special engagement in Paris. From September through October, the show returned to the Barbican Centre, London, site of the original 1985 production. The tour cast featured John Owen-Jones as Valjean, Earl Carpenter as Javert, Gareth Gates as Marius, Ashley Artus as Thénardier, Lynne Wilmot as Madame Thénardier, Madalena Alberto as Fantine, Rosalind James as Éponine, Jon Robyns as Enjolras, Katie Hall as Cosette (with Samara Clarke as Young Cosette), and David Lawrence as the Bishop of Digne. The tour ended 2 October 2010, at the Barbican. [94] [95] [96] In the fall of 2010, the tour moved to the US with a new company presented by Broadway Across America to celebrate the 25th anniversary of the show opening on Broadway. The tour had its opening on 19 November 2010 at the Paper Mill Playhouse in Millburn, New Jersey, running until 19 December 2010. This tour originally starred Lawrence Clayton as Valjean, Andrew Varela as Javert, Betsy Morgan as Fantine, Jenny Latimer as Cosette, Justin Scott Brown as Marius, Chasten Harmon as Éponine, Michael Kostroff as Thénardier, Shawna Hamic as Madame Thénardier, Jeremy Hays as Enjolras, Josh Caggiano and Ethan Paul Khusidman as Gavroche, Maya Jade Frank and Juliana Simone alternating as Young Cosette and Young Éponine. J. Mark McVey's daughter, Kylie McVey was the understudy for Young Cosette and Young Éponine. Clayton left the tour in April 2011. Ron Sharpe later took over as Valjean until June 2011. Mark McVey was then Valjean (McVey previously played the role on Broadway), but McVey and his daughter left the tour on 1 April 2012. Peter Lockyer replaces him as Valjean. Betsy Morgan left the tour on 2 December 2012. She was replaced by Genevieve Leclerc. The tour ran until 11 August 2013, closing at the Smith Center for the Performing Arts in Las Vegas. The tour's final cast included Peter Lockyer as Valjean, Andrew Varela as Javert, Genevieve Leclerc as Fantine, Lauren Wiley as Cosette, Devin Ilaw as Marius, Briana Carlson-Goodman as Éponine, Timothy Gulan as Thénardier, Shawna Hamic as Madame Thénardier, Jason Forbach as Enjolras, Ava Della Pietra and Erin Cearlock alternating as Little Cosette and Young Eponine, with Mia Sinclair Jenness as Little Girl, [97] [98] In 2011 it was reported that the tour is one of six US national Broadway tours that are grossing over $1, 000, 000 per week. [99] This production of the musical is to replace the original version in the West End in December 2019. 2014 Australian tour [ edit] In mid 2013, a brand new Australian tour was announced, with Simon Gleeson as Valjean, Hayden Tee as Javert, Patrice Tipoki as Fantine, Trevor Ashley and Lara Mulcahy as the Thénardiers, Kerrie Anne Greenland as Éponine, Emily Langridge as Cosette, Euan Doidge as Marius and Chris Durling as Enjolras and Nicholas Cradock as Gavroche. [100] The production premiered on 4 July at Her Majesty's Theatre, Melbourne. [101] Additional stops for the Australian tour included the Crown Theatre in Perth, [102] the Capitol Theatre in Sydney, [103] and the Lyric Theatre QPAC in Brisbane. [104] The Australian revival production transferred to Manila, Philippines in March 2016, becoming an international tour. [105] 2016 International tour [ edit] On 16 September 2015, it was announced that the Australian tour would launch its international tour in Manila, Philippines at the Theatre at Solaire from March 2016 until 1 May 2016, and proceeded to the Esplanade Theatre in Singapore from May 2016. [105] [106] It then had its GCC premiere at the Dubai Opera in Dubai, United Arab Emirates from November 2016. [107] The Manila and Singapore productions featured Simon Gleeson as Valjean, Earl Carpenter as Javert, Helen Walsh as Madame Thénardier, Cameron Blakely as Thénardier, Kerrie Anne Greenland as Éponine, Emily Langridge as Cosette, Chris Durling as Enjolras, and Paul Wilkins as Marius. [108] Rachelle Ann Go played the role of Fantine in the Manila production, and Patrice Tipoki returned the role in the Singapore production after her stint in the original London production. The Dubai production features John Owen-Jones as Valjean, Hayden Tee as Javert, Patrice Tipoki as Fantine, Peter Polycarpou as Thénardier, Jodie Prenger as Madame Thénardier, Carrie Hope Fletcher as Éponine, Alistair Brammer as Enjolras, Emily Langridge as Cosette, and Paul Wilkins as Marius. [109] Concert productions [ edit] 10th Anniversary Concert [ edit] On 8 October 1995, the show celebrated the tenth anniversary of the West End production with a concert at the Royal Albert Hall. This 10th Anniversary Concert was nearly "complete", missing only a handful of scenes, including "The Death of Gavroche", "The Robbery" and the confrontation between Marius and the Thénardiers at the wedding feast. Sir Cameron Mackintosh hand-selected the cast, which became known as the Les Misérables Dream Cast, assembled from around the world, and engaged the Royal Philharmonic Orchestra. The concert concluded with seventeen Valjeans from various international productions singing, "Do You Hear the People Sing? " in their native languages. The concert cast included Colm Wilkinson as Jean Valjean, Philip Quast as Javert, Paul Monaghan as the Bishop of Digne, Ruthie Henshall as Fantine, Hannah Chick as Young Cosette, Jenny Galloway as Madame Thénardier, Alun Armstrong as Thénardier, Adam Searles as Gavroche, Michael Maguire as Enjolras, Michael Ball as Marius, Judy Kuhn as Cosette, Lea Salonga as Éponine, and Anthony Crivello as Grantaire. The concert was staged by Ken Caswell and conducted by David Charles Abell. 25th Anniversary Concert [ edit] The 25th Anniversary Concert of the West End production was held at The O2 in North Greenwich, South East London, United Kingdom, on Sunday, 3 October 2010 at 1:30 pm and 7:00 pm. It featured Alfie Boe as Jean Valjean, Norm Lewis as Javert, Lea Salonga as Fantine, Nick Jonas as Marius, Katie Hall as Cosette (in place of Camilla Kerslake, who was unable to attend), Jenny Galloway as Madame Thénardier, Ramin Karimloo as Enjolras, Samantha Barks as Éponine, Matt Lucas as Thénardier, Mia Jenkins as Young Cosette, Robert Madge as Gavroche and Earl Carpenter as the Bishop of Digne. Casts of the current London, international tour, original 1985 London, and several school productions took part, comprising an ensemble of three hundred performers and musicians. The concert was directed by Laurence Connor & James Powell and conducted by David Charles Abell. The All-Star Staged Concert [ edit] From 10 August to 2 December 2019, the musical was performed as a staged concert version at the Gielgud Theatre in the West End during the refurbishment of the adjacent Sondheim Theatre (where the original London production had been running and will be home to the new production from December 2019). Featuring a cast and orchestra of over 65, the 16-week concert run starred Michael Ball as Javert, Alfie Boe as Jean Valjean, Carrie Hope Fletcher as Fantine and Matt Lucas as Thénardier. Katy Secombe also starred as Madame Thénardier and John Owen-Jones played Jean Valjean for some performances during the run. Furthers leads included Rob Houchen (Marius), Bradley Jaden (Enjolras), Shan Ako (Eponine) and Lily Kerhoas (Cosette). Earl Carpenter also played the dual role of The Bishop/Bamatabois, while understudying Javert. The final concert was filmed and broadcast live to cinemas on 2 December, with a home video, album release and tour planned. [110] Other concert performances [ edit] The musical has also been performed in concert at Cardiff Castle and several venues in southern England, produced by Earl Carpenter Concerts. A concert version starring Jeff Leyton was also performed at the Odyssey Arena, Belfast. In 1989, a one-night concert performance was performed at SkyDome, Toronto, and the largest concert production attracted an audience of approximately 125, 000 as part of the Australia Day celebrations in Sydney's Domain Park. The Scandinavian concert tour, produced by Cameron Mackintosh in association with Noble Art, starred Danish musical icon Stig Rossen in the leading role and commemorated author Victor Hugo's 200th birthday. Venues on the tour included the Stockholm Globe Arena, Oslo Spektrum, the Helsinki Hartwell Areena, and the Gothenburg Scandinavium, with audiences totalling over 150, 000 for the complete tour. In November 2004, to celebrate the centennial of the Entente Cordiale, the Queen invited the cast of Les Misérables in the West End to perform for French President Jacques Chirac at Windsor Castle. It was the first time the cast of a West End musical had performed at a Royal residence. The cast was the same as in the West End, supplemented by several guest singers and a choir of former performers. The part of Jean Valjean was played by Michael Ball – the original 1985 London and 1995 Dream Cast Marius – and the part of Javert was played by Michael McCarthy. In February 2008, Les Misérables was performed at the Bournemouth International Centre, England with a cast of West End stars accompanied by the Bournemouth Symphony Orchestra. In August 2008, a concert version, directed by Richard Jay-Alexander, was performed at the Hollywood Bowl. The cast included veteran Les Misérables star J. Mark McVey as Valjean, The Office star Melora Hardin as Fantine, Broadway star and Bowl veteran Brian Stokes Mitchell as Javert, Spring Awakening and Glee star Lea Michele as Éponine, Tony-winning Jersey Boys star John Lloyd Young as Marius, West End star Tom Lowe as Enjolras, Michael McCormick as Thénardier, Ruth Williamson as Madame Thénardier, Michele Maika as Cosette, Maddie Levy as Young Cosette, and Sage Ryan as Gavroche. In September 2008, it was performed at the St John Loveridge Hall in Guernsey with a cast of West End performers—the first time that it had been professionally performed on the Island where Victor Hugo wrote the novel. Former London Valjean Phil Cavill reprised his role alongside Les Misérables veteran Michael McCarthy as Javert. In March 2009, the Guernsey production was remounted at Fort Regent in Jersey; and in July 2009, the musical was performed in concert at Osborne House on the Isle of Wight. International productions [ edit] The show has been produced in forty-two countries and translated into twenty-one languages: English, French (original and re-translated), German (Austria and Germany), Spanish (five versions: two from Spain, two from Mexico, and one from Argentina), Japanese, Hebrew, Hungarian, Icelandic, Norwegian (Bokmål and Nynorsk), Polish, Swedish (in Sweden and in Finland), Dutch (Netherlands and Belgium), Danish, Finnish, Brazilian Portuguese, Estonian, Czech, Mauritian Creole, Basque, Catalan and Korean. Including singles and promos, there have been over seventy official recordings from worldwide productions. [111] The first full West End / Broadway production in Europe (mainland) was set up in Oslo, Norway at Det Norske Teatret and opened on 17 March 1988. [112] The production was in Norwegian and starred Norwegian singer/actor Øystein Wiik as Jean Valjean, Paul Åge Johannessen as Javert, Øivind Blunck as Thénardier, Kari Gjærum as Fantine, Amund Enger as Enjolras and Guri Schanke as Éponine. The first Oslo production was hugely successful and some 10% of Norway's entire population saw the show in the first 6 months. Øystein Wiik went on to also star as Jean Valjean in the productions in Vienna and London in 1989–1990. The stage show, which had changed so significantly since its Parisian conception as a stadium concert in 1980, was only translated back into the language of Victor Hugo for its French world première in Montreal, Quebec, Canada, in 1991. This production had a cast that presented five shows a week in French and three a week in English. Regional productions [ edit] In September 2008, a mini-tour produced by Atlanta's Theater of the Stars played Eisenhower Hall at the United States Military Academy, [113] [ failed verification] in West Point, New York; the Filene Center at the Wolf Trap National Park for the Performing Arts in Vienna, Virginia; Kansas City Starlight Theatre; and the Fox Theater in Atlanta. The show featured a new set of original pictures painted by Victor Hugo himself. Robert Evan played Valjean, returning to the role he played in the mid-nineties on Broadway. Also featured were Nikki Rene Daniels as Fantine and Robert Hunt as Javert, both reprising their roles from the Broadway revival. Fred Hanson directed the production. The creative team included Matt Kinley as Scenic Designer, Ken Billington as Lighting Designer, Peter Fitzgerald and Erich Bechtel as Sound Designers, Zachary Borovay as Projection Designer, and Dan Riddle as Musical Director and Conductor. [114] In 2008, the Signature Theatre in Arlington, Virginia staged a small venue "black box" version of the play. Signature received Mackintosh's special permission for the production: "One of the great pleasures of being involved with the creation of Les Misérables is seeing this marvelous musical being done in a completely different and original way. Having seen many shows brilliantly reimagined at Signature I have no doubt that Eric and his team will come up with a revolutionary new take on Les Miz unlike anything anyone has seen before. Viva la différence! " [115] The production officially opened on 14 December 2008 (after previews from 2 December), and ran through 22 February 2009 (extended from 25 January 2009). [116] [117] A 2014 production at the Dallas Theater Center modernized the staging in a way rarely attempted in productions of this play, set visually in the modern-day United States rather than 1830s France. The concept was thought to be refreshing as a change from typical production styles and effective as a commentary on modern inequality. Though, much controversy surrounded their unauthorized depart from the authors' libretto and score. [118] [119] In Panama, Les Misérables was staged in 2014 in Spanish at the famed National Theatre of Panama for a short, sold-out run, directed by Aaron Zebede. [120] School edition [ edit] The school edition cuts a considerable amount of material from the original show. It is divided into thirty scenes and, although no critical scenes or songs have been removed, it runs 25–30 minutes shorter than the official version making the total running time about ​ 2 1 ⁄ 2 hours. [121] A few subtle changes of vocal pitch have been made: "What Have I Done? ", Valjean's Soliloquy, "Stars" by Javert, "A Little Fall of Rain" by Éponine and Marius, "Turning", and "Castle on a Cloud" lose a verse each. During "Fantine's Arrest" Bamatabois loses two verses. The song "Fantine's Death/Confrontation" is edited, and the counterpoint duel between Javert and Valjean is lost, as well as a verse by Fantine. "Dog Eats Dog" by Thénardier is heavily truncated. "Beggars at the Feast", is shortened, with Thénardier losing a verse, and the song before it, "Wedding Chorale", is excluded entirely although the rest of the wedding remains in place. Also, the drinker's introduction to "Master of the House" is cut completely. [122] Film adaptation [ edit] Although numerous films of the Les Misérables story have been made, no film adaptation of the stage musical was produced for many years. A film adaptation was in development at several times since the late 1980s. Alan Parker was reported to be connected to an adaptation at an early stage. [123] In 1992 Mackintosh announced planning for a film to be directed by Bruce Beresford and co-produced by TriStar Pictures, [124] but the project was later abandoned. [125] The 2010 DVD/Blu-ray release of Les Misérables: 25th Anniversary Concert included an announcement of revised plans for a film adaptation [126] which was later confirmed by Mackintosh. Tom Hooper signed on in March 2011 to direct the Mackintosh-produced film from a screenplay by William Nicholson. [127] In June 2011, Working Title Films and Mackintosh announced that the film would begin principal photography in early 2012 for a tentative December release date. The film was given its general US release on Christmas Day 2012. [128] Principal cast members include Hugh Jackman as Jean Valjean, Russell Crowe as Javert, [129] Anne Hathaway as Fantine, [130] Amanda Seyfried as Cosette, [131] Eddie Redmayne as Marius, [132] Samantha Barks as Éponine, [133] Aaron Tveit as Enjolras, and Sacha Baron Cohen and Helena Bonham Carter as the Thénardiers. [134] [135] Other notable actors who played roles in the film include Bertie Carvel as Bamatabois, Colm Wilkinson as the Bishop of Digne, Hadley Fraser as the army general and Frances Ruffelle as a prostitute. [136] Cast recordings [ edit] English [ edit] The following recordings of Les Misérables are available in English: the Original London Cast, the Original Broadway Cast, the Complete Symphonic Recording, the 10th Anniversary London Concert, The 25th Anniversary UK Tour Cast and The 25th Anniversary London Concert. Original London Cast recording [ edit] The Original London Cast recording was the first English language album of the musical. Recorded in 1985, when the show premiered, it is closest to the original French concept album. For example, "Stars" appears before "Look Down" and shortly after, the original version of "Little People" plays, which was later incorporated into the revealing of Javert. It also features a song titled "I Saw Him Once", sung by Cosette, which was later incorporated into the first part of "In My Life". The album has sold 887, 000 copies in the US. [137] The cast includes Colm Wilkinson as Valjean, Roger Allam as Javert, Patti LuPone as Fantine, Alun Armstrong as Thénardier, Susan Jane Tanner as Mme. Thénardier, Frances Ruffelle as Éponine, Ian Tucker as Gavroche, Michael Ball as Marius, David Burt as Enjolras, Rebecca Caine as Cosette and Zoë Hart as Young Cosette. [138] Original Broadway Cast recording [ edit] The Original Broadway Cast recording was produced in 1987. It included several changes to the songs that are still evident in today's performances. As with its predecessor, it is incomplete, and leaves out songs or parts that are more important narratively than musically (e. g., "Fantine's Arrest", "The Runaway Cart", "The Final Battle"). The album has sold 1, 596, 000 copies in the US. [137] The cast includes Colm Wilkinson as Valjean, Terrence Mann as Javert, Randy Graff as Fantine, Leo Burmester as Thénardier, Jennifer Butt as Madame Thénardier, Frances Ruffelle as Éponine, Braden Danner as Gavroche, David Bryant as Marius, Judy Kuhn as Cosette, Michael Maguire as Enjolras, and Donna Vivino as Young Cosette. [139] [140] [ citation needed] Complete Symphonic Recording [ edit] Recorded in 1988 and released in 1989, the Complete Symphonic Recording features the entire score. (The Czech Revival Recording is the only other album, in any language, to feature the entire score; on the other hand, the four 2003 Japanese recordings feature the entire score after the cuts first made on Broadway at the end of 2000. ) Cameron Mackintosh's original plan was to use the Australian cast, [141] but the scope was expanded to create an international cast featuring performers from the major performances of the musical. The cast was recorded in three different places. [142] The album, produced by David Caddick and conducted by Martin Koch, won the Best Musical Cast Show Album Grammy Award in 1990. [143] The cast includes Gary Morris as Valjean, Philip Quast as Javert, Debra Byrne as Fantine, Gay Soper as Mme. Thénardier, Barry James as Thénardier, Kaho Shimada as Éponine, Ross McCall as Gavroche, Michael Ball as Marius, Anthony Warlow as Enjolras, Tracy Shayne as Cosette and Marissa Dunlop as Young Cosette. [144] The 10th Anniversary recording was of a concert version of Les Misérables, performed at the Royal Albert Hall in October 1995, featuring full orchestra and choir. All parts were sung live, giving the performance a different mood from other recording. The score was recorded consecutively without pauses or multiple recordings. The concert's encores are also included. As with the original recordings, however, they differed from the stage versions by excluding some songs (e. g., those vital to plot such as "Fantine's Arrest" and "The Runaway Cart" were kept, while unnecessary or complex songs, such as "At the Barricade", were left out). The cast includes Colm Wilkinson as Valjean, Philip Quast as Javert, Ruthie Henshall as Fantine, Alun Armstrong as Thénardier, Jenny Galloway as Mme. Thénardier, Lea Salonga as Éponine, Adam Searles as Gavroche, Hannah Chick as Young Cosette, Michael Ball as Marius, Michael Maguire as Enjolras, Judy Kuhn as Cosette and Anthony Crivello as Grantaire. Manchester Highlights [ edit] A five-track album featuring members of the UK national tour was released in 1992 and includes "I Dreamed a Dream" (Ria Jones); "Stars" (Philip Quast); "On My Own" (Meredith Braun); "Bring Him Home" (Jeff Leyton); and "Empty Chairs at Empty Tables" (Mike Sterling). [67] The version of "Stars" is the same as that on the Complete Symphonic Recording. 25th Anniversary UK Tour Cast [ edit] Recorded live at the Palace Theatre in Manchester, this recording was released to commemorate 25 years of Les Misérables in English. This recording featured new arrangements and reinspired orchestrations, and included John Owen-Jones as Valjean, Earl Carpenter as Javert, Madalena Alberto as Fantine, Ashley Artus as M. Thénardier, Lynne Wilmot as Mme. Thénardier, Gareth Gates as Marius, Katie Hall as Cosette, Samara Clarke as Young Cosette, Jon Robyns as Enjolras, and Rosalind James as Éponine. The 25th Anniversary Concert was recorded live at The O2 Arena on 3 October 2010 and is available on DVD in the UK while the Blu-ray was released worldwide. It was shown in select US theaters via NCM Fathom Events. The release for the DVD and Blu-ray in the United States was 22 February 2011 to promote the film adaptation. A CD single of the 'Valjean Quartet' singing "Bring Him Home" was also recorded and released, with proceeds going to the charity "Tickets For Troops". The cast included Alfie Boe as Jean Valjean, Norm Lewis as Javert, Nick Jonas as Marius, Samantha Barks as Éponine, Katie Hall as Cosette, Ramin Karimloo as Enjolras, Hadley Fraser as Grantaire, Lea Salonga as Fantine, Matt Lucas as Monsieur Thénardier and Jenny Galloway as Madame Thénardier. Other languages [ edit] There are also various non-English language cast albums of the musical. [ citation needed] 1980 Original French concept album 1987 Original Israeli cast 1988 Original Hungarian cast 1988 Original Vienna cast 1990 Original Swedish cast 1991 Original Dutch cast 1991 Paris revival cast 1992 Original Danish cast 1992 Original Czech cast 1993 Original Spanish cast 1994 Japanese "blue" cast 1994 Japanese "red" cast 1996 Original Duisburg cast 1996 Swedish Värmland cast 1998 Original Antwerp cast 2003 Japanese "orange" cast 2003 Japanese "green" cast 2003 Japanese "light blue" cast 2003 Japanese "violet" cast 2003 Czech revival cast 2008 Dutch revival cast 2008 Le Capitole de Québec cast 2010 Polish revival cast 2010 Spanish 25th anniversary production cast 2011 Czech cast 2017 French concert cast Awards and nominations [ edit] Original West End production [ edit] Year Award Category Nominee Result 1985 Laurence Olivier Award Best New Musical Nominated Best Actor in a Musical Best Actress in a Musical Won 2012 Laurence Olivier Award [145] Audience Award for Most Popular Show 2014 Laurence Olivier Award [146] 1987 Tony Award Best Musical Best Book of a Musical Alain Boublil and Claude-Michel Schönberg Best Original Score Claude-Michel Schönberg (music) and Herbert Kretzmer & Alain Boublil (lyrics) Best Performance by a Leading Actor in a Musical Best Performance by a Featured Actor in a Musical Best Performance by a Featured Actress in a Musical Best Direction of a Musical Trevor Nunn and John Caird Best Scenic Design John Napier Best Costume Design Andreane Neofitou Best Lighting Design David Hersey Drama Desk Award Outstanding Musical Outstanding Actor in a Musical Outstanding Featured Actor in a Musical Outstanding Featured Actress in a Musical Outstanding Orchestrations John Cameron Outstanding Music Claude-Michel Schönberg Outstanding Set Design Dora Award [147] [148] Outstanding Production Outstanding Male Performance Mark Uhre Aiden Glenn Outstanding Female Performance Melissa O'Neil Outstanding Direction Laurence Connor and James Powell Outstanding Scenic Design Matt Kinley Outstanding Costume Design Andreane Neofitou and Christine Rowland Outstanding Lighting Design Paule Constable Outstanding Choreography James Dodgson Outstanding Ensemble Entire ensemble Best Revival of a Musical Best Sound Design of a Musical Mick Potter Outstanding Revival of a Musical 2014 Australian revival [ edit] Green Room Awards Production Actor in a Leading Role Simon Gleeson Hayden Tee Direction James Powell and Laurence Connor Musical Direction Geoffrey Castles Design (Lighting) Design (Sound) Design (Set and Costume) Matt Kinley (Set and Image Design) 2015 Helpmann Awards [149] [150] Best Male Actor in a Musical Best Male Actor in a Supporting Role in a Musical Trevor Ashley Chris Durling Best Female Actor in a Musical Patrice Tipoki Best Female Actor in a Supporting Role in a Musical Kerrie Anne Greenland Best Choreography in a Musical Michael Ashcroft and Geoffrey Garratt Best Sound Design See also [ edit] Lists of musicals References [ edit] ^ Behr, Edward (1993). The Complete Book of Les Miserables. New York: Arcade Publishing. p. 51. ISBN 978-1-55970-156-3. Retrieved 10 November 2011. ^ Billington, Michael (21 September 2010). "Twenty-five years on, they ask me if I was wrong about Les Misérables... " London: The Guardian Newspaper Online. Retrieved 31 January 2013. ^ Kehe, Jason. "Theater Review: "Les Misérables" At The Ahmanson". USC Annenberg. Archived from the original on 19 June 2013. Retrieved 31 January 2013. ^ "The Fantasticks website". Retrieved 4 November 2012. ^ Craig, Zoe (13 April 2011). "Top 10 Longest-Running London Theatre Shows".. Retrieved 4 November 2012. ^ a b c Masters, Tim (1 October 2010). "Bon Anniversaire! 25 Facts About Les Mis". BBC News. Retrieved 5 March 2011. ^ "Les Misérables on Broadway". Archived from the original on 24 October 2007. Retrieved 19 December 2007. ^ Lefkowitz, Andy (28 October 2019). "Wicked Surpasses Les Miserables as Fifth Longest-Running Show in Broadway History". Broadway Buzz. ^ "Elaine Page on Sunday –1300–1500". BBC Radio 2. Retrieved 5 March 2011. ^ "Les Misérables". Music Theatre International. 16 September 2015. Retrieved 5 June 2019. ^ " Les Misérables ". Stage Agent. Archived from the original on 22 February 2011. Retrieved 9 March 2011. ^ Kayes, Gillyanne; Fisher, Jeremy (2002). Successful Singing Auditions. Psychology Press. ISBN 978-0-87830-163-8. Retrieved 9 March 2011. ^ Behr, Edward (1989). The Complete Book of Les Misérables. Arcade Publishing. p. 50. ISBN 9781559701563. ^ Title unknown (piano/vocal selections). Alain Boublil Music Ltd. ^ a b c Vermette, Margaret (2006). The Musical World of Boublil & Schönberg – The Creators of Les Misérables, Miss Saigon, Martin Guerre, and The Pirate Queen. Hal Leonard Corporation. ISBN 978-1-55783-715-8. Retrieved 29 July 2010. ^ "Les Misérables Show History". Archived from the original on 23 April 2010. Retrieved 15 May 2010. ^ "Walnut Street Theatre – Les Misérables: Creation of the Musical". Retrieved 15 May 2010. ^ a b "Dans l'attente des Misérables du Châtelet, souvenons nous de la création en 1980" (in French). Retrieved 22 May 2010. ^ "Les Misérables - The first one in PARIS (1980) - MES: Robert HOSSEIN - (ABC_Arc: RLBaron)". YouTube. Retrieved 19 May 2010. ^ "Waifs and urchins around the world: Paris". Retrieved 19 May 2010. [ unreliable source? ] ^ "Les Misérables – NOW Magazine". 21 March 2013. Retrieved 2 December 2014. ^ "The Official Roger Allam Fan Site". Archived from the original on 26 November 2009. ^ "Les Misérables".. Retrieved 13 March 2011. ^ "Les Misérables Show Listing and Production details". London Theatre. Archived from the original on 29 March 2016. Retrieved 3 October 2014 – via ^ " Les Misérables 10, 000th Performance in West End". London Theatre Guide. 5 January 2010. Retrieved 9 February 2011. ^ Davies, Serena (9 October 2015). "Les Mis at 30: original London cast reunite to celebrate". The Telegraph. Archived from the original on 23 February 2019. Retrieved 16 June 2019. ^ The Committee Office, House of Commons. "House of Commons – Culture, Media and Sport – Minutes of Evidence".. Retrieved 23 January 2010. ^ "Les Misérables to move to Gielgud Theatre in July 2019". Retrieved 8 January 2019. ^ "Les Misérables to move to Gielgud Theatre in July 2019 - WhatsOnStage".. Retrieved 5 June 2019. ^ "Exciting new cast announced for Sondheim".. Retrieved 30 November 2019. ^ Richards, David (29 December 1986). "Les Misérables; The Musical: Heavy on the Spectacular; Beneath the Dazzle, Few Insights". The Washington Post. p. D1. ^ a b c d e "Les Misérables". Internet Broadway Database. Retrieved 27 August 2010. ^ a b Bennetts, Leslie (6 December 1986). " ' Les Misérables' Ready For Its American Debut". The New York Times. p. 11. ^ Behr, Edward (1993). p. 144. ISBN 978-1-55970-156-3. ^ Kwiatkowski, Jane (23 March 2003). "Musical Chairs". The Buffalo News. p. F1. ^ a b Cox, David (20 May 2003). "Broadway Curtain Closes On Les Mis". The Scotsman. p. 7. ^ Kuchwara, Michael (19 May 2003). "Broadway Says Au Revoir to 'Les Miz ' ". Associated Press. ^ "Long Runs on Broadway". Playbill. 22 December 2010. Retrieved 4 November 2012. ^ Andress, Nigel (20 April 2000). "The Arts: Bloodless 'American Psycho' on the Loose". Financial Times. ^ Brantley, Ben (10 November 2006). "Didn't We Just See This Revolution? ". Retrieved 16 July 2019. ^ rables-coming-to-toronto-stage-1. 1385592 ^ Brand new Les Misérables coming to Toronto stage Retrieved 13 February 2013. ^ LES MISERABLES, ONCE, ALADDIN & More Set for Mirvish's 50th Season Retrieved 13 February 2013. ^ Toronto's New Les Misérables, Starring Ramin Karimloo, Will Begin in September; Complete Casting Announced Archived 6 September 2013 at the Wayback Machine Playbill, Retrieved 14 September 2013. ^ Toronto Production of Les Misérables, Starring Ramin Karimloo, Ends 2 Feb. Archived 19 February 2014 at the Wayback Machine Playbill, Retrieved 2 February 2014. ^ "Les Misérables superbly revised: review - The Star".. Retrieved 5 June 2019. ^ "Colm Wilkinson talks about Jan. 11 return to Les Miz | The Star".. Retrieved 22 May 2019. ^ BWW Exclusive Interview: Ramin Karimloo on His Toronto Homecoming in LES MISERABLES in Fall of 2013 Retrieved 13 February 2013. ^ Earl Carpenter joining Ramin Karimloo in LesMis Toronto Retrieved 14 June 2013. ^ "Toronto's New Les Miz Will Star Ramin Karimloo, Genevieve Leclerc, Samantha Hill, Lisa Horner, Cliff Saunders". Archived from the original on 16 February 2013. ^ Rehearsals Begin for Ramin Karimloo-Led LES MISERABLES in Toronto; Full Cast Announced Broadway World, Retrieved 6 November 2013. ^ Les Misérables Will Return to Broadway's Imperial Theatre; Re-Imagined Revival Sets 2014 Dates Archived 8 June 2013 at the Wayback Machine Retrieved 30 May 2013. ^ "Les Miserables to Storm the Barricade on Broadway Again in 2014".. ^ Ramin Karimloo (making his Broadway debut), Will Swenson, Caissie Levy and Nikki M. James Will Star in Broadway Return of Les Misérables Archived 23 October 2013 at the Wayback Machine Playbill Retrieved 28 October 2013. ^ Andy Mientus and Charlotte Maltby Will Make Broadway Debuts in 2014 Revival of Les Misérables Archived 11 November 2013 at the Wayback Machine Playbill, Retrieved 11 November 2013. ^ Breaking News: Samantha Hill to Take Over as Cosette for Broadway's New LES MISERABLES, retrieved 12 May 2014. ^ Filipponi, Pietro (27 January 2014), Young Cosette, Eponine & Gavroche Roles Cast in the New Broadway Production of LES MISÉRABLES, Gotham News, archived from the original on 6 July 2014, retrieved 27 July 2014 ^ "Bring Down the Barricades: Broadway's Les Miserables Announces Date of Final Performance"... Retrieved 2 December 2015. ^ Andrew Gans (4 September 2016). "Bring Down the Barricades: Broadway's Les Miserables Announces Date of Final Performance"... Retrieved 4 September 2016. ^ "Les Miz Tour's Final Stop Announced; Meet It in St. Louis". 10 March 2006. Archived from the original on 22 November 2013. Retrieved 22 November 2013. ^ "Les Miserables - US Tour Schedule"... Retrieved 16 October 2017. ^ "What Happened on April 14th, 1992".. Retrieved 12 August 2016. ^ a b Manchester cast: Jeff Leyton (Jean Valjean), Michael McCarthy (Javert), Richard Burman (Marius), Sarah Ryan (Cosette), Meredith Braun (Éponine), Daniel Coll (Enjolras), Tony Timberlake (Thénardier), Louise Plowright (Mdme Thénardier) (20 November 1992). BBC Children in Need (regional: North West) [ One Day More] (Television). Manchester: Richard Burman: YouTube. Retrieved 12 August 2016. ^ Schmidt, Michael (18 April 1992). "Les Miserables - review". Daily Telegraph. ^ a b Leyton, Jeff (Jean Valjean); Quast, Philip (Javert); Sterling, Mike (Marius); Braun, Meredith (Éponine); Jones, Ria (Fantine) (1992). Highlights from Les Misérables, Manchester Company (Media notes). First Night Records. ASIN B000026YOI. Barcode: 5014636503427. ^ "What Happened on September 23rd, 1993".. Retrieved 12 August 2016. ^ "Les Miserables: Theatre Royal, Plymouth".. UK Theatre Web. Retrieved 12 August 2016. ^ Les Misérables programme: Plymouth. John Good Holbrook Ltd. 1997. ^ "Les Miserables: Birmingham Hippodrome".. Retrieved 12 August 2016. ^ "Birmingham Hippodrome Theatre – Les Miserables – 1997 + Flyer".. Theatre Memorabilia Archived from the original on 11 August 2016. Retrieved 12 August 2016. ^ "Les Miserables: Opera House, Manchester".. Retrieved 12 August 2016. ^ Les Misérables programme: Manchester. 1997. ^ "Les Miserables: Bristol Hippodrome".. Retrieved 12 August 2016. ^ "Les Miserables: Mayflower Theatre, Southampton".. Retrieved 12 August 2016. ^ Staff writer (18 September 1998). "It's the business! ". Telegraph & Argus. Newsquest Media Group. Retrieved 12 August 2016. ^ Greenhalf, Jim (10 August 1998). "Les Mis star summoned to the Palace". Retrieved 12 August 2016. ^ "Les Miserables: Playhouse, Edinburgh".. Retrieved 12 August 2016. ^ Staff writer (24 September 1998). "Les Miserables, Playhouse, Edinburgh". Herald Scotland. Newsquest. Retrieved 12 August 2016. ^ "Les Miserables: Liverpool Empire Theatre".. Retrieved 12 August 2016. ^ Paller, Rebecca (18 February 1998). "Wilkinson returns to Les Mis in Dublin, 1999". Retrieved 12 August 2016. ^ Jones, Kenneth. "Les Misérables: Les Misérables-May 15th, 1999 Dublin".. Whose Is That Face in the Shadows?. Retrieved 12 August 2016. ^ "Les Miserables: Sheffield Motorpoint Arena".. Retrieved 12 August 2016. ^ "Les Miserables".. Metro Radio Arena. Retrieved 12 August 2016. ^ "Lost LESMIS audios... help please - musical exchange". musicalexchange. Musical Exchange. Retrieved 12 August 2016. ^ Desk, BWW News. "LES MISERABLES UK And Ireland Tour Announced".. Retrieved 27 February 2018. ^ "Les Misérables UK and Ireland tour new casting and dates announced". What'sOnStage. Retrieved 30 November 2019. ^ "New Les Misérables casting announced for the Sondheim Theatre and on tour". Retrieved 30 November 2019. ^ "Les Mis Tour Visits Barbican for 25th Anniversary", 15 March 2010 ^ Brown, Peter. " 'Les Miserables' (25th Anniversary touring production at Barbican)", 23 September 2010 ^ "Revamped 'Les Miserables' To Begin 25th Anniversary Tour In UK In December", 11 December 2009 ^ "Tour Dates and Venues". Archived from the original on 25 October 2011. Retrieved 2 November 2011. ^ " ' LesMiserables' tour". Archived from the original on 24 December 2010. Retrieved 2 January 2011. [ failed verification] ^ Voris, Robert (25 June 2011). " ' Six boost road grosses". Variety. Retrieved 26 June 2011. ^ "Cast – Les Misérables". Archived from the original on 28 July 2014. Retrieved 2 December 2014. ^ "Les Misérables review (Her Majesty's Theatre, Melbourne) | Daily Review: film, stage and music reviews, interviews and more". Archived from the original on 6 October 2014. Retrieved 2 December 2014. ^ "Les Misérables Opens Tonight in Perth! ".. Cameron Mackintosh Overseas Limited. Archived from the original on 8 September 2015. Retrieved 1 October 2015. ^ "Les Misérables arrives in Sydney".. Archived from the original on 2 October 2015. Retrieved 1 October 2015. ^ Tongue, Cassie (18 May 2015). "Les Misérables is heading to Brisbane! ".. Retrieved 1 October 2015. ^ a b "Les Misérables Asian Tour Confirmed to Open in Manila in March 2016".. Michael Cassel Group. Retrieved 1 October 2015. ^ "Les Misérables Confirmed To Open in Singapore in May 2016! ".. Michael Cassel Group Pty Limited. 20 October 2015. Retrieved 20 October 2015. ^ "Musical Phenomenon Les Miserables To Have GCC Premiere at Dubai Opera (Press Release)" (PDF). 25 May 2016. Retrieved 20 August 2016 – via ^ "Cast Announced for Manila Production of LES MISÉRABLES". Les Misérables. Cameron Mackintosh (Overseas) Limited. 28 January 2016. Archived from the original on 3 February 2016. Retrieved 29 January 2016. ^ "Cameron Mackintosh and Dubai Opera Announce Full Cast For The Legendary Production of "Les Misérables" at Dubai Opera From 10 November to 2 December 2016 (Press Release)" (PDF). 13 August 2016. Retrieved 20 August 2016 – via ^ "West End Les Misérables concert to be broadcast in cinemas". The Stage. Retrieved 30 November 2019. ^ "Facts and Figures from ". Archived from the original on 11 January 2012. Retrieved 7 July 2007. ^ "Stage by Stage: Les Misérables (1988) - IMDb".. Retrieved 2 December 2014. ^ "Eisenhower Hall Theatre 09-10". Archived from the original on 13 July 2011. Retrieved 23 January 2010. ^ "Theater of the Stars Announces Full 'Les Misérables' Casting". 11 August 2008. Retrieved 23 January 2010. ^ Jones, Kenneth (14 September 2008). "Signature's "Black Box" Les Miz Will Put Audience in Middle of the Action; Cast Announced". Archived from the original on 16 October 2012. Retrieved 5 March 2011. ^ Jones, Kenneth (14 December 2008). "Another Day, Another Destiny: 'Intimate' Les Miz Opens in VA Dec. 14". Archived from the original on 26 February 2011. Retrieved 5 March 2011. ^ Jones, Kenneth (18 December 2008). "Intimate Les Miz Gets Good Reviews in DC and Extends". Archived from the original on 17 April 2011. Retrieved 5 March 2011. ^ Lowry, Mark (10 July 2014). "Theater review: 'Les Miserables ' ".. Archived from the original on 14 July 2014. ^ Churnin, Nancy (6 July 2014). "In Dallas and Hong Kong: "Do you hear the people sing? " ". Dallas Morning News. ^ "Aplausos a la puesta de 'Los miserables ' ". La Prensa. 23 September 2014. Retrieved 23 September 2014. ^ "Les Misérables School Edition". Archived from the original on 19 December 2010. Retrieved 6 March 2011. ^ "Music Theatre International: Licensing Musical Theater Theatrical Performance Rights and Materials to Schools, Community and Professional Theatres since 1952". Retrieved 2 December 2014. ^ Schaefer, Stephen (18 October 1991). Entertainment Weekly. Retrieved 6 March 2011. ^ "Cameron Mackintosh's Production of Les Misérables Celebrates Its 2, 000th Performance on Thursday, March 5 and Its Fifth Anniversary" (Press release). 12 February 1992. Archived from the original on 23 October 2006. Retrieved 6 February 2011. ^ "Les Miserables Hits Hollywood".. 2 October 2005. Retrieved 6 March 2011. ^ Les Misérables in Concert: The 25th Anniversary (Blu-Ray). London, England: Universal Pictures. 29 November 2010. Coming Soon – Universal Pictures proudly announce the musical motion picture of Les Misérables: A Working Title-Cameron Mackintosh Film ^ "Hooper to direct 'Les Miserables ' ". The Times of India. Archived from the original on 22 July 2012. ^ Bamigboye, Baz (16 June 2011). "Miss Daisy hits the West End". The Daily Mail. London. Retrieved 4 November 2012. ^ Jones, Kenneth (9 September 2011). "Hugh Jackman Is Russell Crowe's Quarry in Les Misérables Film". Archived from the original on 23 October 2013. Retrieved 4 November 2012. ^ "Cameron Mackintosh Confirms Anne Hathaway for Les MIsérables Film". Broadway World. 17 October 2011. Retrieved 4 November 2012. ^ MacKenzie, Carina Adly (3 January 2012). "Taylor Swift, Amanda Seyfried get 'Les Misérables' gigs over Lea Michele". Zap2it. Archived from the original on 5 August 2012. Retrieved 16 August 2012. ^ Labrecque, Jeff (1 November 2011). "Eddie Redmayne lands 'Les Misérables' role". Retrieved 4 November 2012. ^ Dunn, Carrie (31 January 2012). "Breaking News: Samantha Barks To Play Eponine in Les Misérables Movie". Retrieved 4 November 2012. ^ Jones, Kenneth (9 February 2012). "Mistress of the House: Helena Bonham Carter Will Be Madame Thénardier in Les Miz Movie". Archived from the original on 13 November 2012. Retrieved 4 November 2012. ^ Jones, Kenneth (16 March 2012). "Sacha Baron Cohen, Daniel Evans, Linzi Hateley and More Confirmed for "Les Miz" Film". Archived from the original on 3 January 2013. Retrieved 4 November 2012. ^ "Miz Film: It's official! Aaron Tveit is confirmed to join the cast... " Archived from the original on 21 January 2012. ^ a b Paul Grein (9 January 2012). "Week Ending Jan. 6, 2013. Albums: Les Miz Takes Broadway To The Top". Yahoo Music (Chart Watch). ^ " 'Les Misérables' (Original London Cast)", retrieved 15 June 2019 ^ " 'Les Misérables' Original Broadway Cast", retrieved 15, 2019 ^ Gans, Andrew. "Decca Broadway to Release Les Miz Highlights" Playbill, 21 January 2003 ^ "Complete Symphonic Recording". Retrieved 7 July 2007. [ unreliable source? ] ^ "Les Misérables [Relativity Complete Symphonic Recording]". 2006. Retrieved 24 March 2007. [ unreliable source? ] ^ "Grammy Awards 1990 (33rd Annual)", retrieved 15 June 2019 ^ " "les Miserable' Complete Symphonic Recording", retrieved 15 June 2019 ^ Shenton, Mark (15 April 2012). "Matilda – the Musical Sweeps Olivier Awards; Benedict Cumberbatch, Jonny Lee Miller Are Also Winners". Retrieved 4 November 2012. ^ "OLIVIERS 2014: The Full List Of Winners And Nominees! ". 13 April 2014. Retrieved 6 May 2014. ^ Alan Henry (2 June 2014). "Ramin Karimloo Receives Toronto Dora Award Nomination; LES MISERABLES Earns a Total of 11 Nominations". Broadway World. ^ Dora Awards 2014: A List Of All The Winners! broadwayworld, retrieved 18 July 2014. ^ Cuthberson, Debbie; Rugendyke, Louise (22 June 2015). "Helpmann Awards 2015 nominations: Opera Australia dominates as Les Miserables leads charge for musicals". Sydney Morning Herald. Retrieved 29 June 2015. ^ "2015 Nominees". Helpmann Awards. Retrieved 29 June 2015. Les Miserables Reviews Box Office Theatre Ltd. Retrieved 12 July 2016 External links [ edit] Official website Les Misérables at the Internet Broadway Database An Archive of Performers from the Original Broadway Run of Les Misérables An Archive of Performers from the London Run of Les Misérables Awards for Les Misérables v t e Drama Desk Award for Outstanding Musical The Wiz (1975) A Chorus Line (1976) Annie (1977) Ain't Misbehavin' (1978) Sweeney Todd (1979) Evita (1980) The Pirates of Penzance (1981) Nine (1982) Little Shop of Horrors (1983) Sunday in the Park with George (1984) (no award) (1985) The Mystery of Edwin Drood (1986) Les Miserables (1987) Into the Woods (1988) Jerome Robbins' Broadway (1989) City of Angels (1990) The Secret Garden (1991) Crazy for You (1992) Kiss of the Spider Woman (1993) Passion (1994) Show Boat (1995) Rent (1996) The Life (1997) Ragtime (1998) Parade (1999) Contact (2000) The Producers (2001) Thoroughly Modern Millie (2002) Hairspray (2003) Wicked (2004) Spamalot (2005) The Drowsy Chaperone (2006) Spring Awakening (2007) Passing Strange (2008) Billy Elliot the Musical (2009) Memphis (2010) The Book of Mormon (2011) Once (2012) Matilda the Musical (2013) A Gentleman's Guide to Love and Murder (2014) Hamilton (2015) Shuffle Along (2016) Come from Away (2017) SpongeBob SquarePants (2018) The Prom (2019) v t e Grammy Award for Best Musical Theater Album 1959–1979 The Music Man (1959) Gypsy / Redhead (1960) The Sound of Music (1961) How to Succeed in Business Without Really Trying (1962) No Strings (1963) She Loves Me (1964) Funny Girl (1965) On a Clear Day You Can See Forever (1966) Mame (1967) Cabaret (1968) Hair (1969) Promises, Promises (1970) Company (1971) Godspell (1972) Don't Bother Me, I Can't Cope (1973) A Little Night Music (1974) Raisin (1975) The Wiz (1976) Bubbling Brown Sugar (1977) Annie (1978) Ain't Misbehavin' (1979) 1980–2000 Sweeney Todd: The Demon Barber of Fleet Street (1980) Evita: Premier American Recording (1981) Lena Horne: The Lady and Her Music (1982) Dreamgirls: Original Broadway Cast Album (1983) Cats: Complete Original Broadway Cast Recording (1984) Sunday in the Park with George (1985) West Side Story (1986) Follies in Concert (1987) Les Misérables (1988) Into the Woods (1989) Jerome Robbins' Broadway (1990) Les Misérables: The Complete Symphonic Recording (1991) The Will Rogers Follies (1992) Guys and Dolls (1993) The Who's Tommy (1994) Passion (1995) Smokey Joe's Cafe: The Songs Of Leiber And Stoller (1996) Riverdance (1997) Chicago: The Musical (1998) The Lion King (1999) Annie Get Your Gun (2000) 2001–present Elton John and Tim Rice's Aida (2001) The Producers (2002) Gypsy: A Musical Fable (2004) Wicked (2005) Monty Python's Spamalot (2006) Jersey Boys (2007) Spring Awakening (2008) In the Heights (2009) West Side Story (2010) American Idiot (featuring Green Day) (2011) The Book of Mormon (2012) Once: A New Musical (2013) Kinky Boots (2014) Beautiful: The Carole King Musical (2015) Hamilton (2016) The Color Purple (2017) Dear Evan Hansen (2018) The Band's Visit (2019) Hadestown (2020) v t e Helpmann Award for Best Musical The Boy from Oz (2001) Mamma Mia! (2002) Cabaret (2003) The Lion King (2004) The Producers (2005) The 25th Annual Putnam County Spelling Bee (2006) Keating! (2007) Billy Elliot the Musical (2008) Wicked (2009) Jersey Boys (2010) Mary Poppins (2011) A Chorus Line (2012) Legally Blonde (2013) The King and I (2014) Les Misérables (2015) Matilda the Musical (2016) The Book of Mormon (2017) Beautiful: The Carole King Musical (2018) Barbara and the Camp Dogs (2019) v t e Laurence Olivier Audience Award for Most Popular Show The Phantom of the Opera (2002) Wicked (2010) We Will Rock You (2011) Les Misérables (2012) Billy Elliot the Musical (2013) Les Misérables (2014) Wicked (2015) The Phantom of the Opera (2016) v t e Tony Award for Best Musical 1949–1975 Kiss Me, Kate (1949) South Pacific (1950) Guys and Dolls (1951) The King and I (1952) Wonderful Town (1953) Kismet (1954) The Pajama Game (1955) Damn Yankees (1956) My Fair Lady (1957) The Music Man (1958) Redhead (1959) The Sound of Music / Fiorello! (1960) Bye Bye Birdie (1961) A Funny Thing Happened on the Way to the Forum (1963) Hello, Dolly! (1964) Fiddler on the Roof (1965) Man of La Mancha (1966) Cabaret (1967) Hallelujah, Baby! (1968) 1776 (1969) Applause (1970) Two Gentlemen of Verona (1972) A Little Night Music (1973) Raisin (1974) 1976–2000 Sweeney Todd: The Demon Barber of Fleet Street (1979) 42nd Street (1981) Cats (1983) La Cage aux Folles (1984) Big River (1985) Drood (1986) Les Misérables (1987) The Phantom of the Opera (1988) The Will Rogers Follies (1991) Sunset Boulevard (1995) Titanic (1997) The Lion King (1998) Fosse (1999) Avenue Q (2004) Monty Python's Spamalot (2005) Jersey Boys (2006) In the Heights (2008) Kinky Boots (2013) Fun Home (2015) Dear Evan Hansen (2017) The Band's Visit (2018) Hadestown (2019) v t e Tony Award for Best Book of a Musical 1950–1975 South Pacific by Oscar Hammerstein II and Joshua Logan (1950) Hello, Dolly! by Michael Stewart (1964) Fiddler on the Roof by Joseph Stein (1965) Company by George Furth (1971) Two Gentlemen of Verona by John Guare and Mel Shapiro (1972) A Little Night Music by Hugh Wheeler (1973) Candide by Hugh Wheeler (1974) Shenandoah by James Lee Barrett, Peter Udell and Philip Rose (1975) A Chorus Line by James Kirkwood Jr. and Nicholas Dante (1976) Annie by Thomas Meehan (1977) On the Twentieth Century by Betty Comden and Adolph Green (1978) Sweeney Todd by Hugh Wheeler (1979) Evita by Tim Rice (1980) Woman of the Year by Peter Stone (1981) Dreamgirls by Tom Eyen (1982) Cats by T. Eliot (1983) La Cage aux Folles by Harvey Fierstein (1984) Big River by William Hauptman (1985) Drood by Rupert Holmes (1986) Les Misérables by Alain Boublil and Claude-Michel Schönberg (1987) Into the Woods by James Lapine (1988) No Award (1989) City of Angels by Larry Gelbart (1990) The Secret Garden by Marsha Norman (1991) Falsettos by William Finn and James Lapine (1992) Kiss of the Spider Woman by Terrence McNally (1993) Passion by James Lapine (1994) Sunset Boulevard by Don Black and Christopher Hampton (1995) Rent by Jonathan Larson (1996) Titanic by Peter Stone (1997) Ragtime by Terrence McNally (1998) Parade by Alfred Uhry (1999) James Joyce's The Dead by Richard Nelson (2000) The Producers by Mel Brooks and Thomas Meehan (2001) Urinetown by Greg Kotis (2002) Hairspray by Thomas Meehan and Mark O'Donnell (2003) Avenue Q by Jeff Whitty (2004) The 25th Annual Putnam County Spelling Bee by Rachel Sheinkin (2005) The Drowsy Chaperone by Bob Martin and Don McKellar (2006) Spring Awakening by Steven Sater (2007) Passing Strange by Stew (2008) Billy Elliot the Musical by Lee Hall (2009) Memphis by Joe DiPietro (2010) The Book of Mormon by Trey Parker, Robert Lopez and Matt Stone (2011) Once by Enda Walsh (2012) Matilda the Musical by Dennis Kelly (2013) A Gentleman's Guide to Love and Murder by Robert L. Freedman (2014) Fun Home by Lisa Kron (2015) Hamilton by Lin-Manuel Miranda (2016) Dear Evan Hansen by Steven Levenson (2017) The Band's Visit by Itamar Moses (2018) Tootsie by Robert Horn (2019) v t e Tony Award for Best Original Score 1947–1975 Street Scene by Kurt Weill (1947) Kiss Me, Kate by Cole Porter (1949) South Pacific by Richard Rodgers (1950) Call Me Madam by Irving Berlin (1951) No Strings by Richard Rodgers (1962) Oliver! by Lionel Bart (1963) Hello, Dolly! by Jerry Herman (1964) Fiddler on the Roof by Jerry Bock and Sheldon Harnick (1965) Man of La Mancha by Mitch Leigh and Joe Darion (1966) Cabaret by John Kander and Fred Ebb (1967) Hallelujah, Baby! by Jule Styne, Betty Comden, and Adolph Green (1968) Company by Stephen Sondheim (1971) Follies by Stephen Sondheim (1972) A Little Night Music by Stephen Sondheim (1973) Gigi by Frederick Loewe and Alan Jay Lerner (1974) The Wiz by Charlie Smalls (1975) A Chorus Line by Marvin Hamlisch and Edward Kleban (1976) Annie by Charles Strouse and Martin Charnin (1977) On the Twentieth Century by Cy Coleman, Betty Comden, and Adolph Green (1978) Sweeney Todd by Stephen Sondheim (1979) Evita by Andrew Lloyd Webber and Tim Rice (1980) Woman of the Year by John Kander and Fred Ebb (1981) Nine by Maury Yeston (1982) Cats by Andrew Lloyd Webber and T. Eliot (1983) La Cage aux Folles by Jerry Herman (1984) Big River by Roger Miller (1985) Les Misérables by Claude-Michel Schönberg, Herbert Kretzmer, and Alain Boublil (1987) Into the Woods by Stephen Sondheim (1988) City of Angels by Cy Coleman and David Zippel (1990) The Will Rogers Follies by Cy Coleman, Betty Comden, and Adolph Green (1991) Falsettos by William Finn (1992) Kiss of the Spider Woman by John Kander and Fred Ebb / The Who's Tommy by Pete Townshend (1993) Passion by Stephen Sondheim (1994) Sunset Boulevard by Andrew Lloyd Webber, Don Black, and Christopher Hampton (1995) Titanic by Maury Yeston (1997) Ragtime by Stephen Flaherty and Lynn Ahrens (1998) Parade by Jason Robert Brown (1999) Aida by Elton John and Tim Rice (2000) The Producers by Mel Brooks (2001) Urinetown by Mark Hollmann and Greg Kotis (2002) Hairspray by Marc Shaiman and Scott Wittman (2003) Avenue Q by Robert Lopez and Jeff Marx (2004) The Light in the Piazza by Adam Guettel (2005) The Drowsy Chaperone by Lisa Lambert and Greg Morrison (2006) Spring Awakening by Duncan Sheik and Steven Sater (2007) In the Heights by Lin-Manuel Miranda (2008) Next to Normal by Tom Kitt and Brian Yorkey (2009) Memphis by David Bryan and Joe DiPietro (2010) Newsies by Alan Menken and Jack Feldman (2012) Kinky Boots by Cyndi Lauper (2013) The Bridges of Madison County by Jason Robert Brown (2014) Fun Home by Jeanine Tesori and Lisa Kron (2015) Dear Evan Hansen by Benj Pasek and Justin Paul (2017) The Band's Visit by David Yazbek (2018) Hadestown by Anaïs Mitchell (2019).

I'll 💛 to go 👀 this next year. Free movies online les miserables.

43:24 when everybody comes out to bow. STANDING OVATION would definitely watch this again WICKED

26:13 Popular. Full movie les miserables 2012 free. Won 3 Oscars. Another 84 wins & 174 nominations. See more awards » Learn more More Like This Biography | Drama Romance 1 2 4 5 6 7 8 9 10 7. 1 / 10 X A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer. Director: Tom Hooper Stars: Eddie Redmayne, Alicia Vikander, Amber Heard Musical 7. 2 / 10 Good girl Sandy and greaser Danny fell in love over the summer. When they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance? Randal Kleiser John Travolta, Olivia Newton-John, Stockard Channing Comedy 6. 4 / 10 The story of a bride-to-be trying to find her real father told using hit songs by the popular 1970s group ABBA. Phyllida Lloyd Meryl Streep, Pierce Brosnan, Amanda Seyfried 7. 6 / 10 Celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation. Michael Gracey Hugh Jackman, Michelle Williams, Zac Efron James Marsh Felicity Jones, Tom Prior Music 8 / 10 While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future. Damien Chazelle Ryan Gosling, Emma Stone, Rosemarie DeWitt A writer and wall street trader, Nick, finds himself drawn to the past and lifestyle of his millionaire neighbor, Jay Gatsby. Baz Luhrmann Leonardo DiCaprio, Carey Mulligan, Joel Edgerton History The story of King George VI, his impromptu ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer. Colin Firth, Geoffrey Rush, Helena Bonham Carter 7. 8 / 10 A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated R. M. S. Titanic. James Cameron Kate Winslet, Billy Zane 6. 7 / 10 Shakespeare's famous play is updated to the hip modern suburb of Verona still retaining its original dialogue. Claire Danes, John Leguizamo 6. 9 / 10 A smart but sensible new graduate lands a job as an assistant to Miranda Priestly, the demanding editor-in-chief of a high fashion magazine. David Frankel Anne Hathaway, Adrian Grenier A poet falls for a beautiful courtesan whom a jealous duke covets. Nicole Kidman, Ewan McGregor, Edit Storyline Jean Valjean, known as Prisoner 24601, is released from prison and breaks parole to create a new life for himself while evading the grip of the persistent Inspector Javert. Set in post-revolutionary France, the story reaches resolution against the background of the June Rebellion. Written by Anonymous Plot Summary Plot Synopsis Taglines: The Dream Lives This Christmas See more » Motion Picture Rating ( MPAA) Rated PG-13 for suggestive and sexual material, violence and thematic elements See all certifications » Details Release Date: 25 December 2012 (USA) Box Office Budget: $61, 000, 000 (estimated) Opening Weekend USA: $27, 281, 735, 30 December 2012 Cumulative Worldwide Gross: $441, 809, 770 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia Years earlier Anne Hathaway had the chance to play the female lead in another Broadway musical film adaptation; that of Christine Daaé in Joel Schumacher 's The Phantom of the Opera (2004). She had to turn the role down, as she was under contract with Disney to make The Princess Diaries 2: Royal Engagement (2004). See more » Goofs The calf seen wandering in the barricades scene is a whitefaced Hereford poll. That breed did not exist before the 1880, and did not reach France until the 20th century. See more » Quotes [ first lines] Jean Valjean: Look down, look down, don't look them in the eye. Chain Gang: Look down, look down, you're here until you die. Crazy Credits "The Director would like to thank his parents Meredith and Richard Hooper, Rachel Hooper, Ben Hooper and Roger Mortimer for introducing him to musicals. " See more » Frequently Asked Questions See more ».

Every time when I watch this, my eyes are filled with tears. Free Movie les misérables les.

1. 
2. Coauthor: Les Misérables
3. Info BNK and CGM